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Author of queer, wry sci fi/fantasy books.
Showing posts with label harassment. Show all posts
Showing posts with label harassment. Show all posts

Tuesday, 1 January 2019

Louie C.K. and the Sith Lord Dilemma

Happy new year!

(These are the kinds of headlines I only get to write because I don't have an editor to whom I answer. Whee!)

We still have Nazis, so let's talk strategy. I'd also like to talk about something related - the infamous, often contested Centre. To keep advancing leftist ideals (such as healthcare, housing, and basic needs coverage for all; universal access to education and higher education; equal and fair pay for all genders and backgrounds, and accessibility resources for those who require mobility devices or have medical problems, among a few other things!) it can help to figure out who we're trying to talk to - and sometimes, who we can trust.

The time before #MeToo and after it are now crisply delineated by this social event. The freedom to talk about and voice the universality of sexual harassment and assault against people of various genders (yes, men too) has really shaken things up. It's just the beginning of making things right, and society in North America and around the world has some serious adjusting and compensating to do, but it's a good step in the right direction.

#MeToo also torched a lot of sacred cows, exposing people we previously trusted as participating in very bad behavior. Kevin Spacey, George Takei, Stan Lee and Neil DeGrasse Tyson, among others, are a couple who surprised and disappointed me the most. But it seems like some of the people who transgressed are already trying to stage their comebacks - not understanding, it seems, that it shouldn't be up to them to decide when their stint in the time-out corner is over.

As discussed here, it would seem that Louis C.K., who previously admitted to sexually harassing women by masturbating in front of them without consent, has taken a turn for the dark side. Making jokes about transgender people and school shooting survivors, and apparently, insulting black and Asian men, is now part of his comedic repetoire. So much for "learning and listening."

But he continues to be defended by a few people who - apparently, come from the centre - and want to believe that he still has good intentions somehow. To quote that Huffpost article, however -

"C.K.’s new set, according to its leaked version, doesn’t merely punch down; it stomps, pettily, to the bottom. None of it is smart or brave; it is simply cruel."

And how did Louis C.K. - and for that matter, J.K. Rowling - start to internalise and support such negative beliefs?

more of my dubious art - based on Anakin Skywalker's first lightsaber 

Star Wars and political strategy


So here's the thing about the two people I've alluded to - they're both wealthy, and they've both been criticised. Now, being criticised is hard at the best of times. But wealth tends to make people more fragile. Is the answer, then, to just not criticise anyone ever? (That probably sounds like a stupid thing to even say, and it kind of is. But the internet likes a good reductio ad absurdum argument, taking things to their most logical extreme, so I'm going to follow that format - as I often do in my posts!)

That would seem to be an over-correction, and to make advancement impossible. But how to we criticise someone without alienating them?

Well, I'm still working on the "doing it right" part, but I can tell you about how not to do it.

In the much-maligned prequels of Star Wars, one of the concerns expressed about Anakin Skywalker is that he's too old to learn the Jedi ways and be successfully indoctrinated in their belief system. In the following movies, as Anakin goes through puberty and discovers that at least one girl exists, this is quickly proven - so it seems - to have been an accurate fear. A lot of people have argued that the way the Jedi turned their back on him as soon as he started to screw up and the way they endorsed such extremist perspectives on emotion had doomed him to fail in the first place. I would say that Anakin actually got a lot of second chances, but the ideology did set him up to fail - and because a single misstep was seen as an inevitable sign of failure, how could he help but find himself tempted by the apparent freedom of the Dark Side?

But as we see examined in The Last Jedi, fearing someone's future and darkness and treating them badly on the basis of that can, in fact, lead to a self-fulfilling prophecy. By assuming the worst of Ben Solo, he becomes Kylo Ren. Now - you could argue about the role of fate in the Star Wars universe, and even in our own, but it's not a discussion I can brook in good faith because if fate was as iron-clad as it is in fiction, all psychics would have 100% accuracy in their predictions - and that, obviously, is not the case.

But are we repeating the mistake of the late-era Jedi Order? Are we scaring off allies when we call them out for bad behavior, or scaring off future allies when they see Leftists chewing someone out?

A digression on the centre, which cannot hold


Oh, the Centrists. The Left hates them, the Right courts them, and they usually don't even identify as such. Most of the time - from what I've seen - Centrists are actually people who would identify as liberals or Liberals, but haven't caught up to every nuance; alternatively, they're soft conservatives. The centre isn't so much a fact as a product of two overlapping political bell-curves, more of an illusion than a real political movement. After all, the centre and centrists usually tend to have either conflicting beliefs or a reluctance to engage with certain groups.

But the centrists that I tend to hear about, as a leftist, are generally the ones who still fall on the liberal side of the equation. Now, here's the thing - I'm not saying that being conservative or liberal are, arbitrarily, either good or bad on an objective scale. BUT - right now, in North America and in a few other places, it sure seems like conservatism has relied too heavily on courting xenophobia in various ways. And that has led to an association of conservatives with racist, sexist, generally horrible beliefs - for instance, the Republicans in the US, and more locally, the UCP. (United Conservative Party, not to be confused with the Progressive-Conservative Party of Canada. They're very good at being polite and rewording their racism and homophobia, because this is Canada, but the underlying platform and beliefs is disappointingly rote.)

But is falling to the racist wayside the fate of all centrists? Should leftists treat anyone who fails to meet certain standards of conduct with suspicion and curtness, because they're inevitably going to betray any progressive ideals in favor of the fear-eater, conservatism?

In terms of the radicalization of young men, a number of people have spilled ink and filled hard drives creating better and more informative videos and articles than myself. And a lot of them also struggle with this problem: who can be reasoned with, and who is a die-hard danger to humanity?

No. Be nice sometimes, but don't hug every Nazi.


All of this is to say that I think the way we deal with people who don't act in good faith and the ones who do act in good faith need to be set in two different streams. It can be hard to tell, and people can switch motivations during a conversation - deciding to troll or being interested enough to start learning, for instance. But I think it would help the Left to confine some of our sharpest criticisms to internal dialogues - you know, saying things with the door closed. We have to meet people on their level.

Unfortunately, sometimes that level is also going to mean putting boots on the ground in terms of showing up to protests and engaging in adequate self-defense against Nazis.

So when it comes to Cousin Jason or Brayden saying that he thinks these dudes wearing yellow vests and talking about how we need to reduce the number of immigrants coming to Canada "might have a point," I would suggest being hard on the ideology and empathetic with Jason or Brayden himself. There's a difference between being empathetic and being a doormat - but we have no choice except to take on these conversations whenever we can, even when we're exhausted. The problem is that people in the centre often agree with us - but are too scared to speak up, or too tired, or even too confused.

We have to make a better future and present by walking the line between having boundaries and making it clear to people that we care about them and their rights. As frustrating as it can be, emotional labour from a person in a position of power, or even an oppressor, is still emotional labour. And we cannot take for granted that people will educate themselves, or yell "educate yourself!" in every conversation. That doesn't mean the most oppressed person should always yield their time and energy to people who may be acting like blockheads - but it does mean that anyone who considers themselves an ally needs to step up or be willing to tag-team something to avoid their own exhaustion.

This stuff is intricate. The problems don't have quick, glib, easy fixes. But they're also not insurmountable, because our opponents aren't monsters or fictional villains. They're people. And most of them actually want what we want - to live in happiness, health, and safety.


***
Michelle Browne is a sci fi/fantasy writer. She lives in Lethbridge, AB with her partners-in-crime and their cat. Her days revolve around freelance editing, knitting, jewelry, and nightmares, as well as social justice issues. She is currently working on the next books in her series, other people's manuscripts, and drinking as much tea as humanly possible.

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Monday, 3 November 2014

Writergate: A Few Words on a Burgeoning Controversy

Hello hello!

Oh, godsdamnit. The other community I belong to, the writing community, is starting to get almost as ugly as the gaming community. This article and this one illustrate the problem. When an author thinks it's acceptable to stalk and assault a reviewer over their hurt feelings, we have a major problem.


The history


It's worth noting that I'm *not* a reviewer. An editor, yes, and definitely an author, but I only review for fun and don't take submissions. It'd be a conflict of interest, as well as being far too much of a workload on top of everything else. So, where do I stand on this?

Well, I should probably preface this with my own experiences. Last year, I had to pull out of GoodReads after a group went after one of my books rather nastily. It was pretty crushing. There were some very homophobic comments in the reviews, some unfair points...you get the idea. Until that point, I'd had a policy of contacting reviewers who had given me low ratings to ask them for more feedback so I could improve my writing. Most reviewers were friendly, kind, and appreciated the politeness of the contact, so we parted on good terms.

This time, I got overwhelmed. The thing is, I made the mistake of making one complaining comment in a thread about the book. One of the reviewers took exception to this and delivered a scathing private lecture to me. The thread was deleted, but that didn't stop the lecture. What did I do? I left the page, did some crying, spoke to friends in private, and cried some more.



Sherlock gif, because I can. Also because a chained Moriarty is a good visualization for the way certain reviews can make one feel.


How could I have fixed it?


Then I tried to figure out how I could have handled it better. For one thing, better use of categorization, making sure that people were aware the story was about a bisexual character, and that it contained strong language would all have helped. And, of course, just not reading some of the negative reviews--in spite of the morbid, painful curiosity--would have been wisest. Mentioning that it has a somewhat unreliable narrator could have helped too. Most of all, though, I wish I'd had the content editor I have now to work with me back then. Just getting the practice of taking criticism would have been so helpful in insulating me from my own reaction and upset feelings.

Ultimately, it would have been nice to be able to talk to some of those reviewers, but in the context of reviewing culture, it wasn't, and still isn't. Is it a bad idea to ask for some more feedback and thoughts from a particularly well-written bad review? Maybe not. Is it a bad idea to thank someone for a really nice review and tell them about your next book? In theory, not at all.



The hidden catch


However, we're not working in a situation where that kind of interchange is possible. Instead, the indie scene has become a minefield. Roving bands of reviewers mock books for laughs--and authors go berserk, harassing, stalking, and now physically assaulting reviewers.

This has to stop. Yes, bullying has gone on from both sides. That does not justify unprofessional behavior or actually threatening people over hurt feelings. This article has a good overview of the Hale vs Harris case and the hurt feelings. The thing is, snark has become enshrined in the reviewing community...but authors seem to respond with disproportionate aggression and ire.

I would love to have professional, calm dialogues be the norm for authors and reviewers, but right now, too many people are reacting violently and abusively to make that tea-sipping discussion possible.



How do we fix it?



First, authors need to exercise discretion in handling bad reviews. Just not reading them can be a really good start.

Second, if you do read them, do it with a critical filter. Look for details about marketing rather than seeing it as your book, your baby, that's getting slapped. It can feel like that, but it won't help you learn anything useful.

Third, it's worth noting that while the customer isn't always right, snarking back at them won't help. Ever. Under any circumstances. It's better not to contact reviewers at all, and certainly not in public. At best, it makes you look whiny; at worst, well, there are websites devoted to the results. Far too many of them.

Fourth, being able to take a joke will make you look good. So if you *can* be cool about things, well, sometimes that turns out okay.

Fifth, it's worth keeping in mind that most reviewers--even the snarkiest--usually aren't trying to stab you in the heart. Making a few snarky jokes for attention, sure, but it's quite rare that they're actually out to burn you.

Sixth, remember that every snarky retort to a reviewer can come at the price of your career.

Seventh, make sure you have a support network of discreet people that you can vent to so that you don't make stupid Facebook posts that insult your readers. NEVER INSULT YOUR READERS.

Eighth, if you see a repeated issue, it may be worth revising the book. Not always, but sometimes it can be a good idea. After all, the advantage of indie publishing is that we *can* do this stuff, right?

Ninth, if you're actually attacked, report that shit to the website itself. It doesn't always work, but it's better than taking things into your own hands.

Tenth, if you have no idea what to do, don't do anything at all.



 I realise it's an overly dramatic gif with a blue filter. I'm not apologizing.

Final words? 


It would be great if we could all talk like adults and be respectful towards each other, no matter how painful the differences of opinion can be. If you read this article and you still don't like the advice, consider reading this and this and also this. If you disagree with someone, hitting them is not the solution. If you absolutely have to hit something, try printing the review out and taping it to a punching bag. If you still feel the urge to commit violence after all that, it might be a good idea to seek help.

How do you handle nasty reviews--or authors? Any good coping strategies? Let me know in the comments.

***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 



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