Hello hello!
So, a while ago, a certain movie came out. I promised to review it because I love you all.
I scheduled my comments to drip-feed them to all of you, but if you've been following my Twitter, you already know what I thought about the whole thing. Honestly? I haven't done up a proper post because I was bored out of my gourd when I watched it. There was a tiny bit of kinky sex, and lots of wide-angle shots of the rainy beauty of the Northwest, but the main actors were bland and the laughs were pretty feeble. It was so bad, and so dull, that I couldn't even muster the energy to hate it properly.
Then, just recently, E.L. James' inspiration, Stephanie Meyer, released "Life and Death", a gender-flipped version of Twilight. Other journalists have tackled this sad little publicity grab. I'm tempted to pick it up so I can giggle my way through it, but frankly--I'm tired. I'd much rather read the many better, darker romances out there than punish my brain cells with the masochistic experience of slogging through Twilight's casserole made from leftovers. There are some valid and artistically interesting things that Meyer did (stop giggling), and they're worth talking about, but every time one starts feeling inclined to give her the benefit of the doubt, she pulls something like this.
So instead of talking about faux darkness and incompetent echoes, let's talk about Gone Girl and dark romance and the kinds of things that you won't find in a regency paperback with lurid 80s script and fainting maidens. Let's talk about huntresses and murderesses and strange, dark, damaged characters and madness and attics. I have the most wonderful and terrifying things crossing my editing desk, and a few of those will be touched on as well.
October is a scary month, and what's more terrifying than falling in love? Get ready; we're going in deep.
So, a while ago, a certain movie came out. I promised to review it because I love you all.
I scheduled my comments to drip-feed them to all of you, but if you've been following my Twitter, you already know what I thought about the whole thing. Honestly? I haven't done up a proper post because I was bored out of my gourd when I watched it. There was a tiny bit of kinky sex, and lots of wide-angle shots of the rainy beauty of the Northwest, but the main actors were bland and the laughs were pretty feeble. It was so bad, and so dull, that I couldn't even muster the energy to hate it properly.
Then, just recently, E.L. James' inspiration, Stephanie Meyer, released "Life and Death", a gender-flipped version of Twilight. Other journalists have tackled this sad little publicity grab. I'm tempted to pick it up so I can giggle my way through it, but frankly--I'm tired. I'd much rather read the many better, darker romances out there than punish my brain cells with the masochistic experience of slogging through Twilight's casserole made from leftovers. There are some valid and artistically interesting things that Meyer did (stop giggling), and they're worth talking about, but every time one starts feeling inclined to give her the benefit of the doubt, she pulls something like this.
So instead of talking about faux darkness and incompetent echoes, let's talk about Gone Girl and dark romance and the kinds of things that you won't find in a regency paperback with lurid 80s script and fainting maidens. Let's talk about huntresses and murderesses and strange, dark, damaged characters and madness and attics. I have the most wonderful and terrifying things crossing my editing desk, and a few of those will be touched on as well.
October is a scary month, and what's more terrifying than falling in love? Get ready; we're going in deep.
***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie--get on the mailing list. Find Michelle on Twitter, Facebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out!
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