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Author of queer, wry sci fi/fantasy books.

Saturday, 4 July 2015

After the Garden (The Memory Bearers Saga)

After the Garden
(Book 1 of the Memory Bearers Saga)

Now available on Amazon, Barnes & Noble, Apple iBooks, Smashwords, and Kobo eBooks




Memories of another life and lover guide her, but are they even hers? She is a Bearer—keeper of past lifetimes and gifted with strange talents. Ember must find her answers away from safe Longquan Village, snared instead in the sensuality and dangers of The City. Hidden among spider farmers and slaves, prostitutes and weavers, a nest of people like her are waiting.

A powerful man outside The City raises his forces, determined to hunt down the ‘demons’ who could taint his followers. Threatened from without and within, can the Bearers even trust each other?
Powers will rise and alliances will be forged in a dark new world. The Memory Bearers are coming.

This book includes violent and mature content. Reader discretion is advised.


Buy it here:
Kobo
Smashwords

Tuesday, 23 June 2015

Hunie Pop: Or, Evil Feminist Examination of a Dating Game

Hello hello!

So, another gaming post at long last--I'll be writing about Witcher 3 when my partner finally finishes it, but lately, we've been playing a match-3 dating game--Hunie Pop. So, full disclosure--this is the first time I have ever played a dating game.

Now, if the concept of a serious (ish) analysis of a dating game makes you shout, "IT'S ONLY A GAME, CALM YOUR TITS, LADY", the door is over there. Yes, it's 'just a game', but the things that someone says when they're being serious, compared to the things they laugh at when they're off guard, will both tell you a lot about that person.

So, without further ado--the game. Naturally, there will be


SPOILERS SPOILERS SPOILERS


...beyond this point, so if that really bothers you, maybe buy and play the game first, then read this.

Wait, what the hell is 'Hunie Pop'?


Honestly? It's Bejeweled with tits, or Candy Crush but with actual girls to crush on. A fairy, Kyu Sugarplum, guides you through the game. There are about twelve girls, including unlocks, that you can have sex with, and players can be male or female--we're going to take a shot at the female version of the game and see how that changes dialogue, if at all, but we (my partner in crime, Disarcade, and myself switched up to play it) went with the male option. Basically, you're a hopeless virgin otaku who masturbates all day and is lonely, and this love fairy wants to teach you how to get some and make lady friends. 

So, you can probably see how this is problematic right away, but stick around--there's layers to it. 



From Kickstarter. It's like Pokemon--for your dick (or pussy).

Pros


The game is honestly a lot of damn fun. Its interface is nice, and there's some diversity with the girls--even the ones I didn't like had actual personalities. They felt like real enough people. The pinups and sexy art were fun to look at, especially for the uncensored version. The game itself is fun--I mean, come on, it's a Match 3 game!--and the mechanics were cool. There was a bit of diversity with the characters, in that Japanese, Latina, African-American, and Indian women were all included, but the other characters were white; of course, there was also a fairy, a goddess, an alien, and a cat girl. So, you know, it wasn't too bad as these things go. 

The other thing that I noticed was just how much personality the girls had. Each girl had a 'unique' interest and several 'common' interests, which could overlap with the interests of other girls. A couple of the girls were unabashedly dominant, and even bitchy or awkward--but realistically so. I have known smart, driven women who love self-help; awkward gamer girls who suck at conversation and communicating with humans; and then, too, I have known more than a few bratty princesses. There's a sweet-natured cheerleader and a bitchy Avril Lavigne type, and all of them are allowed to be themselves. They don't change for you, the stud trying to seduce them--you have to accommodate them. 

Cons


There were a couple fairly racist lines--where Kyu the fairy refers to the black character and says, "I love me some chocolate!" and talks about "yellow fever" when introducing the Japanese physics professor. I cringe just rewriting them, and we both winced when the dialogues played out. Having the Indian character love meditation and yoga, the black character be driven and strong-willed, but ladylike, and the cheerleader be as sweet and vanilla as possible also suggested stereotyping--I don't know how to feel about it, because the characters were handled pretty well, but still, conformity is conformity, and the game definitely made use of cultural tropes. Both of us winced when the Latina character gushed over the (sigh) sombrero and other Mexican kitsch objects that were her Unique gifts. The cultural portrayals do feel more than a bit fetishized, but they're decent for their limitations. 

Another thing is that while the girls did have a good range of heights, their weights and BMIs were fairly uniform--all were between 100 and 135 lbs, even though their heights ranged from 5'0 to 5'11. Their BMIs were around 19-23, with most falling at 19.5 or so. For those not familiar with the Body Mass Index, it's a very rough tool, but it gives you an approximate idea of the relative healthiness of your weight, compared to your height. 18-24 is considered healthy, and below 18 is considered medically underweight. So, they were all (literally) healthy, but it would have been nice to see some curvy, thick girls in the mix, too. Of course, they were all doe-eyed and pretty, and most of them were extremely femme in their presentation--not a butch to be seen, really. I understand that dating games *are* about the fantasy, but the presentations are definitely skewed towards traditional masculine ideas of attractiveness. 



Also, Kyu swears a lot, which is fantastic.

What does the game say about dating? 


It didn't escape my notice that the game literally uses affection tokens to get sex from women. It's very much a 'phuque and chuck' kind of game, in that after the first time you have sex with a character, there's not much point in continuing to talk to them or have sex again, apart from the grinding. And again, all the interests of the girls were pretty femme--a few of the girls liked hiking or sports, or working out, but there were no wilderness survival or gun and archery enthusiasts. The only real 'nerd' was a depressed, insecure, annoying girl with fairly androgynous tendencies--which, as anyone who knows more than one nerd girl can assert, is not representative of nerdgirldom. 

However, the fact that some characters were from more distant families and some were from closer families, and that an adult actress and sex trade worker was included in the cast was actually nice. The girls weren't perfect, just human. The game also ran on a metric of four different types of attraction--Sexual, Romantic, Flirty, and Talent--and used Passion, Sentiment, and Joy to affect these four areas. There were also heartbreak tokens. Honestly, I liked this mechanic, because each girl had a most preferred and least preferred token type of the four. That's pretty representative, because different people have different approaches and preferences for expressing their attraction. I also liked that the girls had overlapping as well as personal interests--that's realistic enough. 

The use of small gifts to keep a girl interested and the way some of the girls would comment on the payment structure was very interesting. Some of the characters expressed regret or embarassment about not having gifts or taking the protagonist out, and some demanded more resources without end. The idea of dating as a one-way pay structure really isn't great, even though it works for the game mechanics; especially since sex is the end goal, and the only end goal. Women are not slot machines (slut machines?) into which attention and resources can be inserted in exchange for sexual favours. It IS nice that every single case of the sex relied on initiation by the girls, and that inebriating them made them more generous, but did *not* automatically guarantee sex.  They also have sexual desires, to varying degrees--and it was nice to see a game acknowledge that ladies like to phuque too.

I think the most troubling thing for us was that the protagonist's lines often offer variations of the same answer, and that the game was very much about making sure women were told what they wanted to hear. There was no way to roleplay consistent answers or a personality--just to optimize answers for each woman.

I caught myself feeling jaded a few times. The formulaic way that one was supposed to respond was very much in line with elements of the PUA (pickup artist) systems, and it made it harder to feel like the characters we were sexing up were actually people.

Yes, it's only a game, but dating games are an emotional substitute or training wheels for more than a few people. If we're going to have a moral panic (tm) over the messages of romance novels for women--why aren't we throwing a moral panic over the messages these dating games send to young men? Sure, it's just fun, but no story passes through us without leaving a scintilla of an impression. 

So, is it good? 


It's fun. Is it sending a Good Message? Eh, yes and no. But if you want the experience of trying to date someone, with proper nuances and characterization, just pick up one of the Dragon Age games, Mass Effect, or better yet, something from the Witcher series, especially Witcher 3. 

Also? TRISS AND GERALT 4EVA. Not sorry. 


***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie--get on the mailing list. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

Monday, 15 June 2015

Summer Cafe Blog Hop: Michelle Browne and Nicolas Wilson's Euphoria/Dysphoria



Hello hello!

I have a special post for you today--as you can see, there's an awesome blog cafe event going on, and I have included some very cool prizes. A necklace featuring the cover of Euphoria/Dysphoria and three ebooks, including Euphoria/Dysphoria, After the Garden, and The Underlighters, are all up for grabs.  You can participate in that below!




But that's not all. Since our feature is the romance in Euphoria/Dysphoria, Nicolas Wilson and I have a very...special...recipe for you this week. Let's just say that in a dystopia, sometimes you have to get a little creative with your meat sources. This one is abundant, local, and tastes great with garlic.

That's right! Tonight, we're cookin' with rat. Of course, you might want to substitute chicken, but that's up to you.




Roasted rat with garlic sauce (from The Food Network) 



Ingredients



1 (5 to 6-pound) roasting rat
Salt
2 heads garlic, cut in 1/2 crosswise
3 stalks lemongrass
3 stalks rosemary 
(optional: oregano, basil)
1/2 large Spanish onion, thickly sliced
4 carrots cut diagonally into 2-inch chunks
2 large gold potatoes, cut into 6 pieces
4 tablespoons butter or lard, melted

Optional: 

rice
vodka
2 cups water


Instructions: 


Salt rat inside and out and leave in ice box for two days. Preheat fire to medium heat (if you have an oven, 425 degree F will do nicely). Salt the rat again and stuff with rosemary and lemongrass, or similar herbs if you can't get those two.

Tie the legs together with kitchen string and tuck the arms together, underneath. Place rat and chopped vegetables in a roasting pan. Scatter onions, carrots, and potatoes around rat. Brush the outside of the rat with lard or butter (if you can get butter).

Roast the rat for 1.5 hours, or until the juices run clear when you cut between the thigh and leg. Remove the rat to a platter, cover with foil, and continue cooking veggies for 15 minutes. When the veggies are cooked, carve the rat and place slices on a platter, surrounded by the veggies. Drizzle some pan juices over the meat and veggies.

This makes a very good leftover stew, if your rat is large enough to last for more than one meal, and can be stretched by serving the whole thing with cassava or cornmeal. It can also be made into a soup to stretch for more meals. If vodka is available, you can also deglaze the roasting pan and make a sauce for further meals when food is scarce. Store the soup or sauce in a clean, airtight container, in a cold place if possible.




That's all for today! Enjoy your roasted rat, and whether you're on an Engineer or Poca floor, or down below in the lower levels...try not to starve to death. 



***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie--get on the mailing list. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

Tuesday, 9 June 2015

On Being One Of Those People: Or, Why My Blog's Been Quiet

Hello hello!

Sometimes, one goes on Facebook and sees a friend posting about awesome stuff happening in their life--a trip overseas, a fantastic concert, a great dinner, or all three. Maybe it'll be a craft project that's gone swimmingly. For a lot of people, this can be a cause for frustration and envy. For me, it's usually pleasant, because I like seeing my friends happy. I get envious too, but for the most part, I still feel a lot of positive warmth when I see good stuff like that.


Cobbler! Strawberry peach with granola.

 Strawberry peach cobbler. First ever--made today. 


Over the last couple of months, I've been getting help for a medical issue, and somehow...I've turned into one of Those People. I realised it today after I'd finished baking some cobblers and salmon for friends, preparing for a picnic that had been in the works for a couple of weeks. Just yesterday, I'd finished a pillow and some other sewing projects. After that, I'd prepared a tilapia in cheese, wine, and tomato sauce (with Mexican spices), some pasta with fresh herbs, and some pan-fried fiddlehead ferns (which taste like asparagus but much better) for dinner. We had mead with it, too--basically, it was lovely, and then I did something like that all again today.

Flipping through my Instagram and glancing at concert photos, art projects, and tasty food, as well as a bit of urban exploration, I was flummoxed. When the phuque did this happen?


A photo posted by SciFiMagpie (@scifimagpie) on

The truth is, I've had a few rotten and just blargh years. I'm fortunate in that I have a degree of privilege--upper middle-class background, an education, being white and cis, and being (mostly) able. That's certainly paved the way for my current situation. (I'd like to believe I've done every damn thing myself, but come on--those circumstances HAVE made it easier.) But with those given circumstances, I've still gone from being a mediocre cook and okay crafter, chugging along, to being, well, cool and kind of successful. This, in spite of a major family disruption that's been going on since December and flared up again in April and March--and in spite of my partner-in-crime being out of a job due to health reasons. Somehow--we're making it work.

There's not much point in pretending to be humble, here, because I'm proud of how far I've come--but at the same time, it certainly didn't happen overnight. I got out of a toxic job, started my own business, and slowly worked away at things. Over the last two years, I've learned to clean the house, and slowly learned to cook better. Along the way there have been a lot of mistakes--burnt food, accidentally getting high on poppyseed loaf (shut up, it really happened), clothes that didn't fit and sewing and knitting projects that just didn't work, and of course, fights with the love of my life. That's just how things go.

Now, looking back, I can see the peaks rather than the valleys. They're most visible, but that doesn't mean the valleys didn't happen. I can't help thinking that it's useful to consider that even if you feel you're really bad or just not much good at something, that it's not the end of the world. The trick of it is to keep trying, keep slogging along, and try different approaches. For me, tons of Anthony Bourdain shows opened my mind somehow, and made me relax and cook, well, better. Asking my boyfriend for cleaning help and asking one of my mentors for her cleaning tips helped me throw out some junk and unwanted possessions, and recycle others.

A photo posted by SciFiMagpie (@scifimagpie) on

When I look at the salmon roast and cobbler I made, I can't see the jar of Himalayan salt that broke all over the kitchen floor just earlier. I can't see the burned butter and herbs that ended up in the sink, last night, after the first attempt at a topping for the pasta didn't work out. But they're there--behind every success is at least a dozen failures and semi-successful attempts. In the end, one muddles through, and if one continues to muddle and keeps trying, eventually, it often works out.

***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie--get on the mailing list. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

Saturday, 23 May 2015

Losing My Virginity: The Ultimate Missed It Review

Hello hello!

Today, I'm not going to pretend I'm even a little bit objective. This post is about finally seeing The Empire Strikes Back. 

Yes, that one.

Yes, really. I'd never seen it before. Oh, I watched A New Hope when I was, like, four? And I watched that and Return of the Jedi so often, RoTJ's VCR copy started to wear out and the protector thingy at the end fell off. I knew enough about the story to follow along, so it was fine. But Empire just never happened. I was scared of it as a kid, of the scary images and its violence and intensity, and while it's mild by modern standards, it was much more intimidating to my fragile childhood self. I was easily scared--more on that in another post.

Then, when I was ten, The Phantom Menace came out. I bought illustrated encyclopaedias of Star Wars characters from the extended universe and droids from the universe, and flipped through everything from game guides to visual dictionaries, soaking up the rich details. I saw the movie, and since I was ten and didn't understand racism yet, it rocked my world. (And really, everything except the horrible, horrible racism in those movies is awesome. The graphics are gorgeous, Qui Gon instantly reminded me of my dad, the person who got me into Star Wars...and Darth Maul was scary enough to live up to Vader's legacy. At least, to my ten-year-old self.)

The next two movies weren't as good, although Attack of the Clones definitely left an impact on my growing pubescent self--especially Natalie Portman's beauty and steadiness, whatever her character's flaws.

Even the third movie, as awful and frustrating and dark as it was, couldn't destroy my love of Star Wars and the universe. I actually own not only a mint box version of The Queen's Amulet, a goofy fluff piece about Amidala and her guards, I tracked down a bone carver to make a japor snippet for me. I found a scrap of ombre orange velvet during some fabric scavenging and kept it just because it looked like the handmaiden gowns. So, yeah. Star Wars has serious issues the prequels especially, but my love for it is instinctive and deep to this day, enough to make me buy things and lose my mind over the sequel in December.



(you can get really great, well-made japor snippets from 
this seller, by the way.)


And all of that...without having seen Empire. 

So--I won't pretend to provide analysis, because I can't. Watching it at last, after my friends nagged me for years and it had become a running joke, was like losing my virginity. I mean that in a really good way.

Visuals: 


I knew about the big scenes, but that didn't prepare me for the wonder of seeing it for the first time. From seeing all the robots I'd only glimpsed in a handbook to the magnificence of Darth Vader stomping around to the Imperial March, to the sheer gorgeous detail of the practical effects in Hoth's battles, it was a feast. The movie was shockingly pretty and stood the test of time REALLY well, mostly due to the puppets and simple effects. The delicate foreshadowing, the beauty of the Cloud City and Dagobah...people don't talk about the fact that the camera work is as stunning as the writing and sets are, but the way shots are framed and the colour composition really stands the test of time. The use of colour, of white for deception and shadows for truth, is really stunning, even now. The Big Lightsaber Fight really stands the test of time, too, and made my heart clench and stomach churn with vertigo even though I'd seen the making-of shots. 

Characters/Acting:

The unadulterated feminist/little girl synergistic squee of watching Leia be useful and also give Han Solo serious shit was overwhelming. I did not expect her to out-cool Han Solo, but, well, she did. Seeing Lando before he could be a hero, especially knowing he'd be redeemed later, was pretty compelling. Another thing about it was the pleasure of seeing young farmboy Luke (who I had a crush on as a pre-teen, I don't mind admitting) really struggle and change. I had only seen him in ANH and RoTJ--and in RoTJ, he's calm, collected, strong of will and at peace. The middle phase was another matter, and watching his development while Leia and Han struggled to work together provided a lot of wonderful tension. The grief in The Scene--"I AM YOUR FATHER" was still pretty moving, and the literal and figurative fall after was hard to watch. It was gutting, in fact.

Lando was another surprise--I knew he'd become a hero, and seeing him fail and struggle in this film was pretty amazing, the rare case of a journey that works even out of order. Vader is what can only be described as OG, a magnificent black spectre of looming failure and defeat who haunts the protags at every turn. Every actor is on point in this film, and every character's decisions and choices matter. Let it sink in.

Plot: 


Okay, this is the one area where I have a nitpick. The whole thing with Jabba having a hit out on Han, but Vader going LOL DIBS *freezie pop* for some reason, was a bit confusing. I had to ask my partner what was going on there, and he said the Emperor wanted to stay on Jabba's good side and deliver Solo...again, I'd seen both ANH and RoTJ MANY times, but that was confusing. That said, a Cracked author mentioned that they didn't understand "how Vader knew Luke was his son", but we SEE the Emperor go "yo, Vader, Anakin Skywalker's son Luke is running around", so I'm not sure how that was a "plot hole".

That being said, having the context of the prequels and sequel (and sure, the old extended universe) really enriched the interactions. Yoda and Obi Wan discussing Luke's impetuousness, Luke's transition from derpy farm boy to calm sage in the making, Han and Leia's cracking chemistry...all of the little details added up, and would add up, and it was amazing to see how this one film has pretty much defined Star Wars more than any other.

Still, with all those nuances, there's a LOT going on in this movie, and it's more packed and faster paced than the first and third, so it's not something you can slack off while watching. There are a lot of twists and turns, and it's a rewarding, unpredictable watch.


Final Verdict: 

How do you even rate a masterpiece? Sometimes a movie is so good, you don't know what to say about it. I should have been prepared for this. I still wasn't. The Empire Strikes Back is every bit as beautiful and devastating as when it was first released. I do have that Star Wars nostalgia prejudicing me, but I also have fairly fresh eyes. The classic scenes still stand up, are more moving in context and cannot lose their impact even with a thousand quotes. "Luminous beings are we--not this crude matter."

And if you'll excuse me, I need to go cry with happiness now.


***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie--get on the mailing list. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

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