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Author of queer, wry sci fi/fantasy books.
Showing posts with label winter. Show all posts
Showing posts with label winter. Show all posts

Monday, 18 January 2016

Stirring a Tail Wind in the Doldrums: Beating Writer's Block

Hello hello!

It's been a long time. Since I last shared Katie's post in November, I had to deal with health issues for both myself and my partner, and after that, a move to another city. Add in my high and still piling-up editing queue, and you have a recipe for a blog disaster--a long, cold period of abandonment.

I considered abandoning my blog entirely. It's not unheard of, and it happens to a lot of blogs and bloggers--to many writers, as well. On that topic, I'm now months behind on my publishing schedule.

What was I to do? Merely navigating to my blog or my writing folders stirred self-loathing's embers and the sickly smoke of guilt. A close friend of mine, over at SarahDimento, went from two hours a day (!) devoted to writing, down to only fifteen minutes, and then fell off the wagon a bit. It's an epidemic, especially at this time of year, and for anyone who suffers from Seasonal Affective Disorder or depression.

But being a writer means that even when writing is not physically or mentally possible, an itch and a tickle remain. They can only be ignored for so long. And then, too, this is the season of resolutions. The Romans saw it as a grim time of year, to look back to the past and consider one's behaviour, and many of us lose ourselves in guilt over broken self-promises and holiday indulgence.

The only way to break the cycle is to refuse to indulge in guilt, and just try to do better without self-condemnation. Since I can only assume that some of you are struggling with your writing goals as well--or have no idea where to start with goals.

Wat do?


I have a list of prompts I give my editing or coaching clients. Here are a few of them to chew on and to get you started. These are great for short stories, but can also be thrown into the middle of a story if you're stuck. Of course, they can also then be deleted if you don't like the results, but don't worry about quality--start with trying to write. Behold!

  • What could a dying man possibly want as his dying wish?
  • A lightbulb just broke, and it is the worst thing that could have happened. Why?
  • Your character is locked in a bathroom stall. How did they get there, and why are they there?
  • Your character's mother is right behind them, and this is terrible. Why?


But maybe that's not enough. 


What else can you do? Take 'er easy on yourself. Try a 'no zero' thing. Write at least one word a day. That is right--literally just one word. Or, one word a week, if it's a bad week. If you do a whole sentence, guess what? You just broke your daily quota; that's what! Words can be in your blog, journal, or a story file. Basically, Facebook, Twitter, emails, and texts don't count--it's tempting to count those communicative mediums, but try not to cheat.

One word is too easy, but short stories sound too hard. 


You can also try free assocation--just write strings of nonsense, following whichever words come to your head, in whichever order. These sometimes bear fruit, and it's a good idea to keep a prompt scrapbook for times when a short story idea crops up.

The newspaper, if you can still find one, can also be a goldmine. Online blogs and compilers are pretty good, too, especially if you follow weird news streams. Personal ads and Craigslist are particularly interesting places to browse for a short idea. Any conspiracy theory site can be an excellent leaping-off point, and just because you're Netflixing, doesn't mean you can't take some notes.

What if the notes don't do anything? 


Don't worry about it. The discipline required is what you are trying to build, and the point is to overcome guilt and self-loathing, as well as a sense of failure. The one thing that won't keep you creating and working is focusing on everything that hasn't happened.


Hell, last week I could barely Netflix. It was bad. Today? Today is good. So keep on truckin'; writing isn't a sprint. It's a marathon. And you know what's the secret about marathon running? Sometimes y'walk.

And if you can't write, doodle or colour. Just put that pen on paper.


***
\Thanks for returning to the nest. Leave a comment and say hi! I want to hear from you. Keep up with the new releases by getting on the mailing list.Buy my books on Amazon, and keep up with me on TwitterFacebook, Tumblr, and the original blog. This is the one and only SciFiMagpie, over and out! 

Thursday, 13 November 2014

Frost and Other Stories

Now available on Amazon, Barnes & Noble, Apple iBooks, Smashwords, and Kobo eBooks






Containing a handful of short stories and the novelette 'Frost', this holiday anthology brings together stories about the dark side of the season. This blackly humorous and chilling collection explores aspects of the holidays you won't read about in Chicken Soup for the Soul. Get your whiskey; it's going to be a long night.

Sunday, 1 December 2013

A Princess and a Problem: Disney's Next-Gen Princess Movies (Girlcember Part 1)

Hello hello!

Sorry for the intermittent posts. You do not want to know how many manuscripts I have edited in the last couple of months. No, really, you DON'T.

Tonight, I got the chance to see Frozen with my boyfriend Andrey and his brilliant little sister. I was expecting it to be okay. Probably about Brave good, or Princess and the Frog good--that is, mediocre for Disney but not childhood-shatteringly bad.

What I got was a masterpiece that made my inner feminist jump up and down in glee, made my inner twelve-year-old jump up and down in glee, and my almost twenty-four-year-old outer self curse the bastard who had been cutting onions in the theatre.

Now, this is an analysis, so it goes without saying that there will be


SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS 


...so turn back before it's too late if you haven't seen the movies yet! 

Right. Good? Good. 

I would love to gush about the movie, its design, and everything amazing, but in order to make sense of why it's so special, we need context. Serious context. Are you ready? Then let's kick off Girlcember with an analysis of why Frozen is so solid, and why its predecessors just didn't work. We're doing this in stages, and let's flash back to 2009.



Source.  So close, and yet so far.

Precursors, Part 1: The Princess and the Fail 


In addition to the numerous equality issues (link) regarding the portrayal of the African American MC--who spent most of the movie as a frog--TPaTF suffers from a mixture of both too much effort and too little. Disney's history with PoC--Princesses of Colour as well as People of Colour, in this case--is noticeably spotty. This movie, for me, had 'try-hard' written all over it. I was nervous but excited for the setting. I love jazz, equality issues, and Disney, so what could go wrong?

Well...everything, I guess. While Naveen was a noticeably excellent and well-developed hero, Tiana was kinda thin. She works her butt off, but the movie's endorsement of workaholic behavior, skirting around equality issues, and her excessively perfect personality just didn't make it gel. As with Ariel, she doesn't really grow or experience a serious challenge that requires her to change. Again, it's not bad, and it's worth marathoning, but the company was so scared of doing something offensive that it managed to be offensively bland instead. I appreciate that she was a hard-working and intelligent young woman, and that she earned everything she got, with the prince basically being a nice bonus. I liked that they had time and fantastic reasons to fall in love, and although it was inaccurate and a bit...ah, how do we put this?...stereotypical in the way it portrayed voodoun, I thought the various kinds of magic were pretty neat. That was a nice change, at least. That's a good description of the movie, though; 'nice'. But that's about it. 



 Source. Again, so close, but so far.

Precursors, Part 2: I Know It's Cheating, but Let's Mention Enchanted Anyway 


Enchanted came out in that really awkward period where Disney was trying to...I don't know, pretend its princess movies weren't a thing, I guess. There were piles and heaps of criticism of the princesses, particularly by White Women's Issues Weekly, but even I've done a post on issues with them.

I admit that I liked Enchanted, especially in the vicious bits of satire--I howl every time the rats and cockroaches and pigeons come up in that animal friend singing scene. I love the fairy tale prince. However, the queen, Nancy, and the single father love interest--I can't even be arsed to look up his name--were bland. The movie makes fun of Disney's heritage, but Giselle never does anything violent or really that subversive. Sure, she holds a sword and sort of accidentally knocks the bad CGI dragon off, but her purity is never questioned. I like the reversals and the satire and the whole-hearted goofiness of its parts, but it leans on tropes, and that injures the whole. I do like that it dealt with divorce, actual work, and differing ideas of beauty--Giselle, for example, sees the beauty in 'ordinary' women and manages to make the 'looking at the world with naive eyes' thing work. However, it plays the whole game too safe and yet manages to be too cynical in the same stroke. So, I like the movie, but like TPaTF, it's uncomfortable with itself.


So, I don't want to cram in too many ideas and mess up the length; let's tackle Brave and Tangled in the next post, and then, finally, we'll talk about Frozen and why I think it's the crowning achievement. 

See you soon!

*****

Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 


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