So, people who remember the 90s and early 2000s, or even the early 10s, might remember the recurring cultural fixation on being "unlike other girls." A Youtuber I particularly enjoy just put out an excellent video essay on the topic, and it covers a really interesting angle that isn't necessarily being talked about much.
A quick note about gender to preface things - some of the people who look like "other girls" are either transgender or non-gender conforming, and the issue of gender for trans people, especially re: gender performance for both personal reasons and survival reasons, is really complicated. I don't experience dysphoria for my presented or physical gender, but I wanted to mention that when I say "women" and "men," I am primarily talking about cis people - but I am aware trans people can also experience periods of trying desperately to conform while hiding their inner selves/real gender. (The real gender is the one by which someone identifies, just to be clear; also, genders and the expression/performance thereof can shift over time.)
So, with that note out of the way, kindly consider the latest iteration of feminine cannibalism.
The thing is - it wasn't so much the actual "popular girls" who were nasty. It was mostly their seconds-in-command or the girls who wanted to be them. The invisible middle-layer of girls who were neither social outcasts nor truly universally liked. In the brutal hierarchical world of junior high (and sometimes high school), clawing for attention, especially from guys, is a vicious game.
The thing is, parents also made some of these comparisons. Something absolutely burned into my mind is the moment in the Muppet Cinderella, featuring Brandy, when her aunt says, "you look like a girl from one of those rap videos!" in a dismayed and scolding tone - and the character's uncle comments, "you look like a girl from one of those rap videos" in a significantly warmer tone, while looking his niece (!) up and down. It was a tiny moment, but I can still recite those two lines of dialogue from memory roughly sixteen years later...and that says a lot.
Authors, we need to knock it off
Being that I'm not only a writer, but that I also edit in the industry, I can absolutely confirm that a ton of romance books written for adults and by adults still have this internalized misogyny - including books by queer men. A lot of people are starting to unpack this deep-seated and knee-jerk hate, which is pretty great, but quite a few people still don't - and it sucks. A nemesis who may be promiscuous, blonde, shallow, vicious, or all of the above crops up quite often. Romance moviesare so, so bad for this - and what shocked me was that most of those terrible romantic comedies I saw growing up were written, directed, and produced by men, especially men who sneered at the whole format. So...basically, men were presenting a "cool girl" and saying that she was better than other women. And as Aonso and some of the other creators linked in this essay put it, we wonder why women hate each other and themselves.
When it changed for me
Two things happened when I was a teenager that made an important crack in my understanding of other women - first of all, I started to be attracted to girls. It's possible to hate people you're attracted to; look at incels, for example. Hell, that term was coined by a bi woman and was used by her and other queer people who felt undateable, and were trying to fix themselves so they could find love. (As usual, the worst kind of men invent nothing, and make what they steal, worse.)
The other thing was - after a terribly unpleasant stint in private school in eleventh grade, which was a terrible five-month period, I returned to public school - but I started to dress the way I had always secretly wanted to. That meant (sigh) the boy-jeans that fit me under sarongs, long circle skirts with embroidery, peasant shirts, and that kind of thing. I had always loved clothing like that, and a brief stint of wearing a uniform made me decide firmly that I was going to wear the clothes I loved, damn it.
And somehow, people not only thought that was cool - but they liked me and were friendly. It helped that the high school had a reputation for being nerdy and academic, but it was still an inner-city school, which made for a diverse population. And here's the twist - not only did I not get bullied, I had a great year and a half there, and I even friendly relationships with some popular girls. Finding out that pretty girls, even actual teen models, could be fun, smart, and sweet changed everything.
I had a bad period with my counselling faculty in university as well, which sparked a nearly fatal depression - but that didn't make me hate all other women. The thing is, "nerdy" and "unconventional" girls can be just as vicious and mean as the "popular" ones - and to my later surprise, men can be every bit as petty and vicious and underhanded. I've seen it in professional communities, both my own and in the medical and business worlds, and I've even seen this kind of backbiting in queer communities. So why does it keep happening?
The core of the problem
In psychological terms, it appears that most girls and plenty of women (and men) seem to not only view others based on their external interests - but as Aonso puts it, they assume that other people aren't as genuine about their interests, and are either "faking it" or doing it for "clout" or "attention". The thing is - a lack of theory of mind, understanding that other people have their own inner worlds, combined with a presumption of an external locus of control (i.e. letting the world's judgements determine what's important to you and what you should do), perfectly describe the things we assume about other women. But - it's easily disproven by talking to these "other girls". One of the greatest revelations of my life was discovering just how many "dumb" girls were pretending to be stupid just to avoid intimidating men and others.
A fundamental lack of empathy for "other girls" is the justification for hating them. In the earlier decades, bullying definitely was an issue, but it doesn't fully explain why this hatred for the "other girl" is so deeply encoded.
Combined with the mournful loneliness of societal prejudices experienced for failing to conform, as well as social rejection, plenty of "not like other girls" girls/people turn inward and try to find something about themselves to like. Being unlike one's tormentors is generally the first thing to notice - and accepting one's differences, especially if they result in being othered, can be comforting.
However, just because it's a coping mechanism doesn't mean it's healthy. Destructive social dynamics are the price of being a member of a social species. The only way to deal with it is fighting the internalized social protocols of Western culture (i.e. don't talk about what's Important to you, don't say things that will make waves, even if they're really nice compliments; be innocuous but not too boring, etc). The patriarchial standards based in the most toxic core of North American culture, especially WASP (White Anglo-Saxon Protestant) and whiteness culture, are killing all of us. But they don't have to, because we are already more than what we've been taught to be.
What I think now
In addition to this, a memorable social psychology class of mine focused on the ways that "alternative" people - which, I suppose, includes yours truly - still conform to dress codes within their own subcultures. When one considers an "alternative" girl next to, say, a sports team, of course she looks different. But stick that girl on tiktok and look under the right hashtags, and it's easy to see more visual similarities between clothing styles of alternative people. So - those "other girls" just need to band together and enjoy each other's company and similarities, and with the internet, that's possible like never before.
So, other girls? They're great! Finding out that first of all, pretty girls aren't actually vicious monsters out to destroy relationships and friendships, was wonderful. There are a lot of other people who adore reading, writing, talking about social justice issues and politics, tabletop RPGs, knitting, moody folk and rock music, true crime of the cult and con artist variety, history, shiny rocks, magic, making jewelry, baking and cooking, fashion, drawing, tea, and learning languages (to cite most of the interests I can think of at this exact moment). Not only that, I've learned to present my interests more appealingly in conversation, so they're more approachable and so I can hit the highlights for people who are interested but less knowledgeable. Discovering the joy of shared interests and the skill of sharing my interests has made my adulthood a rich and socially satisfying period, and I can only hope others can attain this level of warmth, friendship, and support.
Next time that little nasty whisper rears its head, or next time some guy mentions that a woman is "not like other girls" - ask, "what's wrong with other girls?" Embracing the shadow-side of other-girlness, and learning how to do makeup, dress provocatively, and appreciate one's own sexuality (or lack thereof) will not magically turn a woman into a brainless zombie or a soul-sucking, seductive vampire. If anything, we should explore these societally-shamed tropes, and appreciate the diversity of people who both identify under and branch out from the feminine gender. We have barely even begun to create societal roles for nonbinary people, but trans and nonbinary folks are also bringing forth a lot of creativity and wonderful content. Masculinity and femininity should be umbrellas, not cages - but self-hatred has never unlocked a cage from within.
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Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and their cats. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people’s manuscripts, the next books in her series, and drinking as much tea as humanly possible.
So, I've had a thing for distressed sweaters and knitwear since childhood - between The Matrix (1999) and my love of Dickens and his orphans, I've always had an appreciation and fascination for things falling apart. Growing up in an upper-middle-class household with parents from lower working-class backgrounds (a farming family and a military family respectively), having to really wear things out before I got a new one wasn't much of a problem. (Yes, I realise how frustratingly privileged that statement will sound, to many people. I know.)
But I grew up with my fashion sense somewhat circumscribed. For one thing, being a fat child in the 90s and 2000s was not especially easy. That is putting it mildly; for a variety of reasons, it was hell, and has left me with lasting body image issues and struggles with disordered eating ever since. Add on a hormonal condition, PCOS (polycystic ovarian syndrome) and you have a recipe for body dysmorphia that no physician will ever pick up, and self-loathing that's been hard to shake.
Over the years, I've managed to chip away at it bit by bit. There are still body parts I hate, resent, and fear - but I don't always hate them all the time, and what's more, I actually like other parts of my body. Learning how to look all right while not smiling in photos has also been useful. I like taking pictures of the world around me, my friends, and myself to capture a mood, a moment, or a memory - and frankly, I don't like faking happiness or calm. I was rather good at it for a long time, but it certainly wasn't good for me.
How do you solve a problem like self-loathing?
Well, in my case, with fashion. I always designed and drew dresses in my childhood, and learning to knit and sew by hand, and later, re-learn to sew with a machine, has enabled me to alter my clothes so they either fit or are more comfortable. I'm not great at it all the time, but just doing it is very validating.
It's rather embarrassing to be a woman in her thirties going through a goth phase; most of the time, it's relegated to the province of teens or young adults. But frankly, life does not end at age 30, as I am discovering, and neither does self-examination. Certainly, I hope it is less navel-gazing and circular than the decidedly shallow, valid stuff that fills many a "man pain" Literary novel - but the truth is that middle-aged people exist, and are not always complacent.
As relationships mature and the haze of crisis dies down, it's not a bad idea to reevaluate things and consider what causes one pain and what brings relief and comfort - and to seek more of the latter, while resolving the former. But in the same vein, avoiding pain and wallowing in it are both traps. The only middle ground of peace is acceptance. And sometimes, being a little sad for a while feels nice.
Where does the goth stuff come in to this?
The thing about wearing clothing that is flamboyant and artistic and expressive is that in addition to pairing things that look nice together in a satisfying way, it also lets me communicate nonvisually. I've loved distressed sweaters for ages - but frankly, the last four years have been particularly distressing, and there's really something refreshing about feeling like shit because you look like shit, but make it fashion.
And sometimes, non-verbal, even non-spoken communication can be really powerful. With the toll 2020 has taken on me, being able to throw on a dark, gloomy sweater, and feeling its weight, being able to pet the soft knitted fabric and pluck the loose threads or smooth them back into shape, has been viscerally cathartic in a way. Sometimes, one has articulated all they can about one's feelings, but a mood still remains - and for that, wearing black or a big, glum, clouded-sky grey scarf can be awfully comforting. It's a way to signal one's mind state without having to say it out loud.
And this is not to say that my depression has come back - oddly, I think my mental health is better this month than it's been in years. There are two very big problems I've been struggling with for more than a decade (which I'll talk about more later; they're difficult) - and I've finally cracked them. But of course, sometimes I'm still sad, especially as I work on things and grieve the loss of them.
frankly, the last four years have been particularly distressing, and there's really something refreshing about feeling like shit because you look like shit, but make it fashion.
Now, that's not to say that I'm always wearing black distressed sweaters, stockings or socks, and black shorts/distressed denim skirts every single day. In fact, it's been kind of a good motivation to wear more colourful clothes at other times. The difference between sadness and depression is, in a sense, consent. To be less glib, however, depression washes the colour out of everything; sadness has plenty of value.
Clothes can be feelings
The thing about wearing dark clothing is that it's been allowing me to basically validate my own feelings and express them without having to, I don't know, walk around making declarative sentences at all times. I am not, after all, an NPC in a video game.
But clothing can be used to express joy, or madness, or a desire for comfort as well. If there's one thing I've learned from this, it's that improbable things that feel inaccessible sometimes work better than we might expect. So, for my readers - maybe you're a mother in a van feeling overwhelmed. Sometimes this sort of thing takes hours, but it's not as though the only way to be goth or express another alternative fashion sense is to spend hours upon hours doing one's makeup. (That is also fine, of course, but not everyone has, wants, or needs to do that much makeup or preening.) Wearing all black and putting on some extra eyeliner might be enough for you - and it doesn't make you inferior.
Alternatively, purple pants and an insane 80s sweater might evoke the hectic madness someone is feeling. Does something appear to clash? Well, try it anyway. People, myself included, often worry about "pulling off" an outfit, but the key to doing that isn't just confidence - it's comfort. If something is comfortable, or makes one's body feel good (say, a tight belt on a loose shirt dress, or a corset, or pants with just the right texture) then it's going to look so much better than that stiff, awful chiffon on that disappointingly cute cottagecore blouse.
And finally: phases pass. Some of them become a normal part of one's life, losing their intensity; some just end unexpectedly one day. But giving oneself permission to just try something for a while is terribly important. And at the very least? It's going pretty well for me.
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Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and their two cats. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people’s manuscripts, the next books in her series, and drinking as much tea as humanly possible.
Find her all over the internet: * OG Blog * Mailing list * Magpie Editing * Amazon * Medium * Twitter * Instagram * Facebook * Tumblr * Paypal.me * Ko-fi
Well, the good news is that I'm not dead, as you can tell from this post existing. The other good news is that I've been writing a lot. Book 3 of the Meaning Wars is done, Book 4 is also now done and out to beta readers (but if you're interested, I can always use more!), and book 5 is 2/3rds done. In addition to that, I also am 60K of 100K into a coauthored book with a friend of mine, Anna Lewis, set in her series about a nigh-immortal pirate who's about to get his first taste of therapy in five hundred years.
That probably sounds like a lot more writing than I've done in the last few years, and that's completely correct. However, I haven't been running my online text-based D&D game, and as you all know, my blog's been on hiatus.
2020 Bad
But the last few years has been A Lot - Trump's presidency and the related empowerment of authoritarian leaders across the world, issues around trans rights and especially Black and Brown lives and existence - it's been hard, especially over 2020, to feel as though my words have any merit, weight, or meaning. Stepping aside and letting PoC talk is rarely a bad thing, but self-doubt latching on to that was maybe not great.
I mean, in 2016, two artists I value deeply passed away - Leonard Cohen and David Delamare. People die, that's just how that works; I personally don't want to die ever, if I can help it. (Blog post upcoming; yes I've thought this through extensively, shush.) Other artists died, too. Britain and India and Brazil empowered disgusting right-wing leaders. There were more incidents of racist, transphobic, misogynistic, and homophobic gun violence than I care to list here. But as much as Trump's inauguration and the resulting ripples up here in Canada have felt like living in a state of war, the pandemic has been closer to living under war than I've ever expected to feel. None of us were prepared. And yet, somehow, 2020 had a lot of personal development bright spots for me.
So why now? Why not just write a farewell post and give up blogging, for example? Well...
I never stopped having things to say
2016 to 2020 has been a disruptive period for the world, and from late 2014 to 2020, it was pretty rough on me as well. The fact that a hard period in my own life synced up with global events just made everything going on sort of more relatable in a way.
For example, I often fall asleep to politics podcasts because a) sometimes mildly boring things and comforting voices are great, and b) knowing that bigger problems than my own exist is oddly soothing. And c), knowing what's going on in the world gives me a sense of agency, whether illusory or valid.
However...
A lot of the posts I started to write were rather short. Because I've primarily written my blog posts and articles in a full-length format, I sometimes wait far too long to actually express them. This might also be the cause of something else I dislike - the tendency for people to read my work, but not reply to it, perhaps because it's *too* complete and exhaustive.
So this year, I want to try something different. I will be putting out more posts again (certainly more than once a month; I'd like to go back to the weekly post schedule I had/aimed for previously). But my posts might be scattered-sounding, less comprehensive, and messier. Above all: probably shorter and less complete. We'll see how it goes; if I hate it, I'll probably try something else, but I've been thinking about it for a few days, and I feel surprisingly good about it. I might also go into more personal topics than I have in the past - but the probability of this turning from an analysis/commentary/writing blog into, I don't know, a skincare and lifestyle blog, is extremely low. I might even stick some more poetry up here, since for some reason, people don't seem to hate it.
Sometimes, Productivity is Self-Care
This is a tricky topic at the best of times, because capitalist propaganda/training says that we should only feel good about ourselves if we're doing things and making money. But as many writers about "self-care" have observed, there's also more to self-care and building good mental health habits than buying heavy blankets and colouring books, making overnight oats, or taking baths with artisanal bombs and essential oils. Those things are all fine, great, and can be part of recovery too - but for myself and many others.
Towards the end of 2020 - especially after the election in the US brought in a change of power, and a light seemed to break through the clouds - I finally started to kick some bad habits and feel like perhaps, maybe, the world is not doomed after all. I started the process of kicking some deep-seated bad habits as well, and that's already shaken my world at its foundations.
I have so much more to write about this, but I'm going to let this content breathe and start on my next post instead.
Hope 2021 is off to a survivable start for people! Let me know in the comments how you got through 2020, and what you're hoping for in 2021.
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Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partner-in-crime and their two cats. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people’s manuscripts, the next books in her series, and drinking as much tea as humanly possible.
Find her all over the internet: * OG Blog * Mailing list * Magpie Editing * Amazon * Medium * Twitter * Instagram * Facebook * Tumblr * Paypal.me * Ko-fi