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Author of queer, wry sci fi/fantasy books. On Amazon.
Editor of all fiction genres.

Friday 30 August 2019

Political Oroboros: Why Marx Is Not Enough


First of all, I realise the title of this piece is inflammatory, so let me lay out some caveats.

I am absolutely not conservative. (One of the first things to know about leftist fighting and discussions online is that 'liberal' has two different meanings; the broad sense in which conservative commentators use it, and the more specific and technically correct sense that leftists sometimes use it - as well as the tertiary sense of, "anyone who isn't quite radical enough.')

I wouldn't necessarily call myself a liberal in the sense of condoning a capitalist system; I do find the most common ground with proponents of democratic socialism. However, some elements of communist ideology do seem solid, although I tend to like many of the ideas I've seen from anarcho-syndicalists more.

Confused by those terms? You're not alone, but some of the hippest trends among the youth of today are not just trap music and street wear - it's political and philosophical discourse. Different streams of communism and anarchism and debating the concepts of idealists through the ages is pretty great, but treating those ideas as a firm road map and, perhaps, the only acceptable solution or map, is not so excellent.

After several weeks of careful surveillance and investigation, I also came to some unsettling and unsavory conclusions.

Source 

There's a weird and disconcerting mix of progressive and regressive ideas in this new wild west of a political movement; using "gay" and "retard" as insults in this year, and talking about second-wave feminist gender concepts (Penis =  man! Vagina = woman! are not scientifically validated ideas anymore, even if they have held sway for a long time) as though they're based on reality is...a special kind of confusing, frankly.

The person mentioned below isn't actually the "leader" of Antifa (antifacism is a general belief and approach, not an organization; the Black Bloc is something different) but the points they're making shouldn't actually have to be made. And yet, here we are. (To clarify: this person's opinion is, as far as I'm concerned, correct, because it's a summary of historical facts.)




We can try to tweak the perspective on things and change the way someone is seen, but facts have this tendency to assert themselves. And when those facts take the form of thousands of dead bodies, politely covering them up or scootching them out of the way is a bit harder. In the case of leaders such as Winston Churchill, it's been easier to laud their successes and forget the death toll because they were victorious, but it doesn't erase his contributions to the Bengal Famine and his decision to test gas weapons on Kurdish villagers.

Yet even when we debate the value and leadership of dictators, history tends to reassert itself.

“History isn’t like that. History unravels gently, like an old sweater. It has been patched and darned many times, reknitted to suit different people, shoved in a box under the sink of censorship to be cut up for the dusters of propaganda, yet it always—eventually—manages to spring back into its old familiar shape. History has a habit of changing the people who think they are changing it. History always has a few tricks up its frayed sleeve.” ― Terry Pratchett, Mort

Nobody is good enough


Of course, just because someone agrees with history (!) and is willing to unflinchingly consider mass murderers as guilty of their crimes doesn't mean they'll avoid participating in the cannibalistic discussions of leftist politics. A particularly difficult issue has been criticism of the Youtuber Contrapoints, who has both been lauded for her very real effects in de-radicalizing extremists, and criticized for fumbling her way through understanding non-binary genders (and struggling to deal with the flood of online criticism afterwards.) But merely liking a figure who is problematic (or worse, Trash, if they have failed one time too many) can be grounds for a friendship breaking up or the sort of extremely tense, stressful discussion that keeps one awake for hours afterwards.

As I said on Facebook one night, "Whiny comment of the night: it would be easier to unite the left if the radicals weren't so dead-set on everyone just converting to their beliefs as much as possible.And Seems like you can learn about Marxism, cultural history, feminism, and all of that...but it's impossible to unlearn American cultural hegemonic approaches and seeing violence as the default/best option."

But to clarify, this isn't speculation without sourcing. I did a bit of an investigation into a few leftist pages, and it was really unnerving to see the number of pro-gun and "eat the rich" and "fetch the guillotines" sorts of remarks and posters. The thing is, we've all done that dance before, and it's going on in other countries at the moment. Riots and protests are excellent when they work, but sometimes, they don't - and we don't talk about what happens when they don't.

The risk of small government


At the risk of sounding like a cranky old lady, smaller governments are still governments. People who think some military junta of kids with guns can replace all the architecture and organizational levels of "the state" are welcome to try working in a city planning office as an admin assistant some time. Having done that myself, I would welcome anyone who wants to just replace and rewrite all those land laws, which by the way exist for reasons, to maybe take a civil engineering course or two.

And if you DON'T want to replace all that architecture, just get rid of the bad stuff - congrats, that's actually just reformism, which is still a far cry from "just accepting things the way they are."

As a fan and casual scholar of cults, I've had many opportunities to see examples of small, ideologically-driven communities turn rotten. Frankly, I wouldn't trust my own town to just secede and govern itself, even though I'm very pleased with our mayor's decisions. I know too much about white people and sociology and Christianity (as well as other religions and groups) to trust that small, self-governing, autonomous groups will be fine on their lonesome. We're kinda in a globalized society with many, many supply chains. If you don't like that, get working on a time machine.

Yet even if one were to travel back in time, we've always had international trade and whatnot, and isolationism has never worked especially well. Also it's how you get fascism in the first place, so...history says it's how you make the exact monster you're trying to fight. Worst of all, these defenses of fascists and murderers do nothing but divide us along sectarian points of conflict.





What do we do? 


Honestly, my approach lately has just been to ignore Leftbook and debate spaces and not engage. Trying to discuss theory and concepts has led to some arguments over the applications of violence that have, honestly, made me stop trusting and just lose certain friends altogether. One otherwise brave and locally committed person said, "violence is neither good nor bad. It's a tool." Although I agree that self-defense actions are not exactly violent, I just don't think we should glorify aggression, or be eager to shed blood. It tends to lead to bad results, and it's uncomfortably similar to the stance we're opposing. My take?

Personally, I don't trust anyone who thinks the problems will all be fixed if we just kill a few of the right people.

The people who sit around day-dreaming about 19th century revolutionaries aren't necessarily the ones helping to, say, actually fight the battles that need fighting here and now. It may seem ridiculous to say, "hey, watch out for this," and also, "but you can basically ignore it," but frankly, that approach has worked extremely well for me in real life.

The key is this. What do you want to accomplish, in practical terms? Forget about "praxis" and "theory"; what are the concrete, fundamental changes you want to see, and the results you want in society and your community? Every change comes incrementally. Evolution is unavoidable. However, we have an existing system that we can use - and dare I say it, that we can apply our strength to if we're determined enough.

How to change the world 


Writing actual letters to politicians in my city, province, and country, engaging in the community fight for preservation of a local Safe Consumption Site, signing petitions for various environmental protection causes, and applying pressure to politicians, as well as keeping an eye on actual local white supremacists, fascists, and extremists has done more and had a greater impact than anything in my decade or so of arguing with people on the internet.

My only regret is that I didn't start using my skills in the real world much, much sooner. It turns out that all the people who insist that those in power won't listen to "us" are, unequivocally, wrong. And while I do have white and cis privilege to thank for some of my results, I would also argue that we on the left must not presume our own helplessness and confine ourselves to training arenas online.

Get out there. Talk to politicians. Stay up to date on the news and follow multiple sources, rather than reading 150-year-old essays. And above all, embrace the power of both individual actions and solidarity.

I have more to say about this topic, but instead of creating another series, a few essays may be cropping up. Until then, however, I have real work to do, both in the political world and out of it. For one thing, books aren't going to finish themselves!


***
Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and Max the cat. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people's manuscripts, the next books in her series, and drinking as much tea as humanly possible.

Find her all over the internet: * 
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Friday 23 August 2019

Instagram: A Thot Experiment

Recovering from mental health problems to any extent is kind of a weird feeling. Being able to function again - or more - is strange enough that I'll have to talk about it at length some time, but I haven't refined those thoughts yet.

However, I have been able to clean and move things around, and dress differently - and that's changed my perspective. So, to the best of my ability, here's some stuff I've noticed and some advice I've gathered.



How's it look? 



It makes a big difference to feel good about where you live, and watching DIY videos often show me nicely decorated spaces. In addition, tiny house and interior decorating videos often provoke not envy, but provide inspiration.

Tumblr and other visual-media based social networks, Facebook included, are notorious for inspiring envy. Instead, it should inspire fellowship and aspiration. I like haul videos and diy videos - have learned a few tricks, and just making the jump from seeing to trying something can make a huge difference.

A great way to improve your surroundings affordably is to use Facebook Marketplace, Kijiji, or thrifting. This can take time, but it's about the same as shopping online, and can often be much cheaper. You'd be surprised what you can find, and it's often in good shape.

Some basic suggestions 


Tiny houses are cool not because they're small, but because they make use of innovative storage  techniques. Any space - including, say, a mobile home or extremely modest two-bedroom apartment - can feel big and clean if you plan it out.

Make use of nooks and crannies, and get as many shelves as you can. Remember, wall decorations don't have to be pictures - you can stick up a rack to hang jewelry, or stick floating shelves up for even more storage, or to display a curio like an enameled plate.

A healthy way to change up or enrich your space is to add some plants; spider plants or succulents have become popular because they endure even the most forgetful gardener. However, fake plants are a good way to split the difference on this.

The secret sauce of good decorating appears to be color-coordinating your space as best as you can and using lots of baskets and boxes for storage. It keeps things from looking messy and makes it easier to clean. Of course, you still have to organize the contents, but it's progress.

We all love blankets and pillows, and blankets and throw pillows are a great way to both make a place look seasonably comfy and add some decor. If your couch has been attacked by a cat or your furniture otherwise needs repair, a throw blanket also hides a lot of sins. Rotating them by color is a good idea, and a relatively easy way to both redecorate and maximize your comfiness.

Fabric is a fundamental of organizing and decorating space, and adding or changing your curtains can make a huge difference. Thrifting or reusing scarves or panels of fabric is a good way to fancy up a space. Got something with a cool pattern? It's now a wall-hanging, and it'll reduce the echo in your space, too.

Maybe you don't have a curtain rod. No problem. Sticking up curtains with rounded pins from a dollar store is a great way to make the thumbtacks look fancier without having to install hardware.  As well, a thin curtain makes for a surprisingly great room divider. It can also be used to soften a harsh light, as in the case of the blue curtain over my very yellow office light. Anyone with mobility issues might need a friend or partner's help to get curtains up, but they can add a lot of privacy and help create changeable "mini-rooms."

Also, don't feel constrained by the intended purpose of a room. A living room can be a dining room, and anything can be an office - even a storage closet. With the addition of shelves for clothes, a storage closet can also (if you're a clothes horse like me) become a walk-in closet.

Walls are your best friend; when it comes to decorating or moving things around in a room, start at the walls and work inwards, trying to leave the middle free. Be aware of the traffic of each room. As long as you can all move around, what else matters?

Isn't decorating exhausting? 


This may sound like a lot of work, but the key is working with whomever you live with you get it done. Whether you have roommates, a spouse, children, extended family, or all of the above, it's important to be allies in making your living space mutually pleasant.

It's also a great way to bond with people and feel allied with one another. It's much easier to be agreeable when you feel united and as though you have things in common. Talking about what you like to look at is a good way to start on this.

What's this got to do with Instagram?


Instagram - along with, to some extent, TikTok, Snapchat, and other visually-based social media platforms - is known for its performative aspects. But when we look at people doing stuff, showing off and sharing their best moments, what we should take away is not envy, but aspirations and strategies.

I've never had this envy problem for some reason, but I think I've figured out why. My approach to seeing other people's vacation photos or selfies is fundamentally different. What I take away from Instagram is simple - wanting to go on adventures, take pictures of myself and friends, bake things, and make things.

Instead of envy, try to think of how to make things happen in your own life. Neat makeup technique? Just try it, and laugh off the mistakes. Pretty drawing? It's worth trying to copy it or draw something different, even if you think you'll fail. Failure builds the bones of skill. And above all, do your best ot go outside. Adventures don't have to be expensive - you can take pictures of a walk around your neighborhood, through your favorite park, through a new park, or try a new cafe. Another great way to feel fancy is make yourself a little pack lunch. maybe it's just some veggies and a sandwich, but if you cut it up and arrange it nicely for yourself, it will feel special
.
Enjoy the moments that compose undertaking an action. Taking pics of yourself smiling or while doing even ordinary activities, like having a coffee with friends or walking the dog, will help you remember times more and make them seem brighter both in the present and the future. Little goals, like getting a mirror in the hall or putting up some curtains, can make a huge difference.

And remember - it's never too late to do something nice that you've been putting off. Self-care doesn't have to cost money to be useful or valid. Sometimes, it's as simple as switching out your pillows and blankets and putting up a little fall decor - because you finally can.


***
Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and Max the cat. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people's manuscripts, the next books in her series, and drinking as much tea as humanly possible.

Find her all over the internet: * 
OG Blog * Mailing list * Magpie Editing * 
Amazon * Medium * Twitter * Instagram * Facebook * Tumblr * Paypal.me * Ko-fi

Wednesday 14 August 2019

Game of ZZZs: How Long Stories Ruin Everything

I've been putting this one off because I was kind of busy writing an 18-part series deep-dive involving journalism and undercover work, but since Lindsay Ellis has released her video essay conclusion, I have finally put my thoughts in order.





So, today we're going to talk about something contentious. I have no issue with books being long, or shows being long, or movies being long - but at the same time, I do. And yes, I know some people adore epic scale stories for their own sake.  Not everything needs to be a thousand-page-long ten-book series with three spinoffs and prequels. Oh, sure, market forces and advertising play a role in this, but creators still participate in it.

But sometimes a story isn't long because it needs to be, it's long because the writer thinks it HAS to be. From my personal experience as a reader and writer, and especially as an editor, I've come to some conclusions about how stories are artificially extended. And in a world of global warming and climate change, shouldn't we be fighting waste everywhere, on every level?

Now, a certain show ended its eighth season not long ago; Big Bang Theory came to a whimper of a close after ten seasons, and Veep - which I only heard about towards its grand finale, alas - has also finished up a seven-season run.

I'm not saying all of these shows participated in various errors. I'm saying pretty much every show, book, and movie series will partake in them eventually. So how do we do better than the bad ones, and how do we echo or even improve on the good ones? We can't fight what we don't know about, so let's get into it.

Spacing


Everything happens, but not right away. No, the important events are distanced from each other, to the point where there are long stretches of dead zones or deserts of nonsense in between them. I'm not talking about character interactions as nonsense here, but unfortunately, a lot of authors seem to think that they count, and that human drama isn't interesting enough to be a climax. Older fantasy works--cough, cough, Wheel of Time--can be particularly bad about this. The problem with spacing out events and using human drama between the big McGuffin/army-driven fights is that readers get frustrated by the human drama rather than finding it rewarding. Or worse, they find the army and McGuffiny-crap a distraction from the human stuff.

Padding


I know about this issue from the inside. Bad Things that Happen to Girls started off as a book called Foreverland, and then was untitled for a while before getting its current name. It went through two full rewrites before arriving at its current published form. When I wrote it at first, I thought it absolutely had to be a long novel, with lots of details about the girls' lives and a slow-burn breakdown, then an extended road trip in the middle and a bunch of scenes about their experiences in university.

I didn't realise I was padding it, but when I experimented with radically decreasing the timeline of events, I had a revelation. I didn't need years and paragraphs on paragraphs chronicling their lived experiences, full of pointless dialogue and meandering descriptions. All I had to do were give little samples and important moments, and that would get the idea across. Sometimes a flash reveals more than a long exposure shot, to put it in cinematic terms.

Cramming


EVERYTHING MUST HAPPEN AND IT MUST HAPPEN NOW AND HERE ARE TEN NEW CHARACTERS AND A NEW SUBPLOT AND HOLY CRAP WE MUST MAKE UP FOR WRAPPING UP TOO MANY THREADS AT THE END OF THE LAST SEASON OOPS.

The caps lock here was entirely necessary and appropriate, because with cramming, the story often feels like it's shouting at you. (Probably in German.)

The biggest problem with cramming, too, is that it requires glossing over things. If readers get interested by a small detail, they might end up screaming, "wait, go back!" long after the author's moved to another topic, or three other topics. Finding the balance between this and padding can be tricky, but the best solution I can offer is "external perspective." Get someone to read over your work, and when they lose attention, that's time to cut. It's a trick I often use with editing manuscripts - the minute my attention wavers, I mark it, just in case.

Crashing


this tends to happen to shows that have lived past their expiry date. Supernatural is a fine example of this. This is where "shark-jumping" tends to come into play; characters do things that go against their nature and development for the sake of jump-starting a narrative or adding some excitement.

Oh, the shark-jump. That's worth a mini-section of its own. Honestly, most shows either end or jump the shark in order to keep going. There's no such thing as a perfect writer or a perfect story; mostly because these things are subjective, but partly because keeping all the balls in the air for a story is just plain hard.

Endless escalation 


Science fiction authors are prone to this, and so are epic fantasy authors. In an effort to keep reader interest, stakes rise and rise and rise, and then lose sight of the human scale of things. The problem is that stories are made of people, and if you forget about the people, you don't have a story anymore.

As with Cramming, this can lead to glossing over interesting bits as well. The full impact of a big change or shift isn't always felt if we rush to the next big, shiny thing. In real life, though, long-reaching consequences of events can have ripples for decades or even centuries. The Magna Carta was a big deal when it was signed; the effects of the Spanish Inquisitions, the Crusades, the unification of China (which happened more than once), the Viking cultural expansions, and the colonization of North America (by which I mean the land-theft and genocide of Indigenous peoples) are all still talked about to this day.

Bad things that happen to characters need room to resonate. PTSD and trauma are not only interesting, they're natural, and even when people mostly recover from them, they leave a lasting impact. Let your characters get wrecked by something. Have characters reference things that have happened. Let characters get fatigued, collapse, and have to fix themselves. It'll not only demonstrate the actual impact of your events, it'll keep you from having to throw together another big, shiny thing to make the story more exciting (looking at you, Avengers series and mainstream comics).

So, what tends to actually cause these writing techniques behind the scenes?

Burnout or boredom


One of the most difficult and important factors - one which arguably contributed to the absolute mess that was the GoT finale - is just getting tired of your own damn story. When this happens, authors and creators will end up trying to revamp something with weird new twists partly to keep themselves interested, might engineer an awkward left turn to justify a foreshadowed plot element, or might just do a half-hearted wrap-up of the previous plot elements.

Here's the thing - audiences don't always consume stories at the same rate as authors write them. Many times, readers or viewers will stumble on a work and binge it in a relatively short time, so what took years for the writer will take months, at most, for the consumer. This can make tonal clashes very jarring.

In other cases, an author will abandon a series due to writer's block or life events - a sin of which I, cough, am guilty - and then try to pick it up later. This will still impact the story, often negatively. Maybe one has just gotten well and thoroughly tired of the subject matter, or it's been done to death in the popular sphere. It doesn't really matter - either way, authors are subject to the world around them, and sometimes, the only way to deal with burnout or boredom is rotating to another project. That's fine - the only issue comes when the first project is completely abandoned, and languishes, unfinished.

Societal changes and personal development 


I'm combining these two because the world around us affects us, and sometimes, we even affect the world. If you'd told me that Donald Trump and Boris Johnson were going to rise to power during my lifetime, I wouldn't've believed you. To many, it sounded like a bad dream. Well, here we are, and the long night has not yet come to an end. Using art to cope with dark times and critique them is a long-celebrated human trend, and there's no reason to stop now. Sure, we might fear our work aging poorly - but stories that try to be timeless always age anyhow, and an earnest time capsule often lasts longer, because it can tap into the problems of an era (which echo forward, as discussed in the section above).

If you'd told me that I'd be able to deal with my family issues in a more satisfactory way, I might have believed you - but realising the impact of that on my writing both as a Game Master and an author is another matter. However, the additional perspective and maturity of healing has, rather than distancing me from characters' struggles, provided additional objectivity and even empathy. Fixing ourselves and healing doesn't "take away our artistic magic" - far from it. If anything, getting over issues unlocks the ability to deal with them in fiction much more effectively.

Disillusionment and insecurity


These are nasty brain demons, all right - perhaps one has taken a look at the broad span of one's work, compared it to one's goals, and feels they are just - well, left wanting. Every creator struggles with this at some point, whether crafting a story for a D&D party or for hundreds of readers or thousands of viewers. The only way to deal with it is with external perspective and turning to objective sources of both external critique and validation.

After all, we tell ourselves things that may or may not be true all the time, and measuring them against the perceptions of the audience can drastically correct things. Your readers might just be happy to see the characters get married - never mind that it took you five years to write about them getting together. And even if they don't like something specific or complain about it or nitpick - hey, they're coming back. You compelled them. Even if the readers, say, abandon their fandom and proclaim it a trashfire - they're still paying for or giving your story attention and money. And ultimately, from a marketing perspective attention is always neutral or positive - even if that attention is controversial - because it increases profits.

How do we even begin to fix all this? 


But.

All hope is not lost.

By acknowledging burnout, boredom, disillusionment, insecurity, personal development, and societal change - the factors which often lead to writing shortcuts detailed in the previous section - we can compensate for the natural creative struggles by accepting and anticipating them.

Try to write books in a series in a continuous stretch when possible, making it harder to lose track of the tone or style or character journeys. Plot things out, and get yourself a hands-on editor and/or extremely trustworthy beta-readers. And forgive yourself for screwing up - then get back to writing. At least, that's what I'm doing!


***
Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and Max the cat. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people's manuscripts, the next books in her series, and drinking as much tea as humanly possible.

Find her all over the internet: * 
OG Blog * Mailing list * Magpie Editing * 
Amazon * Medium * Twitter * Instagram * Facebook * Tumblr * Paypal.me * Ko-fi


Monday 5 August 2019

Stuff I Learned This Week: July 29th-August 4th, 2019


This week, I spent a lot of time on Youtube, but there's still some articles and podcasts in here.

- I didn't realise there was a Nordic Bronze Age, but apparently, there was!

- I wasn't familiar with this specific cult, but even though it's closer to the right-wing, it really demonstrates why I'm deeply leery of any group that eagerly suggests armament, seclusion, and control are the solution to violence.

- I now understand more about how interest rates and inflation work! And it wasn't even boring!

- One guy is mostly responsible for anti-immigration rhetoric's spread in the US, and it's all because he was a racist conservationist...

- Treasured son Daniel Mallory Ortberg has returned to writing nonsense on the internet!

- For those unaware that I have a Youtube channel, well, now you know! It's honestly just a playlist channel, and I sometimes use it for social interactions. I've been considering dabbling with tiny little short films, but I tend to prefer taking pictures. Anyway, if you want to see more of what I'm learning, watching, and listening to, my Youtube playlists are updated pretty regularly.

This song made me feel cool. There's just something about shoegaze (blurred vocals, mostly acoustic-based guitar rock from the 90s) that feels perennially fresh and raw to me. If you like it, the band Lush might be to your liking, as well as Hooverphonic! For a more old-school punk girl band vibe, The Regrettes are fantastic, and Charly Bliss has recently put out an absolutely fantastic album - think Metric, but a little more raw.

More on the relaxed electro-pop side is this song, which isn't that much of a new discovery (I've adored Tove Lo for ages), but which I have been utterly obsessed with this summer. However, another artist I've followed for a while, Robyn, also released a new album that's got the same light, sparing, yet still emotional 80s style.

On the jazzier side is this artist, Corinne Bailey Rae, known for "Let Your Hair Down." I'm a big fan of Motown, swing, and jazz, and she may become a welcome addition to my various playlists. Her voice flows like honey and fresh water.




- I also learned why a rare type of honey, bonsai, and Italian marble are so expensive! And that lobsters are cannibalistic if confined...

- Tiger populations are rebounding - yet another case of a conservation program being wildly successful and effective.

Electric car technology is looking fantastic! Cleaning microplastics from our waterways is another struggle that may have just gotten a solution. Teen activist Greta Thunberg, an amazing inspiration, is bringing her show to the States, part of her push towards a carbon-neutral world. I hope it gets serious traction, and I'm excited to watch the effect on the American election.

- Scientists and anthropologists are pushing back hard on white supremacist myths and misappropriations. And writers are weaving marvelous visions of the future to reflect our complex history, too!

- Fox urine is apparently one of the worst-smelling things on the planet.

- this incredible Youtuber has made some great mini-documentaries about my neck of the woods!



- I finally know what a levee is, and why it's important!

- I also understand why clothing's gotten so cheaply made and crappy in the last few years.

- Black holes are really hard to understand, but now that famous picture makes more sense to me.


***
Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and Max the cat. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people's manuscripts, the next books in her series, and drinking as much tea as humanly possible.

Find her all over the internet: * 
OG Blog * Mailing list * Magpie Editing * 
Amazon * Medium * Twitter * Instagram * Facebook * Tumblr * Paypal.me * Ko-fi
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