The Secret of Evil

 I'd been sitting on this concept for a while, and then I found myself relaxing on Youtube one night, watching a film reviewer's analyses - and I was jolted from my comfortable mood and into a flurry of expository frothing. 

Possible content warning for talk about cults, general acts of violence, the dark side of humanity, cops, abuse - you get the idea.

Now, I think Ryan Hollinger does a great job of analysing this giving the constraints of his expertise and knowledge. I generally love his channel, and would recommend it. However, the underlying concept of this movie bothered me so greatly that, well - here we are. 

What is evil?

For our purposes, "evil" refers to socially unacceptable, transgressive acts that cause harm to others. Examples include violent acts, sexual assault, murder, theft, fraud, lying - you get it. 

Now, as long as humanity has been living in groups, squatting near our little fires, we've quarreled and bickered and occasionally wronged or harmed each other - sometimes, more severely than at others. The call to understand both our own dark impulses and bad decisions and to understand those taken by others appears to be pretty universal. Narratives and folkloric tales about evil, good, punishment, and morality appear in every single human civilization and culture, from small subsistence clans and tribes to our modern era. 

I have a strong interest in cults, extremist groups, new religious movements, and that kind of thing. I've always wondered how "evil" came to be. It was a while before I understood that evil is a verb, not an actual force in the world. 

But writers - especially in Hollywood, but in the general creative sphere as well - don't all have degrees in the human condition. And while that's fine, what is not fine is the way that evil is portrayed and continues to be portrayed. Not to mention the fact that criminality is often portrayed as "evil," regardless of whether or not the criminal actions harmed anyone (i.e. an expired license plate vs a speeding ticket vs an assault charge). 

Now, fun, lighter-hearted portrayals of evil aren't really the issue here - I'm talking more about the serious portrayals, where a movie or story is really trying to Say Something. The silly portrayals of things, however, are rooted in the more serious stuff - so let's talk about what we see as evil.

There's no such thing as "born evil" 

Take a minute with it. If you already know that, and are going, "yeah, duh," then let me explain the whole "evil" thing in the context of murderers. I'm so tired of these bad, stupid true crime narratives about someone who just "wakes up and does bad things". They allow us to ignore the massive preponderance of people who a) commit crimes for survival purposes, b) the misunderstandings of how mental health issues and neurodivergence works (i.e. "evil autistic" etcetera), and c) socio-economic factors, not to mention d) the cycle of abuse. That's not even including e) cultural dehumanization of others caused by privilege - such as with wealth, perceived moral authority, or racist or gender-based ideas, to name but a few. 

Let me run through those again with examples. Now, I'm not saying these are actually all "causes of evil," but they're various examples of causes of harmful acts, that some people might label - fairly or unfairly - as evil. Some of these groups and people are especially vulnerable to maltreatment, and especially innocent of what they're accused of, but culturally, we don't usually act like that's the case.

a) survival criminality - doing something bad for either good reasons or personal safety. Example: stealing a TV to pay for a child's school fees; stealing to pay for drugs in the case of an addiction 

b) mental health issues and neurodivergence - people who experience impaired empathy and/or struggle to conform to societal cultural norms. Example: an autistic child slapping a caregiver during a meltdown, because they feel angry and/or threatened.

c) socio-economic factors - poverty is often criminalised, and some people - in Canada, that includes Indigenous, Metis, and First Nations people, and Black, African, and Caribbean Canadians in particular - are disproportionately accused of and suspected of crimes. This can lead to being forced into the prison system, loss of opportunities, prejudice, and murder. If you've heard the phrase "school to prison pipeline" regarding the way Black people are treated, you'll know what I'm talking about. (If you don't, look it up; it's very important. Also horrifying.) Example: a store manager points at a Black child for acting "suspicious," assuming the child has stolen a candy bar. (Depending on the portrayal, either the child will be implied to be "evil" or the store owner will be "evil".) 

d) the cycle of abuse. Abuse survivors who don't deal with their experiences in some way go on to abuse others. Example: a man who is assaulted by his uncle may later go on to assault his daughter's friend in her teen years. Alternately, an abused child may go on to abuse her spouse in adulthood.

e) cultural dehumanization of others caused by privilege - such as with wealth, perceived moral authority, or racist or gender-based ideas, to name but a few. The trope of the Evil Rich Executive from the 80s is a good example. See also, President of the US #45 for abundant and horrifying examples of dehumanizing and abusing others. 

Does evil even exist? 

I mean, colloquially, sure. As a primeval force? No. Even companies that profit from true crime content will, with some bashfulness, admit that a significant majority of the "terrifying killers" they love to portray are just severely abused people who've ended up lashing out in the worst possible ways. In the exceptionally rare cases where multiple murderers aren't actually abused in childhood and/or suffering severe adverse effects, there's often neurological damage involved. 

However, as you can see from this brief analysis, it's pretty clear that evil is more of a verb than a state of being. Someone's actions can be evil, but defining a person as "evil" assigns a certain kind of evaluation that is both dehumanizing and oddly absolving. I won't dive into the depths of Christian theology about evil right now - but even in games like Dungeons and Dragons,  confronting the question of "evil races" (yikes) has required some updates and changes. And frankly, that's a good thing. 

How do we write about bad things and evil, then? 

Don't take this essay as the vituperative howling of an inveterate killjoy. Rather, it's a plea for authors to realise that the old stories we've been telling are not only dusty and boring from overuse, they're deeply inaccurate. The real world's cues are so much more interesting and fertile, and trying to tell the same old mortality tales that have already been explored - without adding to them - is both artistically annoying and actually pretty harmful. 

All of these things can still make for incredible, nuanced, interesting, gripping stories...but NoOoooooo, Hollywood still loves, "but what if just pure evil?" At this point, the thought experiment side of it is no longer a good argument. It's become the predominant understanding of how crime, especially murderers, work - and that's really, really bad.

We learn about the world from the narratives we take in - whether that's pursuing true crime tales late into the night or listening to harrowing tales of social justice and fights against societal forces, or even just watching a fun, dumb horror movie. Luckily, there's a lot of wonderful work that's been coming out that does take these nuanced, complicated stories into account - to list some podcasts I love, How We Roll, Dungeons and Randomness, Campaign: Skyjacks, The Adventure Zone, and Critical Role all tend to feature plenty of nuance in the "evil" characters, as well as in the "good" ones.

So ask yourself - who are the heroes in this tale, and in the world? Who do you instinctively take the side of when you see a real-world conflict? Although we all pride ourselves on being able to tell the differences between facts and fiction, our construction of the world comes from stories - and that means we have to be honest about who we label "the bad guys," and why.

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Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and their cats. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people’s manuscripts, the next books in her series, and drinking as much tea as humanly possible.

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