The End is Nigh, Part 1: The Biomass Revolution and Other Tales

Hello hello!


As those of you who’ve strayed near a movie theatre in the past couple of weeks may have noticed, there is a very noticeable trend to this summer’s hits. My Facebook feed has been on fire with reports that This Is The End is hilarious and gritty; The Purge has been racing through theatres as well. Catching Fire (which I plan to both re-read, watch, and review) has been advertising itself frequently, as has World War Z, which has been putting much more of an emphasis on the end-of-the-world bits than the zombie bits.

Trend-counting time: we had vampires and werewolves, then a slight interest in dystopias (especially with a dose of romance), a raging surge in zombie fiction and media, and now, we’re hitting a wave of proper dystopian works. What’s up with that? I had some theories before—basically, ‘challenges are fun and so is destroying stuff’—but it’s time to re-evaluate and see whether more forces are at play. I’ll be name-checking some of those previous references in this round, so don’t be surprised if my recommendations and examples have some overlap.

This is going to be a two-parter; in the first half, I’m going to give you some terms and some media, and in the second, I’m going to talk about why everyone is in love with the end of the world more than usual.

Without further ado, let’s talk about some terms.

Source. This really sums up my feelings on Dark World sci fi. 

Learning new words is fun!

In my last article, I deliberately blurred the lines between cyberpunk, dystopia, and apocalyptic/post-apocalyptic fiction. Cyberpunk is often a style feature in both apocalyptic/post-apoc and dystopian fiction. All three of these tend to be more planet-centric than galaxy-centric sci fi; where some media (Mass Effect, Star Trek, Doctor Who, Dune, Star Wars) focus more on building a big, shiny universe to play in and tour around, these three genres tend to stick to one planet or even one city. I’ll get to a couple of exceptions to the ‘limited travelling’ idea in a minute, but let’s lay the terminology down first.  Also, you might want to keep Google or GoodReads open in the side so you can look up some of these titles.

In case cyberpunk just sounds like the word you’d use to describe your smart-ass IT guy, I’ll clarify—cyberpunk is fiction with a heavy focus on mixing analog and futuristic technology into daily life. It tends to be gritty, noire-influenced stuff with an existential bent. Transhumanism and equality issues are often themes, as well—the nature of humanity, of reality, changing social roles, and all the ‘fun stuff’ that comes with it. Think of BladeRunner, Johnny Mnemonic, the Sprawl series by Gibson, the anime Ghost in the Shell, or, of course, The Matrix trilogy. It’s sort of a heavily 80s/90s influenced version of steampunk. I’m going to avoid a discussion on all the ‘punk’ subgenres, and get back to the other types of dark-world fiction.

Apocalyptic fiction can be loosely described as fiction about how everything goes to hell. Post-apocalyptic fiction (such as The Road by McCarthy, Brown Girl in the Ring by Hopkinson, or many zombie books) takes place after everything’s gone to hell already. Desert Punk is another anime example; the Fallout series is probably the most famous post-apocalyptic game set out there, though Metro 2033 is a very good one too. The Terminator and Tank Girl also technically count as post-apocalyptic fiction, too.

A dystopia is, as mentioned in this article, a ‘bad world’, often characterized by totalitarian governments, personal controls, lack of freedom, poverty, and a struggle for survival. The Fade by (author) is a good example. Of course, 1984 by Orwell, Brave New World by Huxley, Fahrenheit 451 by Bradbury, A Clockwork Orange by Burgess, Lord of the Flies by Golding, and I Have No Mouth And I Must Scream by Ellison are famous, even ‘classic’ dystopias. For film media, Dark City is a pretty excellent dystopian movie, and Metropolis (both the black-and-white and animated versions) also serves as another fine example. As mentioned previously, even the two Portal games (part of the Half-Life series) fit into this category.

All of these together fall into the realm of ‘Dark World Sci Fi’, though fantasy elements sometimes sneak in. For obvious reasons, they often overlap heavily; it’s easy to have a post-apoc book that involves a dystopian government or living situation, and survivors might use cybernetic implants (a cyberpunk element) to get by in fights to the death. The Mad Max series, The Ballad of Halo Jones, Firefly, Lexx, and a novel I’m going to review a bit today—The Biomass Revolution and its companion, Squad 19, by Nicholas Sansbury Smith—all make use of overlapping aspects of the terms I mentioned above.

I'm focusing on it because I liked it. 

Oh hey, another book!

Shameless plug time—I came across this remarkable book and then got to help a little with its development; it’s very timely, and I’m about to explain why it’s both a) awesome and b) relevant to the points about why dystopias have gotten the limelight lately. The Biomass Revolution kind of sounds like a sci fi diet plan if you glance at the title alone, but the pretty wasteland cover and the poetic opening immediately tell you which genre you’re in. Biomass combines the ripping thrills of a technothriller with the darkness of a dystopia. The moments of beauty in its atmospheric descriptions can be heartstopping--a unique book, that show itself to be far more than it appears at first glance.

The thing that got me about this book is the fact that it wasn't just a technothriller sort of romp. I was expecting that from some parts of it--charge through wasteland, shooting baddies, being big damn heroes. The book focuses on corruption and makes no bones about its political stance, but little details like the dead wives of the leaders really come back to haunt one. Even the 'bad guys' are people. And when civilians get caught in the crossfire, they aren't just meatbags of dramatic convenience. They have names. 

The tone is nicely dispassionate, and Sansbury Smith does a good job of referencing reasonable technologies and current issues. They're hauntingly familiar issues; energy, resource wars, conservatism echoing the non-interference Monroe Doctrine of the early World Wars, and, ultimately, the desolation that results. There are haves and have-nots. Immigrants and deviants are treated badly, while people in the right places get off scot-free. It's heavily inspired by its predecessors, but still manages to add to the genre. I'll admit that some of the content has a video-gamey feel to it, which might turn some readers off, and a lot of the characters are very big and very muscly types. However--it all works. It strives for cinematic rather than silly details, and it works. 

Getting back on topic...

The thing about DWSF (Dark World Sci Fi; see above) is that the entire field is built on societal subversion and questioning the system. That makes it one of the darkest types of entertainment, almost as dark as horror (an entire field devoted to primal fear responses) and sometimes darker. DWSF is about how wrong things are in the world, and how characters attempt to fix them. Unlike other books, the heroes don't necessarily succeed, either. Sometimes, they just ameliorate things temporarily, but are eventually screwed over by the crushing weight of the world.

There's always that glimmer of hope, though, and it is a little brighter when the surroundings are bleaker. I'd like to think that the reason people love Dark Worlds stuff is that they like a taste of hope that's sharper than usual. However, my suspicions are more sinister. Tune in soon to find out exactly why I think people really dig the dark stuff.

*****

Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find me on Twitter, Facebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 

No Mis-Stakes: An Interview with Sharon Stevenson

Hello hello!

I have the talented and snappy Sharon Stevenson dropping by today. I reviewed her book Blood Bound  as a favour, and to my shock, found an incredibly gritty, witty, funny paranormal novel that I could not help loving. Normally the vampy stuff is not my thing, but as you'll find in the interview, there are a more than a few things about Sharon's writing that set her apart. Please give a warm welcome to Sharon Stevenson!

*****

Q: Describe yourself in 20 words or less.

I read, I write, I watch TV.  I’m married.  People laugh at my rant-y outbursts.  Is that 20 words yet?

Q: Tell us about your novels.

They are Modern Fantasy novels set in an alternate reality Scotland.  Shaun & Sarah Gallows are a brother and sister demon tracking team and they kick a lot of supernatural ass.

Q: Many paranormal novels about young slayers or young paranormal people are very glamorous and flashy. Why did you take such a no-nonsense and ordinary approach?

I basically wrote the book I wanted to read, which was probably borne out of frustration after I read a few really unbelievable YA novels in a row. What I came up with is definitely not YA, as there is adult language and situations, but the characters do start out in their late teens.  I wanted flawed characters I could care about, dealing with things they struggle to cope with, because that to me is what growing up is all about.  I don’t want to read about attractive cardboard cut-outs saying and doing whatever the writer needs them to just to move the story along.

Provided by author. You have no idea how badass that blonde chick is. 

Q: What do you think about happy endings? Is it better to go gothic, or is there room for the happily-ever-after in a world where monsters walk?

Happy endings are nice, and that's the problem.  I don't want nice when I pick up an urban fantasy book, especially if it's a series.  I want to be shocked and entertained, and I want to worry about the characters.  Happy-for-now endings are fine, if there's still the threat of something horrible lurking just around the corner.  If I stop worrying about the characters I'm not going to pick up the next book.  I suppose what I'm saying is happy endings are okay for stand alones but a not-so-happy ending is usually always the more shocking way to go.

Q: What do you think of the trend for the last few years of writing erotic vampires and werewolves?

It all comes down to context and believability.  The humanising of these creatures which were traditionally always monsters was pretty much inevitable, but I’m fine with it if these types of characters remain monstrous in some way, true to their inhuman urges, so it all just depends how the writer handles it.

Q: Shaun gets picked on a lot by his sister. What do you think about the relationship between twins? Why is it so fascinating?

To me it’s a pretty typical brother-sister relationship.  They take the piss and don’t always take each other seriously but ultimately they look out for each other.

She is even wittier than she looks. Behind those innocent eyes, an elegant bouquet of wit is being arranged. 

Q: This novel is off the beaten track for a paranormal story. Do you consider your characters role models?

I just tried to write realistic characters with human flaws.  I wouldn’t say they were role models. They try to do the right things but they make their mistakes like everyone does and they’re still growing up.

Q: What do you plan to write or publish next?

I’m in the editing stages for the third Gallows novel ‘Fate Fallen’, plus a short story from Elle’s perspective.  I’ll be releasing these at the end of March.

I’ll then be getting back to editing my Urban Fantasy Horror/Comedy novella called ‘Raised’ which will be the first book in a new series and should be ready for release sometime in the summer.

Q: Which foods do you absolutely hate?

I’m not a big meat-eater but cook it in an amazing sauce and the chances are I’ll eat it. 

Q: What sort of weapon would you most like to kill supernatural creatures with?

A chainsaw.  What kind of Bruce Campbell fan would I be if I said anything else?

Thanks for sharing your awesomeness, Sharon! As for the rest of you, drop by her page and nab her books or Sarah and Shaun will be by to stake you. 

Blood Bound

Demon Divided

*****

Thanks for dropping by the nest once again. Don't miss any of the good kind of crazy. Find me on Twitter, Facebook, and on Tumblr. I've got a few reviews to catch up on, more news coming, and even some fantastic interviews with fellow authors. Don't miss a thing for horror month! Stay tuned and please share. Oh, and get a free copy of The Stolen: Two Short Stories while it's hot. This is your darling SciFiMagpie, over and out!