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Showing posts with label fairy tales. Show all posts
Showing posts with label fairy tales. Show all posts

Tuesday, 30 July 2013

The Loved, The Lost, The Dreaming (Includes Book 1 of the Nightmare Cycle)

Now available on Amazon, Barnes & Noble, Apple iBooks, Smashwords, and Kobo eBooks





Nightmares bleed into the waking world. 

Featuring a full-length novel, "The Underlighters", and eleven stand-alone short stories, this collection blends fairy tales, horror, and science fiction. A city of shadows lurks underground. Restless ghosts, eerie dolls, and spiteful stepmothers wait among other dreams. These are haunting stories of love, madness and small disasters.


"The Underlighters" is a dystopian horror coming-of-age adventure that follows the life of Janelle Cohen from insignificance to bitter-sweet triumph. "Footsteps in the Snow" is a Lovecraftian nightmare set in a Canadian winter. "A Shot of Vodka", a darkly realistic exploration of life after trauma, rounds out the collection. More and stranger stories fill in the gaps. 

This genre-breaking anthology is a new and ferocious look at the frailty of the human condition. Gender and sexual mores are rewritten; dreams and reality merge. Primal fears take physical form. This beautifully-written thrill ride will captivate you long after the last page.


Buy it here: 


Amazon 

Barnes & Noble
Kobo
Smashwords

Wednesday, 2 January 2013

Over 1000 Followers! Let's Celebrate with a Preview!

Hello Hello! 

Well, my dears, I've broken the 1000 followers mark on Twitter, which means I can now start to follow people back again, AND, that I can give you all the reward I promised for either 250 fans or 1000 followers! 
Have you been feeling neglected? Wondering why I didn't publish much of a damn thing in December and barely much at all in November? Well, you're about to learn the reason. The Underlighters, a FULL LENGTH NOVEL, will be coming out soon as part of The Loved, The Lost, The Dreaming! That's right! Not only will I have a dozen new stories for you, I'll have a full-length novel! 
Without further ado, ladies and gentlemen, please don your cyberpunk gear and prepare to get down with your nightmares. This is...a preview of The Underlighters. 

*****

9—June 8, 0048 P.D.

So. Like I said, I’m back. Having to cram this in at lunch time—I never take my journal to work!—feels so awkward, but I need as much personal space as I can get, away from people. Back to my...adventures.
The elevator opened on the old apartment lobby. It was a tall building, and one of the first to be salvaged. I know the building well—it’s one of the main training grounds—but it’s still creepy as hell. Being able to sense that you’re far above the ground—above! Not below!—without being able to see the distance, is terrifying. Some of the rooms are full of Dust, and very dark; others were pretty well-sealed, and it’s mostly confined to the outside.
Chloe was already hanging back uneasily. The ambient level of Dust in here was low, but it was still there—dimming our senses, deepening shadows, fading colours. Ian, a brave soul, was sitting at a desk.
All of our masks were set to the open channel automatically, rather than being dialed down to ‘local’ or ‘intimate’ range.
“Welcome,” Ian said, his voice friendly. “Ready for your expedition?" I don’t think I’ve seen him more than once or twice without his suit; he’s one of the most avid Crows, living close to the surface.
“You bet they are,” said May. “I’m going to head back down. Kids, sign your names on the form and stay out of trouble. How long will you be?”
“No more than a couple of hours,” I guessed. “Let’s say three.”
“With Una on rounds, you can bet someone will be coming to check on you if you’re not back by then,” Ian reminded us.
In spite of my standard-issue protective gloves, skin-tight and slightly nobbly on the fingertips, the pen slipped in my hand, left a shaking line in the middle of my name. The others followed me, signed their names on the lines. Our names on the paper seemed so tenuous and frail, considering what they represented. A line on a page in thick, gritty ink--the only thing tying me visibly to the world below, proving that this was the last place I’d been seen. I decided not to think about what would happen if I went missing, if the suit was ripped, if I ended up stumbling around Up here...
 “Good luck!” said May, returning to the elevator.
Ian nodded us forward. There was nothing to do but go into the world, and see what we could find. Aiden moved ahead of me, leading the charge forward.

As we opened the apartment doors, we found ourselves in a grey world. The light was somewhat visible, here, in one of the thinnest areas. It wasn’t entirely unlike the diffuse light during the evening cycle, but below, the light doesn’t change like this. Patches of darkness swirled across the sky, across buildings. Even without Dust crawling in my system, the world was full of a moving, liquid blackness. Artificial light and the light of the sun could shimmer through, faintly, but barely enough to see by. I couldn’t see their faces through the masks, but the way my friends straightened and slipped their hands to their holster belts told me everything I needed to know about their feelings.
The weird light and the interfering Dust were thinner in higher places, matching the air. As a level 1 zone, it was still relatively safe.
We dialed down to the ‘local’ frequency. The strangeness of the old world surrounded me. The big, angular box houses were all empty, sinister-looking, and many were covered in greenery. The wide streets covered in pavement—not walls, but streets and roads! It always amazes me—were broken and covered in plants and potholes. Thick grasses in front of the houses and the enormous trees dominated. A few of the clumsy, boxy cars they used to drive were still lining the streets, but they’d more or less rusted into place.
Half lost kingdom, half forest primeval. We followed the road. Its signs had rusted and been replaced by our own. All of us knew “Elton Street” reasonably well, but the marvel of the big, open world still hadn’t worn off.
“Let’s take Mercer to the Old Uptown though 18th, and then we can ease our way towards Sunnyside,” said Jay, interrupting my musings. “I mean, 18th ave goes right into Sunnyside.”
“Sure,” I said. “You’re the navigator.”
We all walked close together, in a diamond-shaped formation. There were wild dog packs howling in the distance, and the forest-neighbourhood was alive with birdsong and insects. Their lives had continued uninterrupted—it was just ours that had been stopped.
There was no sense in picking through the houses around here—in spite of their rather decrepit condition, they’d been combed finely. Not even a stray marble remained, for the most part; even bones had been interred.
As we walked further down the grassy road, things changed. The darkness was lower, the Dust, thicker—there was less diffuse light, and our lanterns seemed to throw off less illumination. Down below, in our homes, the dark was never absolute—there’s always a candle or a light burning somewhere, even if it’s only in the paintings of windows. With a painted moon and LED studded stars to watch us, we could sleep easily. Here, even awake, it was a different matter. The darkness was alive.
It moved like water through the streets, thick strands and pools of near-opaque blackness swirling around us. Most of it was thick, greyish, foglike, but with a life of its own. Shapes blurred and shimmered in the distance and in shadowed-corners. There was still some sunlight in the sense that the world had a faint glow, but not much. Dad and old movies have given me an idea of ‘dusk’ and ‘twilight’, but this isn’t like it—no stripey colours in the sky. Just murkiness, and shadows, and strange angles where the lingering light and Dust play on shapes.
Chloe was already shivering, and I didn’t blame her. At this point, we were farther afield—out of the Level 2 area, which is partly but not fully explored, and heading towards the Level 3 zone. The murk was deepening, the houses and greenery even more shadowed and twisted by the imperfect light. The old people say our world above is one of endless night, but it’s more than that. Night doesn’t move on its own, and night doesn’t follow you around.
“I guess we should probably start looking for things,” said Aiden. His voice was a little wavery. This was supposed to be a Level 3 area, but the Dust levels were higher than expected—closer to 4. I widened the range of my ‘Local’ signal. Luckily, Jay stepped in.
“Keep your comms open, people. It’s better to say something you regret than getting Lost up here. It looks like the Dust is thicker than we expected. I say we keep this trip tight, and revert to proper protocol, over.”
“Agreed, over,” I said. Next to me, Chloe was starting to cling, brushing my arm constantly. It was annoying.
“Can we just go look at a house and get it over with? Over.”
“Remind me, what are we looking for exactly, Aiden? Over,” I added. I tried to keep my tone light, but I could feel my palms tingling, beginning to sweat.
“Well, to be honest, I was hoping for fancy artificial flowers, but anything nice—vases, whatever, will do. Over.”
“Okay, I guess we should hit them, over,” I replied.
“Which one should we do first? Can we do the nice one with the door that’s still standing? Over.”
“Chloe, we have to check it for hazards first. Unless you want the roof for a hat, over,” snapped Jay. It wasn’t like her to be sharp, not at all. A stealthy trickle of fear down my spine made me pause. If Jay was already nervous, this didn’t bode well.
Sunnyside had probably been well-named a long time ago, but now, with its decrepit streets and half-fallen-in houses, the name couldn’t have been more ironic.
Chloe mumbled something too quickly to understand.
“Chloe, please speak clearly when you’re on comm, over,” I said.
“I said watch out for the witch, over,” she said. A high-pitched note cracked in her voice.
“Um, sure. That house over there, the one Chloe picked out, over,” I said. If Chloe was panicking, it was best to indulge her. I couldn’t decide whether to worry or be annoyed. Feeling the reassuring, second-nature weight of my foldie on my back and the strap of the holster, I forced myself to calm down. I’d been out to these areas before, or close to them, anyway.
The house Chloe had chosen was more intact than the rest, with a big attached garage that had diamond-paned windows on top. It was older in style, according to what I remembered from school, but not ancient like some of the smaller places. Half of those, more than half, were in awful shape or had already been pillaged. That meant the walls would probably be in awful shape, but if the mold hadn’t completely taken over and if its original owners hadn’t returned to ransack it, it might be a gold mine. You could never tell until you took the door down. There were a few times in training for my Level 3 when we’d even found ancient bodies, still, preserved, and picked clean to the bone, lying peacefully in the houses.
Just then, Jay broke comm protocol. “Hey! Look!” I turned, and in the grime on the street, there was something glittering.
I knelt down and picked it up, examining it through the dark lenses of the mask. “Looks like a button. A nice one, too. Plastic. Not worth breaking protocol for, over.” I handed it back to her. “That’d be nice for a sweater or a brooch, over.”
Jay surveyed the ground closely as she took a step or two closer to the house. I wondered what had caught her attention this time.
“Sorry for breaking protocol, but I found another one! Over.”
“Cool! Over.” She held it up, a brassy thing this time, with a bit of plastic in its centre.  
“Good start! How do you guys feel about the garage? Over.” Aiden sounded hopeful, and I didn’t blame him; it wasn’t every day you found things lying in the street, in good condition.
I cleared my throat nervously and decided, hell with it, I’d be honest with them. “I won’t lie, guys, I have a weird feeling that we should just head back. Over.”
I’d intended to make this Aiden’s show, since it was his shopping trip, but I will admit that being Up changes me. It’s the one place I’m willing to lead. Normally I’ll say my bit, but I won’t disrupt the order of things. When I’m Up, I feel calm.
Usually, anyway. Today, we were all jittery. I couldn’t help cranking my neck around, watching for hidden eyes.
“Neg, let’s stick around for a bit, since we came all this way—over,” said Aiden. It was a reasonable request, and I wondered if I was being silly.
“I know what you’re saying, Aiden, but I don’t like this either and I’m going to flip my lid if I have to stay out here much longer. Over,” said Chloe.
“Widen frequency range to open, guys. We’re pushing the boundaries and I don’t want any accidents, over,” I said decisively.
At this point, we’d been standing still, in our diamond shape, backs towards each other—there was a soft stirring in the grass, a faint breeze, but I thought I heard something rustling as well.
“We haven’t got all day, guys. We’ve been walking around for at least forty five minutes, over,” said Aiden.
Chloe stuffed her gun back in the holster and broke, running for the house.
“Chloe! What are you doing! Over!”
She didn’t answer, but her breathing sounded harsh and frightened.
I shook my head in frustration, and did something stupid and logical—I ran after her. 

****

Thanks for dropping by the nest once again. Don't miss any of the good kind of crazy. Find me on TwitterFacebook, and on Tumblr. More reviews, a smokin' hot 'best of 2012' list for indie authors, and, yes, some backlogged reviews are all coming. In fact, there will may even be a 'Missed It' analysis of Bioshock 2! There will even be more interviews. This is your darling SciFiMagpie, over and out!

Tuesday, 12 June 2012

It's One Grimm Popcorn Flick: An Analysis of Snow White and the Huntsman

Welcome back to the nest!

I did promise folklore and mythology on this here blog, and I aim to deliver. And so, with trepidation, hope, and my boyfriend and his baby sister, I found myself in a theatre watching Snow White and the Huntsman. I've lightly touched on my love of fairy tales before. I've also made it clear that I enjoy fantasy settings but have reservations about them. Well, wouldn't you know it, this movie did a fine job of justifying both the love and the...lesser love.

So, first question: should you see this movie? Well, I'd actually recommend it, but with reservations, as I'm about to explain. Do I need to warn you that there will be spoilers? Well, consider yourself warned.

So, without further ado, I'm about to get mediaeval on this movie's ass--settle into a nice milk bath, and enjoy the critique.


Source. It's like this, but also completely different from this.


Main Characters: Or, Why I Wish Hollywood Would Grow Out of Name-Dropping.

As always happens with these sorts of movies, there are three fairly big names and a bunch of mid-level types. The minor actors all do a good enough job, I suppose, but this movie really rests on its trinity of stars, and boy does it show.

Bella Snow White: Kristen Stewart is like rice: you can cover her in sauce, add a variety of stir-fried vegetables, meat or tofu, or serve her as a side-dish, but she is still, irrevocably, a bland and somewhat starchy product. However, rice is actually filling and somewhat nutritious, and has more of a flavour range than Stewart. I'm not saying I hate her. She's too nice to hate. However, I spent virtually every moment she was in the frame wishing she'd close her damn mouth. Even if one has been locked in a tower for the last few years, one shouldn't leave the old gob hanging down slackly. It's just begging for a good slap. She also has a tendency to slouch about and look gormless far more than a princess should.

She isn't as annoying as Bella was, of course, and having the movie write itself around her as some sort of semi-immortal paragon of innocence (or something...it was unclear, and we'll get to that in a minute) only worked half of the time. Sure, in the fairy forest, and a few other times, her delivery really worked--as she paused, a timid, doe-like grace suggested itself in her frame and in her eyes. Those moments of absorption were a pleasure to watch. However, her adorable upturned nose, stick-out ears, and buck teeth sort of clashed with the composition of all the 'fairest in the land' beauty shots. I hate picking on her appearance, here, but I do think it made a difference, especially when she is set beside the queen.

Ravenna: It's no secret that I like girls almost as much as I like men, but damn, Charlize Theron would be enough to make even the most red-blooded straight girl question her preferences. I didn't realise it was her, at first, but the ageless, sculpted beauty and smouldering charisma of the queen left no doubt. Between a truly fabulous wardrobe and some very subtle acting, I was sold. Theron seems to like roles that involve her beauty being compromised, and watching the Queen deal with aging and growing youthful again was certainly interesting. The way she reacted to things and suggestions of her frigidity and victimization (including vaguely implied childhood sexual assault) was marvellous. Oh, sure, Hemsworth and Stewart were pretty, but Ravenna was worth the price of the admission. I would have loved to see a film solely centred on her back-story; not unlike the famous Elphaba of Wicked, she is a fascinating figure. At least one person watching it with me thought her acting could've been better, and I'd agree that the temper tantrum was pretty artificial, but her lonely, self-reliant, wounded character is still a treat to watch.

The Huntsman: Chris Hemsworth does a pretty good job of stepping to the sidelines in his role as Huntsman; he lets Stewart glow with the magic of the film and concentrates on playing a protective, good-natured lunkhead with a few hints of genuine emotional richness. He knows his character has a good heart rather than a strong brain, and he works with it; better still, he doesn't play a mediaeval Thor. The suggestion of questionable morals and a pinch of Han Soloesque actions make him a likeable sort of fellow. He also handles the underplayed romantic encounters with Stewart deftly, which makes one of them, at least. He did seem to be feeling like Pedobear for getting so close to an actress substantially younger than himself, but he handled it well.


Source. Here, you go over there and I'll make a Neanderthal face while your mouth hangs open again!


Visuals: These were what kept me in the theatre and glued to the screen. From the tiny perfect details in the armour construction to the delicious sartorial work in the ladies' and dwarves' costumes to the sweeping beauties of the settings, I was thrilled. The camera work is mostly excellent, with lots of wide-framed shots that really get a story-book feeling across. There was some sloppy editing, unfortunately, and occasionally cases of unintended camera wobbling, but the clean, stark colour choices and use of colour themes was wonderful to see. The Sanctuary's fairy forest was lovely, and the evil forest, equally so; the castle, a joy to explore. There were tonnes of cliches, but the wholehearted embrace of them actually worked in the film's favour. Sometimes the CGI was contrived, but frell it, I didn't care; the atmosphere and composition were spot-on for that fairy-tale feeling. Even if the actors sometimes waver, the designers believed in their vision wholeheartedly.


References: No, not mine, the film's. I just can't let the visual and literary references to other works go unnoticed. There were a few Shrek-like moments with the Huntsman and Snow White, some clear visual references to Lord of The Rings with the whole 'filing in line up a craggy mountain/hilltop edge' bit, and, most surprisingly--and uselessly--a reference to Murakami's masterpiece, Princess Mononoke, when a many-horned white stag in front of a cleft tree 'blesses' Princess Bel Snow White. There were, of course, some very expected Twilight references, such as Ravenna's creepy pale brother, Gollum, WhatsisNuts, explicitly saying that he was watching Be Snow White sleeping. (There is also the beginning of what Bella should've done with Edward, i.e., cut his bitch face open with a rusty nail. I wish that had been a Twilight reference.)

I don't know if I need to mention the 'girl leading the people' scenes and the hint of Hunger Games' Katniss Everdeen about the story; having magpies as Snow White's symbol (yes, I did squee) certainly didn't hurt the suggestion of that, either. I don't even know how to classify the romantic triangle that was suggested--is that even a reference, or just a trope, at this point? There was also a less innocent reference--the Queen wants Snow's heart because it will somehow give her eternal youth. The way Snow White is portrayed and the way Ravenna is portrayed was more than a little reminescent of Neil Gaiman's beautiful Stardust, one of the loveliest fairy tales to be written in the modern age. It's well worth a read, and the eating hearts and entrails of wee cute animals is repeated there as well as in this film, though more tastefully in Gaiman's version. I don't know if I'd call this one intellectual copyright violation, but I'd say that between the darkish feel and that thematic similarity, there was definitely a hint of Gaiman's inspiration for this one.


Source. She's pointing at you, movie, now explain yourself and apologize!


What Does It All Mean?: Now we come to the fun part.

Winter Symbolism:I mentioned that Stardust had a witch looking for an immortal's heart--a star's, in this case, not a princess's--and I should've mentioned the aging-when-magic-is-used thing there, too. This film, however, takes that basic concept, which is not terribly rare, and seems to use it as a subtle commentary on the feminine quest for beauty. Ravenna must literally suck the souls and beauty out of young women to keep herself beautiful, and her makeup is generally cover-model immaculate. In comparison to Snow White's wholesome, dirty-fingered, natural prettiness, which is supposed to come from within (something Steward sort of fails to portray), it is bot spectacular and as artificial as a hothouse orchid. Ravenna also seems to simultaneously love, hate, and fear her condition of imperfect immortality and beauty, a curse forced on her by a mother trying to defend her from the ravages of a predatory king.

Ravenna spends her life destroying men and their kingdoms, but my not-so-inner psychologist noticed some clear suggestions of trauma and replaying her own victimization on others. This makes for a complex villain, and I was actually a bit mad at Snow White for simply stabbing her in the end, rather than shedding a couple drops of her own blood to break the Queen's curse. Sure, Ravenna is evil, but she is still fond of her creepy monkey brother, and even though she is a carrion-creature, personifying death and winter, her loneliness makes her sympathetic. Snow White's verdant themes and spring-toned associations are a bland contrast against Ravenna's solitude, but the message of natural beauty and its triumph over artifice is a subtle one that every review I've seen so far completely missed.

Christian Politics:I also want to touch briefly on the Christianity vs. Paganism thing before I give the perfunctory feminist analysis a go. In one scene, Snow White says the Lord's Prayer, and there are a few quiet references to the Crusades. The Queen, in contrast, is firmly pagan, with her raven association--a callback to celtic goddess Morrigan, goddess of war, associated with the carrion birds. We can't forget her movement through stages of maiden, mother/wife, and crone, and above all, the blood ceremony in her childhood binding her to unnatural life and beauty doesn't really smack of prayer circles, either. The milk baths, too, are an interesting addition to her daily routine of beauty preservation, because milk was supposed to not only soften the skin, but also block magic. Roses, too, responsible for Snow White's colour, are supposed to have anti-magical properties...these are interesting, at least, but the movie never does anything with them, just a couple of unexplored themes to go with all the tiny loose plot threads it leaves.

Dat Feminism:Finally, the feminism thing. The movie passes the Beschdel test--I've mentioned it before, in That Feminist Post, and that's a relief. However, it sends conflicting messages. Ravenna's beauty makes her a victim of male control, but Snow White's mother tells her she will be a good leader, without mentioning a man at all. The romance is nicely underplayed and left to suggestion rather than being a focus (a huge shock for me, but not an unpleasant one). And yet, there are no women in the army apart from Snow White, undercutting that independent idea once again. Add the suggestion that Snow White is somehow immortal, and you have a 'women inevitably ruin everything' situation on your hands. The movie hints at this stuff, but doesn't follow through with it, leaving me hungry for a sequel and/or prequel that is artistically bold enough to do so.


Final Prognosis: It had some huge plot holes and occasionally weak acting, and I'm not even touching the unnecessary cameo dwarves with a standard ten-foot-pole, but the visual feast and subtle themes in Snow White and the Huntsman make it worth a watch. It's good for popcorn viewings, sure, but more intellectual members of the audience will have a few things to play with. And that, at least, counts for something.


*****

Well, I hope you enjoyed the show today. There will be more on folklore, game reviews from the Humble Bundle, science!, and of course, tasty teasers for my fiction writing in posts to come. Don't you dare touch that dial. Follow me on Twitter at SciFiMagpie and on Tumbler at SciFiMagpie. The Tumblr is still under construction, but I hope to see you there! This is your SciFiMagpie, over and out!

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