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Author of queer, wry sci fi/fantasy books.
Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Tuesday, 25 November 2025

A History of Failure

 

woodblock and sailor jerry inspired art of anatomical heart wrappd in ribbon reading, "live like you already failed". Small plant sprouts are emerging from folds of the heart.
Art by Rachel A Rosen, who also designs amazing covers for books (HINT!)

This essay is not about Taylor Swift – or at least, it’s got far less to do with Taylor Swift than my last essay. But there is a connection.

It’s pretty hard to deny that even though it’s made adequate bank, Life of a Showgirl has had – at least on parts of the internet I’ve seen, i.e. my Discord channels and my Youtube and Substack algorithms – a pretty negative reaction from fans and a lot of critics. The line between “fan” and “critic” is blurrier than it’s ever been, in this current era of accessible content creation and platforming. You don’t need to be an expert for your opinion to matter; you just need to catch the algorithm at the right or wrong time.

Regardless, some people are treating the album, and Swift, as a laughingstock, and not for the first time.

Now, in my own life, I mentioned in my last essay that I was running for the local public school board, and while I managed to get over 2900 votes, from a voting turnout of about 18% and about 20k voters or so, I didn’t get a spot on the school board.

 (My shitshow of a provincial government apparently is floating the idea of just abolishing school boards anyway. If you’re Albertan, this is a reminder to make a fuss and do your best to piss off the UCP. Operation Total Recall is underway, and please check it out, because this government is attacking our democratic rights and everyone’s interests, regardless of preferred political affiliation.)

Now – my personal failure here was a disappointment, but I’ve had a much kinder reaction from people. Partly, I don’t have the expectations placed on me that, you know, a seasoned political candidate or a world-famous celebrity like Swift does. And while I’m proud that I made the attempt, there’s still a certain shadow over any effort that doesn’t bear fruit.

It got me thinking: what does failure mean?

There’s something really interesting about failing these days. Now, maybe it’s a modern problem, or maybe there’s a historical precedent here, but at least in my own English-speaking, Western cultural context, it seems to me like failure has developed this moral weight to it.

A Quick, Dirty History of Success

I’ve alluded to the basic concepts of Calvinism and gestured at the Protestant work ethic and its resulting trauma before. In a quick, dirty overview, a prominent strain of Christianity held that some people were chosen for Heaven and others simply aren’t, and the seats are limited: predestination. However, and here’s the extra nasty bit, people thought that God would hint at who was destined for eternal salvation by favouring them with success in their earthly life.

So of course, people who belonged to Calvinist strains of Christianity ended up working as hard as possible to try and demonstrate their state of blessedness. Mix that into the cultural soup of the Industrial Revolution, and you have an extremely toxic recipe for the future.

This whole belief system has kind of evolved into what’s now called the Prosperity Gospel, which is a more aggressive focus specifically on the idea that God will reward you in not only Heaven, but your earthly life, with actual riches. Immortality in a paradise of fellowship amongst loved ones and a divine parental figure is no longer enough to satisfy people who are scraping to make ends meet.

John Steinbeck did not actually say, “Socialism never took root in America because the poor see themselves not as an exploited proletariat but as temporarily embarrassed millionaires.” The thing that this popular misquote gets wrong is at least partly its attribution of blame. It has this implication that damn it, these poor people are just stupid and stubborn, or ignorant – if only they’d see what’s gone wrong!

That perspective glides over the extremely intensive propaganda efforts that have gone into making people believe that poverty is their own fault. After all, if you just work hard enough, you can be a billionaire too, right? Ignore the widening legal loopholes for transference of wealth, avoidance of taxation, and the inheritance chains of property, wealth, and privileged advantages that directly tie into chattel slavery and European aristocratic families, of course. It’s just about luck and working hard! Get on that grindset, girl!

Back to Failure

The thing about focusing on success and The Power of Positive Thinking, and other similar late-Victorian and early 20th century self-help texts, is that it doesn’t really account for what the fuck happens if…you just fail. In The Secret, one of the more recent and deeply influential permutations of modern prosperity gospel, there’s a whole thing about “The Universe” wanting to reward you by giving you whatever you think about most. Of course, that means that worrying about failure will actually result in failure…because the universe is kind of stupid and bad at consent, I guess.

Perhaps, dear reader, you can see the direction I’m pulling you in. The logical corollary of the axiom that success = favour from God or the Universe…is that failure means God, or the Universe, is disappointed in you.

I haven’t seen this discussed much, but the idea lurks like an urban legend intruder beneath the bed, breathing and panting damply, evident but too terrifying to confront directly.

Bad Things That Happen to You Are Your Own Fault”

People don’t say this out loud in exactly these words, but the implication sits there, and turns up constantly, just like that urban legend slasher. Even after #MeToo in the late 2010s, people still say and imply that one’s clothing or behaviour could have been responsible for sexual assault and harassment.

Not attaining the success you expected at work, missy? Clearly the problem is that feminism has failed, and it’s time to Retvrn to the (imagined) past mode of life. Be more…traditional. You want a family, don’t you? Wouldn’t it be relaxing to just spend time with your children at home while your husband takes care of things? All you have to do is the chores, and you already do those! Why work in addition to that?

This particular message is all over social media, popping up in different forms like mutating toxic mushrooms around the earthen cellar door where fascism dwells.

Never in this line of propaganda is there a discussion of, say, fertility problems. Despite the wide accessibility of fertility treatments in our current era, having any kind of trouble, say, getting pregnant or impregnating someone, still carries the sting of humiliation. Never mind the question of what happens if you find out that you can’t crack it as a parent *after* you have children, or the constant, pervasive fear every parent has of failing their child.

As mentioned, the dominant cultural milieu in the West is flavoured by both capitalism and Christanity. Both the wealthy and the super-wealthy benefit from having the broad working class focused on aspiration rather than justice. If people are trying to grind their way to the top, and fighting each other for scraps, they won’t target the people actually holding the reins of power and wealth. Furthermore, if people see wealth as a blessing from God or the Universe, poverty indicates either withholding of a blessing, or failure.

Failure and poverty are thus made uncomfortable housemates, necessary to each other. Any type of failure risks the danger of poverty, and poverty itself is a form of implied failure.

Let’s Make It Worse

So, this is pretty bad, right? Like if you take apart the idea that failure is always your own fault *and* a result of not being good enough for the Divine Parent (whether that’s God or the Universe), it’s pretty scary and daunting. It’s a damn hard standard to meet.

Now put that in the context of our panopticon society. Speaking of 19th century morality that’s stabbing us in the ass, the panopticon was a prison design meant to allow constant surveillance of prisoners, to make sure they were reforming properly. Constant scrutiny and an absolute destruction of privacy is clearly the way to stop someone from hurting people, right? Of course, if we’re talking about people breaking the law, we should probably allude to that whole “poor people commit crimes because they’re poor” thing that tends to happen. So basically, if you surveil and shame people adequately, it should be possible to fix their unfortunate moral defect of poverty.

The best part is, now we have the thing where user interfaces on social media treat every person like a content creator, people feel both social pressure and algorithmic pressure to post regularly. Between the data exposure required for social media and actually posting stuff about one’s personal life, we’ve developed a societal system of self-exposure and peer surveillance.

Now, peer surveillance has always been kind of a thing – people have been up in each other’s business for as long as we’ve been social animals, and in fact, other animals are nosy, too. But the current mode of peer surveillance transcends previous social models. Before, you’d have to be seen or heard doing something you weren’t supposed to; your thoughts, at least, were sacrosanct.

But now we share our thoughts as well, and present the world with an entirely new path of judgement.

And, in a world where the middle and lower class are collapsing together, rather than forging class solidarity and focusing on our mutual opposition, we resort to cannibalism, in hopes of temporary catharsis and relief. After all, if we can root out the class traitors, the “Treatlers” who still order snacks from food delivery services, surely we’ll be able to defeat our enemies, right? Somehow, people bullying each other on social media platforms has failed to trigger the revolution.

How the fuck do we fix this?  

The thing is, this situation isn’t unfixable. In addition to plain compassion and critical thinking and asking ourselves questions – should I *really* repeat this or engage with this content? Am I being too harsh on other people? – we need to practice both self-compassion and compassion towards others.

This sounds extremely boring and un-fun, so if you find yourself with superfluous hostile or mischievous energy, direct it towards the real targets: people in power. You have a right to be angry for what they’re doing to us, so write angry, ferocious letters, make art, or find other creative outlets to express your anger. People in power are so much more fragile than we think they are. We should make them scared again. For legal reasons, I am not directly advocating violent action, but I am advocating protests and strikes, and whatever forms of disruption you can manage.

Harass politicians and political figures who are trying to strip your rights away. Cover for your coworkers when they’re sick or “quiet quitting”. Ignore shoplifting customers, especially if you’re a fellow customer. Buy food for homeless people (and also just give them money). Find out what your neighbours’ names are and actually say hi to them. Be nice to random people on the internet, especially when you don’t want to. And above all else, reframe how you see failure.

What failure really means

Not everything we try to do is going to succeed, but instead of seeing failure as the end of a story, see it as part of a cycle. We can’t learn what works without failures along the way. Like death, failure is an inevitability. Also like death, it tends to be terrifying until you actually encounter it, and realise that it’s an essential part of living. In various ways, we will fail over and over – so the trick is to see how long one can keep going before the next failure; as well as to stop treating failure itself as a moral judgement on everything about us in our lives.

This is hard, slow work, and sometimes being nice to yourself is harder than being nice to other people – so turn your compassion outward; towards friends, family, and strangers, even celebrities.

(Compassion doesn’t mean blind defense, but if you don’t know the difference, maybe go spend some time sitting with that before you yell at me. There’s your first lesson: stop wasting your time yelling at random people on the internet when you could be trolling and harassing CEOs of large corporations.)

With practice at turning compassion outward, it gets easier to ask, “Would I say this to my partner? My best friend?” when dealing with negative thoughts and judgements rooted in the Christian/capitalist paradigm.

The other thing to do with failure is to see the freedom in it. If you’ve already failed, you’re already “a sinner”, and “damned” – so what comes next?

Well, actually, anything you want. If you’re already lost, why not go further? Modify your approach. Find a new goal. Instead of waiting for happiness later, find small happinesses now.  Instead of longing to be a billionaire, or waiting for heaven, ask yourself – what were you hoping for from those things anyway? To help your friends? You don’t need a billion dollars to do that. Life only gets better when you realise that the metrics of success were impossible anyway. To quote a song I like, “we’ll never get to Heaven ‘cause we don’t know how.”

Now, do I actually succeed in living by all of these precepts? It’s a work in progress. But hey, the more I fail, the more I have a chance to try again.

***

A writer and artist, Michelle Browne lives in southern AB with xer family and their cats. She is currently working on the next books in her series, other people's manuscripts, knitting, jewelry-making, and drinking as much tea as humanly possible. Find xer all over the internet: *Website * Amazon * Substack * Patreon * Ko-fi * Instagram * Bluesky * Mastodon * Tumblr * Medium * OG Blog * Facebook

Monday, 5 August 2019

Stuff I Learned This Week: July 29th-August 4th, 2019


This week, I spent a lot of time on Youtube, but there's still some articles and podcasts in here.

- I didn't realise there was a Nordic Bronze Age, but apparently, there was!

- I wasn't familiar with this specific cult, but even though it's closer to the right-wing, it really demonstrates why I'm deeply leery of any group that eagerly suggests armament, seclusion, and control are the solution to violence.

- I now understand more about how interest rates and inflation work! And it wasn't even boring!

- One guy is mostly responsible for anti-immigration rhetoric's spread in the US, and it's all because he was a racist conservationist...

- Treasured son Daniel Mallory Ortberg has returned to writing nonsense on the internet!

- For those unaware that I have a Youtube channel, well, now you know! It's honestly just a playlist channel, and I sometimes use it for social interactions. I've been considering dabbling with tiny little short films, but I tend to prefer taking pictures. Anyway, if you want to see more of what I'm learning, watching, and listening to, my Youtube playlists are updated pretty regularly.

This song made me feel cool. There's just something about shoegaze (blurred vocals, mostly acoustic-based guitar rock from the 90s) that feels perennially fresh and raw to me. If you like it, the band Lush might be to your liking, as well as Hooverphonic! For a more old-school punk girl band vibe, The Regrettes are fantastic, and Charly Bliss has recently put out an absolutely fantastic album - think Metric, but a little more raw.

More on the relaxed electro-pop side is this song, which isn't that much of a new discovery (I've adored Tove Lo for ages), but which I have been utterly obsessed with this summer. However, another artist I've followed for a while, Robyn, also released a new album that's got the same light, sparing, yet still emotional 80s style.

On the jazzier side is this artist, Corinne Bailey Rae, known for "Let Your Hair Down." I'm a big fan of Motown, swing, and jazz, and she may become a welcome addition to my various playlists. Her voice flows like honey and fresh water.




- I also learned why a rare type of honey, bonsai, and Italian marble are so expensive! And that lobsters are cannibalistic if confined...

- Tiger populations are rebounding - yet another case of a conservation program being wildly successful and effective.

Electric car technology is looking fantastic! Cleaning microplastics from our waterways is another struggle that may have just gotten a solution. Teen activist Greta Thunberg, an amazing inspiration, is bringing her show to the States, part of her push towards a carbon-neutral world. I hope it gets serious traction, and I'm excited to watch the effect on the American election.

- Scientists and anthropologists are pushing back hard on white supremacist myths and misappropriations. And writers are weaving marvelous visions of the future to reflect our complex history, too!

- Fox urine is apparently one of the worst-smelling things on the planet.

- this incredible Youtuber has made some great mini-documentaries about my neck of the woods!



- I finally know what a levee is, and why it's important!

- I also understand why clothing's gotten so cheaply made and crappy in the last few years.

- Black holes are really hard to understand, but now that famous picture makes more sense to me.


***
Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and Max the cat. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people's manuscripts, the next books in her series, and drinking as much tea as humanly possible.

Find her all over the internet: * 
OG Blog * Mailing list * Magpie Editing * 
Amazon * Medium * Twitter * Instagram * Facebook * Tumblr * Paypal.me * Ko-fi

Sunday, 25 November 2018

Bad, Broken, and a Seed of Hope: How Dark Speculative Fiction Works

After I'd spoken to a client yesterday, I found myself binge-watching (and listening) to a number of short video essays about Greek and Roman history, and a bit of Egyptian history, on Youtube. The purpose was to help research and enhance our Dungeons and Dragons campaign's storyline and setting - which I should probably write about at some point - but it yielded a most unexpected fruit.

Last night, I found myself lost in a very enjoyable dream with a cohesive and interesting plot; as soon as I woke up, I did as I sometimes do after such a dream, and took notes as best I could, in hopes of capturing the story. But the story's setting was decidedly post-apocalyptic - not Greco-Roman in the least, at least not on the surface.

How did the one result from another? Well, I do have a developmental and line-edit of a post-apocalyptic book on the queue right now - a third installment in the superb and bold (and inclusive!) Eupocalypse series by Peri Worrell. (Other platforms to snag books can be found on a drop-down menu on the book's GoodReads page, so I'm including those henceforth.) Dealing with a potential future in which all plastics and petroleum products suddenly break down, the series is an enjoyable, elegantly written, and ultimately hopeful story about a tremendous, world-shattering catastrophe - as well as a cautionary tale about our reliance on plastics and petroleum products.

In my free time, I have been working through The Odyssey at a pace slightly slower than continental drift, but I recently read Emily St. Mandel's Station Eleven, and I'm currently reading Koko Takes a Holiday by Kieran Shea, a trashy but incisive work of dystopian cyberpunk (which may, admittedly, be a redundant phrase, as cyberpunk is seldom cheerful).

Now - how does all this fit together?


Well, here's the key - civilizations on Earth have gone through phases of development, growth and expansion, internal struggle, and ultimately, either collapse or transition. It happened for the august and remarkable Egyptians; it happened for the Greeks, and it happened to the Romans. Yet all of those peoples persist to this day, and while their populations have changed or interacted with invading or arriving forces, their cultures, ultimately, are not dead.

We have the benefit of thousands of years of history as a mirror, and perhaps it is unsurprising that we cannot but ask if we are participating in the same patterns. The answer is "probably yes, somehow" - but the conclusion is decidedly hopeful nonetheless.

The way we run through potential scenarios and hypothetical risks (not unlike the brain while we sleep at night, busily creating its illustrative dreams from scraps of our experiences) is through storytelling and fiction.

Surprise! I'm a writer, not just an editor 


As long-time readers may know, and as newer readers may not be aware, I myself write primarily in two genres - dystopian fiction and post-apocalyptic fiction, both of which fall into the broader categories of science fiction and speculative fiction in general.

Where speculative fiction broadly encompasses all fiction a) including at least one element changing the setting or reality from our own and b) subsequently asking, "What if?", its subset science fiction accomplishes these aims primarily by taking inspiration from biology, climatology and the earth sciences, technology, astronomy, psychology, and medicine. Magical, non-Earthly, or transhuman elements may also sneak in there. Fantasy does so by pulling both from history and (arguably) from non-scientific or trans-scientific ideas, usually based on magic (which is about going beyond the boundaries and limits of science).

But how do dystopias and post-apocalyptic fiction actually work? How do we define them exactly? A fair bit of digital ink has been expended on this topic, but I think it comes down to two very specific iterations of the question.

The question is, "What if everything changed?" In the case of a dystopian book, the question is, "What if everything got worse?" In the case of apocalyptic fiction, it's "What if everything broke?", and in the case of post-apocalyptic fiction, it's, "What do we do after everything breaks down?"

How these questions are answered, and how they change in specific instances - for the much maligned YA romances set in post-apoc or dystopian worlds, the question is, "How do we love after everything breaks/when the worst possible thing happens?"

But the more I thought about dystopian and post-apoc stories in broad strokes, the more I came to a conclusion that surprised me: dystopian books, even the famously grim 1984 by George Orwell, always posit that change is possible. So in a sense, what the two genres have in common  - apart from literally meaning "bad world" and being about "a broken world" respectively - is that they both aim to answer, "and now, what do we do next?"




"It's not for you to know, but for you to weep and wonder, when the death of your civilization precedes you."

To cope with the loss of one's civilization is an almost unimaginable task, but that is what these types of fiction set out to do - and in the process, to ask, "How will we rebuild, and what will we create?"

And from that, as grim as it may seem, we can look to history and feel a sense of hope. As much as Percy Shelly wrote about Ramses in "Ozymandias" as a king's statue broken and abandoned in the desert, we still know and speak his name to this day. We know he was an exceptional and fecund king who brought peace to the Nile kingdoms and built great and beautiful monuments that have outlasted even Time itself. And we are learning more each year about our ancestors. So as much as the Egyptian civilization - which lasted five thousand years and was so old that Cleopatra lived closer to the discovery of flight and space flight than to the building of the pyramids - has fallen to ruin and dust and the sands of time, it's also fine. 

We remember. We speak the names of the fallen. And as Terry Pratchett, author of the magnificent Discworld series put it,

“Do you not know that a man is not dead while his name is still spoken?”
Even if the worst possible things happen, these dark and dire settings are about what we remember, and ultimately, what we rebuild. Post-apocalyptic and dystopian books aren't about the end of the world - they're about a disruption in civilizations and our worlds, and how we carry on and return to greatness.

***
Michelle Browne is a sci fi/fantasy writer. She lives in Lethbridge, AB with her partners-in-crime and their cat. Her days revolve around freelance editing, knitting, jewelry, and nightmares, as well as social justice issues. She is currently working on the next books in her series, other people's manuscripts, and drinking as much tea as humanly possible.

Find her all over the internet: 
The mailing list * 
Amazon * Medium * Twitter * Instagram * Facebook * Tumblr * OG Blog



Friday, 20 April 2012

EMERGENCY UPDATE

you know it's exciting because I'm using capitals....

And the Stars Will Sing is now out on Smashwords! Go buy it! Now! Here is the link:

And the Stars Will Sing

Enjoy! This is the SciFiMagpie, over and out!

Sunday, 26 February 2012

Back in the Day...

Hi All!

Just a short post tonight...

...on the history of And the Stars Will Sing, as promised!

At the time when I started the story, in 10th grade*  I had just started to get into the swing of writing. I was working on a novel, sure, but all I had so far were a few short stories and some really atrocious poetry. Then, one day, I found myself browsing about in a copy of Astronomy Today. There was an article on some classic Hubble shots. The full-colour photos were, I learned later, based on painstaking analysis of the probable contents of the nebulae and stars. Hubble shots were always taken in black and white first. At the time, though, I didn't know that, and probably wouldn't have cared. Those photographs of eternity, of endlessness, touched something in my teenage heart, and I before I knew it, I was working on something longer than a short story and much shorter than the novel, a new form in a new genre.
The title popped into my head with the mental image of Crystal walking down the hall of Crossing Paths and humming it to herself. Crystal was a pretty clear character from the get-go, with a bright, perky personality and just enough mischief to keep life interesting for herself. Describing her maturation from a green university student to--as she sees herself at the end of the story--a much more worldly-wise and scarred person was interesting, because at the time I didn't have the life experience to figure out what those changes would be like. I preserved a lot of the naivety of my own voice as a writer in Crystal's tone as I edited it later. In retrospect, I think giving her that goofy, inexperienced vibe  had a  serendipitous accuracy if my real life experiences with people are anything to judge by.

*In other words, I was fifteen when I first got this baby underway. OH GOD I FEEL OLD. 

From there, I had no idea where the plot was going, but the next person to make an appearance was Jai. (Don't know who that is? buy the book and find out! http://www.amazon.com/dp/B0075G7GEA)
In comparison to my writing nowadays, his character seems a little quaint, but his pep, spark, and difficult personality made him fun to describe and interact with. From there on, I started to fill out the background cast. Kyall is probably my favorite of this bunch; one of these days, I might describe his back story, since it sounds interesting. I'm not sure if I can make it relevant, but since there will be at least two more short stories released that are set in this universe, he'll probably stroll onto the stage at some point. His character development is more of a tease in AtSWS, but I've been told that he has a very remarkable sense of presence, and I'd love to learn more about how he made the decisions he did earlier in life. (What? You think I know? This stuff writes itself, I'm just the pencil-pusher, half the time...)
The plot followed pretty easily from there; it's not terribly complex, but it was never intended to be. (I'm trying really hard not to spoil it for you so you new readers won't feel ripped off!) It was AtSWS that gave the me the practice in writing a fight scene and very basic social drama interactions that have become so invaluable now. I remember running home from class and gluing myself to the computer.
And later, when I crafted The Wordthieves, the next complete story in this series, everything I learned in those early days came very much in handy.

And that's all there is to the genesis of And the Stars Will Sing! As for its sister piece, Wordthieves, I'll be teasing you with details about this dark little work very soon.

So long for now!



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