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Author of queer, wry sci fi/fantasy books.
Showing posts with label asmsg. Show all posts
Showing posts with label asmsg. Show all posts

Tuesday, 3 September 2013

Fear and Loathing in Koi Samui: An Interview with John Dolan

Hello hello!

I'm BACK, with another fabulous interview! Today's guest is the always witty and often snarky John Dolan. I first fell in love with Everyone Burns  after discovering it by chance. I'm not usually a mystery person, but the haunting, maddening tale of murder and longing on a tiny Thai island stayed with me. Naturally, when Hungry Ghosts came out, I knew I had to track down the hatted cynic and get him to talk about it. I love a good noire atmosphere, and Dolan delivers. So, without further ado, please welcome: John Dolan!



*****


Q: Describe yourself in 20 words or less.

A: Smarty-pants, lover of all things arcane and obscure, chocolate addict, anal retentive, hat-wearer.


Q: Tell us about your novels.

A:  I’ve embarked on a seven-book series entitled “Time, Blood and Karma” which runs from the late 1950s up to present day and tracks across various parts of the planet. Although each book has a ‘complete’ story in it, they will all link up. The whole exercise is about showing how interconnected we all are; how when you throw a stone into a pond its ripples spread out; how you never fully know the way your actions and decisions affect others.


Q: ‘Everyone Burns’ reads like a love-letter to Thailand. Tell us more about how that came to be.

A: We’ve been living in South East Asia for a few years now – we have a house on Koh Samui – and it reflects our deep love for this part of the world. Thailand is not without its problems, just like anywhere else, but for now I can’t think of a better place to live (except maybe Bali, but that’s not a practical proposition for us at present). 

Cover photo supplied by the author. 

Q: How would you describe the role of Buddhism in the story?

A:  As I mentioned above, the whole series is about interconnection which is a key feature of Buddhist philosophy. Another central tenet of Buddhism is a focus on what ‘reality’ is, how the world as we perceive it is merely an illusion. You could say that the story is in a sense an illustration of Buddhism ‘in action’ – although that sounds a wee bit heavy. It’s impossible to write realistically about Thailand without interleaving Buddhism anyway: too much would be missing.


Q: Your protagonist’s actions are often (delightfully) morally questionable. Do you think they were justified? Why or why not?

A:  My protagonist, David Braddock, has his own peculiar moral code and acts accordingly. He is in many ways a damaged human being and although he may have some useful insights into life he also has some major blind spots. There will be times when the reader will want to strangle him (I’ve already had some book reviews to that effect). I leave it to others to decide whether his actions are justified. For myself, I can only say I wouldn’t do some of the things he does …


Q:  Do you feel your background influenced the main character, or was he inspired by external forces?

A:  There is some of me in Braddock. I think that’s unavoidable. We share some experiences and attitudes. However, he is also a creature of my imagination. I try not to make a habit of sleeping with other people’s wives. That sort of thing can get you into trouble, right? I’ve also just quit smoking – something Braddock would struggle to do.


Photo provided by the author. Also, in spite of being British, he's taller than you'd think.


Q: There are heavy noire aspects to the book. Which writers or films inspired you?

A:  The writings of Raymond Chandler and Dashiel Hammett, for sure, but also some of the wonderful old black and white movies – especially the ones with Bogart in them.


Q: What do you plan to write or publish next?

A:  The second book in the series – “Hungry Ghosts” – is hitting the internet ether right at this moment. It picks up where “Everyone Burns” left off. Then I’m having a month away from my laptop before starting the next book – “A Poison Tree” – which goes back in time to the events preceding “Everyone Burns”. I hope the time-jumps won’t be too confusing for the readers. There is also an upcoming project with writer Fiona Quinn: we’re co-authoring a novel. I’m pretty excited about that, although the logistics of her being in the USA and me being in Thailand are pretty formidable!


Q: Which foods do you absolutely hate?

A: Cement gives me acid reflux, and I’m not too keen on anything laced with arsenic. Other than those, I eat pretty much everything. Except people, of course.


Q: What is your favorite noire or black and white movie?

A: “The Maltese Falcon”, although the romantic in me wants to say, “Casablanca”.

If you would like a FREE taster of John’s writing, download a copy of his wickedly funny short story “Jim Fosse’s Expense Claim” from Smashwords https://www.smashwords.com/books/view/260738

NOTE: For the launch period of “Hungry Ghosts” you can buy “Everyone Burns” for the special price of $0.99 (or 79p if you’re a Brit!).

*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 


Friday, 30 August 2013

The Underlighters: Launch!


August 30th: the Dust is here! Now available exclusively on Kindle and in print—The Underlighters!

Buy from Michelle Browne’s author page here: http://www.amazon.com/Michelle-Browne/e/B00BGWZRCW




Nightmares are bleeding into her waking world. Children are going missing. To save them, she must overcome her wreck of a personal life and a closet full of skeletons. She doesn’t know if the horrors in the shadows are real...or if she is going mad. 

18-year-old Janelle Cohen is an electrician in an underground city. The world above has been swal-lowed by mind-destroying Dust. Her small life changes forever when a dragon attacks her on the way home from work. 

Her friends worry that she has the Fever, Dust-induced insanity. As more monsters strike down citizens, they change their minds. A terrifying trip to the surface of the world, the ancient and abandoned Up, deepens the nightmare. With no world left above, she and the other Crows cannot afford to fail… 

5 stars: “…You will be rewarded with a dive into the depths of imagination that may leave you questioning, breathless and inspired.” –www.TracingTheStars.com

5 stars: “… Engaging, ground breaking prose that is not afraid to test the reader’s boundaries. “—Sara Celi

5 stars: “…A wonderful read that is full of life, nightmares, fear, and dreams.” –Casey Peeler

Don’t forget to enter the giveaway for an exclusive chance to win a very exclusive prize pack! Three winners will be selected…don’t miss out!



Art by Kit Foster, © 2013. used with permission of the artist. http://www.kitfosterdesign.com/

*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 




Sunday, 28 July 2013

Dark World Sci Fi, Part 3: The Long-Awaited Conclusion

Hello hello!
Well, I promised to examine a new theory on why we’re so into the idea of the end being very nigh indeed. I don’t think it’s merely a natural follow-through of the zombie trend, and in spite of the influences from 40s, 80s, and 90s culture, I’m inclined to say that there’s more to the trend than just mining previously successful movements for more juice and marketable extruded pop culture product.


What's in a trend? 


That which we call popular by any other name would seem as ubiquitous. Zombies rose to fame partly because they hadn’t been done to death before their current rise to fame; unlike vampires, which have enjoyed several waves of popularity, it’s arguable that the undead hoardes hadn’t really had a main-culture breakout since their first surge in popularity.  Dark-world sci fi, as I’m going to call the three genres of cyberpunk, apocalyptic/post-apocalyptic, and dystopian fiction, has maintained an ambient level of popularity but hasn’t really been ‘in’ consistently since the 80s. That’s plenty of time for trend necromancy to occur.

 The final movie in the Blood and Cornetto trilogy by Simon Pegg and Nick Frost will also be coming out at the end of the year. As it happens, that will also be about the apocalypse.  Is the trend rising because it’s time for another pop-culture recycle round, or is there a bit more to it?





Let’s start with how ‘it’s gonna be the future soon’ and the many ways that ‘it’s already here’.


A long time ago, I was talking about posting a ‘cool stuff in science’ article once in a while. My interest in activism and various kinds of rights issues ate most of the room for that, but the other issue I ran into was that I had no idea where to start. Science has been on fire, with stunning discoveries emerging every single week, and this is shaping up to be an impressive decade.
Those who follow the news might be aware of a number of amazing advances in medical technology—from artificial veins to 3-d printed ears to an artificial heart (no, not that one, but a real artificial heart), we’re finally hitting the point sci fi has been racing towards. Artificial blood, a new layer of the retina we didn’t know about, the ability to inject genetic therapies right into the eye for treatment…I remember being a kid in the 90s and feeling starry-eyed wonder at the research projects and shiny tech.  Now, the stuff I’ve been reading about is real as real can be. (We even have basic replicators, dammit! What else do you call a 3-D printer that can make pizza? Now I just want earl grey tea, hot.)
n spite of stubborn industrial stalling, electric and hybrid cars are defiantly ploughing onto the market. More and more countries are switching to solar and wind for power needs, with nuclear in a position of both favour and intense scrutiny. At the same time as all this shiny wonderful stuff, we have some resource struggles beginning.  Oil and gas are significant factors in the Middle East’s most recent turf wars. Add in the damage from global climate change and the undeniable surge in extreme weather catastrophes in the last few years, and you have more pressure on our remaining natural resources.  Alternate power from George Orwell spinning in his grave alone could probably replace half of oil and gas’s energy requirements.



Source. 


But wait! There's a precedent!

Now we get to the fun part—I probably don’t have to mention the recent revelations about privacy that have come out of the states. With America receiving international scrutiny and the president sweating under his collar about the Patriot-Act style policies that have been passed, little things like Microsoft’s Xbox One (a console that had, functionally, the same features as the watching television from 1984) have drawn explosive reactions from online communities. And, of course, the Occupy movement’s influence  increasing distrust of government, revelations of more censorship, and now, heating tensions in the middle east as America and Russia prepare to shadow-box, have all played into the heady atmosphere. Not to mention that Britain's PM recently decided that banning porn and giving it request-only access would be a good way to save the children. Think of the children!

If you've read my work, you know how I feel about this. 


With this kind of background, why wouldn’t dystopias have caught the limelight again? Ancient cultures often viewed time as cyclical, an end in sight somewhere in the distant future—Hindu understanding of the cosmos, Norse concepts of Valhalla, Mayan and Aztec cyclical calendars, and, of course, the Book of Revelations all feature concepts of beginning and ending, fiery death and mass holocausts before rebirth. Since the 20th century, however, we’ve been much closer to and much better at actually achieving this kind of thing. Holocausts aren’t a new invention, but a large population and better technology to coomit them with has made the concept much more relevant. Add media and its power to amplify a message, and you have an interesting possibility.



The really sad thing is how relevant this still is.


 Why so morbid?

Are we fascinated with ‘the end’ because we’re more capable than ever of realizing it? Or is it an attempt to prepare ourselves for ‘it’ just in case ‘it’ happens tomorrow?  It’s important to note the cultural trends in the 80s as well—punk had mutated into New Wave, Japan was extra cool, ‘sci fi’ sound was common as synthesizers were becoming trendy, Goth fashion and music had become an anti-trend, and, of course, the year of ‘1984’ itself flavoured the decade. Throw in the conflict in the middle east, the personal computers that were now readily available, the beginnings of the internet, and the tail end of the Cold War, and you have a perfect recipe for the weirdly dark media that North America and Britain managed to churn out at that point. Oh, and I almost forgot to mention that whole ‘AIDS’ thing and the entrance of women into the corporate world, plus the commercialization of starvation and other humanitarian causes:  more factors guaranteed to shake everything up.
When you line up the 2010s and the 1980s, there are a lot of similar patterns. The sense of instability and international conflicts are certainly telling, and hopeless straits definitely inspire more contemplation of ‘the end times’ than an era of peace and prosperity might.  Orwell’s work was based on satire of the Soviet Union. The famous red sash around Julia’s waist, and the even more famous “2 + 2 = 5” were just a couple of the direct references to Soviet organizations and, in the latter case, slogans (referring to Stalin’s famous 4 Year plans).
Really, though, the desire to escape from modern problems, an easy out that sort of involves blurring the difficult and violent parts of the collapse--or casting them in a heroic light--is responsible for our obsession with Dark World fiction. There's also the appeal of a new beginning, the renewal that follows death. 



Source.

Does this mean that the end of the world is coming soon?


That implies that we're going to see tomorrow. I suppose that's an answer in and of itself. I'm not going to deluge you with environmental or activist-related information, but I will say that in order to keep on reaching tomorrow, we need to keep the biosphere and our society in a state where it can run long enough to reach another sunrise--preferably a bit longer. 

The short answer is 'probably not'. We've done reasonably well at muddling things up to a medium extent so far. I'm not going to commit to a firm 'no', but I certainly won't say that total annihilation seems likely. Ask me tomorrow. 

Whatever the reason for our obsession, it's not going away any time soon...and I am very all right with that. 


*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find me on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 

Tuesday, 16 July 2013

ASK AN AGENT Event w/ Sheree Bykofsky Literary Agency July 17th -- 19th

Hello hello! Another exciting writing event--join up RIGHT NOW so you don't miss it, writers! ANd yes, I AM working on that dystopian post. 


https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFNBKnh3ygy4yZ2CFDge9dB9VnY3FumLXb46sW18C3Qd8tyjAdz85QO1CfC2i1Wcm1Fn6aOe1KEnmXlPP5kPJBmF5N-RJV66vTYXwWnseXjRjvh3V0Xi52juWYo1GI63q3qYiFPR1vGwY/s640/Goodreads+Banner.jpg

Modern Good Reads Presents:
ASK AN AGENT ~ Sheeree Bykofsky
SHEREE BYKOFSKY ASSOCIATES, INC.
July 17th-19th

Discussion here═► ASK AN AGENT w/Sheree Bykofsky

Sheree Bykofsky Associates, Inc., AAR, represents hundreds of authors in all areas of adult non-fiction as well as literary and commercial fiction. Her non-fiction specialties include popular reference, business, health, psychology, poker, spirituality, self-help, humor, cookbooks, pop culture, biography, women’s issues, decorating & crafts, music, and much more.

*Full list of Authors/Books Represented Here ═►http://shereebee.com/books-represented-by-sheree-bykofsky-associates-inc/

Sheree is an Adjunct Assistant Professor of Publishing at New York University and an Adjunct Professor at Rosemont College. She teaches and lectures at a variety of conferences and symposiums around the country, including the upcoming interactive workshop, SPEND A DAY WITH A LITERARY AGENT, held at the Ocean City Public Library, Ocean City, NJ, Saturday, July 13, 2013, from 11:00 a.m. to 4:00 p.m. For more information about SPEND A DAY WITH A LITERARY AGENT, please contact Karen Mahar at: Karen@oceancitylibrary.org

Author and Speaker:

Sheree Bykofsky is the author, co-author and editor of more than twenty books, including the best-selling The Complete Idiot’s Guide to Getting Published (Pearson), now in its fifth edition.



ADD it to your “want to read” shelf on Goodreads HERE

 --------------------------------------------------------------------------------------------------------
RAFFLECOPTER GIVEAWAY
WIN ONE OF THREE COPIES!! 
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COME JOIN US at Modern Good Reads for a chat with Sheree on publishing, an agent’s role in today’s turbulent world of publishing, and working with NY Publishers.

July 17th-19th

Discussion here══►ASK AN AGENT w/Sheree Bykofsky










 [TWL1]<a id="rc-7824f16" class="rafl" href="http://www.rafflecopter.com/rafl/display/7824f16/" rel="nofollow">a Rafflecopter giveaway</a>
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*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find me on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 

Wednesday, 10 July 2013

Ask A Publisher ~ LISA RUTHERFORD, CEO of digital publisher COLILOQUY, July 11th-12th

Hello hello! 
More exciting news from the world of Modern Good Reads...have a look! I will post the final Dark World sci fi column in a day or two; but for now, enjoy some free publishing tips.

Modern Good Reads Presents:
Ask A Publisher ~ LISA RUTHERFORD, CEO of digital publisher COLILOQUYJuly 11th-12th
LISA RUTHERFORD is the co-founder and CEO of digital publisher Coliloquy. She has been e-reading since 2006 and is deeply passionate about using technology to create new types of books and tell stories in ways that weren’t possible on the printed page.
- Heidi R. Kling’s SPELLSPINNERS OF MELAS COUNTY (YAR) includes multiple pathways and a spooky magic trick in THE GLEANING
- Kira Snyder’s PARISH MAIL (MG/YA mystery) features twisting pathways and choices that unlock special scenes for careful readers
You can see a full list of our titles here:
Coliloquy’s editorial team will read two unpublished manuscripts or self-published books.
*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find me on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 


BIO:
Lisa started off as an undergraduate English major from Pennsylvania, before making her way west to California. Most recently an entrepreneur and venture capitalist, Lisa was named an AlwaysON Top 25 Women to Watch in Tech and has an MBA from Stanford and an MA from the University of Chicago.
ABOUT COLILOQUY:
Coliloquy is a digital publisher focused on active and interactive storytelling. We leverage advances in technology to create groundbreaking new forms of digital content and innovative business models. Originally developed as part of the Kindle Developer Program, we launched in early 2012. Eighteen months later, we have over 30 authors under contract, and our books and apps are available across all tablet, phone, and e-reading platforms, including iOS, Android, Kindle, NOOK, and Kobo.
Coliloquy publishes a wide range of interactive series and standalone novels – from YA to adult suspense to nonfiction and everything in between. Recent projects have included:
HARD LISTENING, a mixed media memoir by an all-star line-up of literary titans, including Stephen King, Mitch Albom, Scott Turow, Amy Tan, and Dave Barry. The book interweaves, essays, fiction, email conversations, fun quizzes, and archived footage for a unique look inside these authors’ lives.
GEORGETOWN ACADEMY, our “West Wing meets Gossip Girl” YA series, just wrapped up its first season in our new mini-series format and featured our popular choice point technology.
KINGDOM KEEPERS INSIDER, an interactive app that invites readers of the Kingdom Keepers MG book series to help author Ridley Pearson write the seventh and final book in the series. Winners of weekly contests will be included in the final book published by Disney in 2014.
Some of our coolest technology implementations can be found in our interactive series
ASK ANYTHING!
I’m happy to answer just about anything…our technology, authors, publishing trends, chief kitten officers, marriage, having it all, why Waynn is the best cofounder, pies, mistakes we made, and things we’ve done right…
SUBMIT MANUSCRIPTS TO WIN A READING FROM OUR EDITORIAL TEAM:
Contest will be open from July 11th through July 14th. Winners will be announced the week of July 15th.
*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find me on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 

Monday, 8 July 2013

Belated and Awesome: An Interview with Ally Shields

Hello hello! 
I just realised that I never did repost a pretty excellent interview with Ally Shields from a while back. Well, I had to amend that!
You'll definitely want to stop by her blog and grab her paranormal witch-hunting books, but in the meantime, here's a taste of her style. Thanks again, Ally! 
****
We're here for coffee again this morning. Michelle and I have ours, so grab a mug and pull up a chair. 

This  is Michelle's bio in her own words: 

I'm a published science fiction author with a love for talking about the end of the world, silver jewellery, nightmares, and chocolate. I'm also fluent in Shakespeare, cussing, and activism,  (passable in Spanish).
I came from a smallish town in Southern Alberta and now live in Calgary with my partner. When we're not saving the world from hipsters or riding our bear cavalry to work, we can be found on the internet or with our friends.

Ally: Lol! I'd love to have you back some time to talk about the bear cavalry, but let's stick to the script today and talkChristmas and books. Why don't you start by telling us your favorite childhood memory connected to the holidays?

MICHELLE: Hmmm. Childhood...Well, I remember one year that Mom really wanted some crystal lambs she'd seen, beautiful little ornaments. I convinced Mom that they were all sold out and not available at all anymore, and Dad and I managed to keep the secret all month long, occasionally mentioning that it had been sold out. Finally, the night before Christmas--also her birthday--we revealed our secret and showed her the mother sheep and three little lambs. There were some tears, and it's one of the best presents I've ever given.

Ally: And best for Mom too, I bet. Okay, now books.  Other than your own, what was the favorite book you read in 2012? What made it so special?

MICHELLE: Aw, shoot, I've read a LOT this year. Honestly, I'm going to go with the first one that comes to mind and then distribute runners-up. Les Liasons Dangereuses, by de Laclos, was magnificent. I couldn't believe how strong the characters were, and how well-implemented the plot was. It's a classic for a reason--sexy, well-written, morally ambivalent...I am so glad I picked it up. Chris Shields' "Fae Journals" series also really impressed me--one of the best teenage female protagonists I've ever read about. A solid third goes to JC Eggleton's "Brookhaven', for being spectacularly creepy and unputdownable. Honourable mention goes to the Game of Thrones series, but book 5 has been a disappointment thus far.

Ally: I'd have trouble just choosing one, too. Thanks for coming, Michelle. I've really enjoyed our chat, and I look forward to having you back sometime.

MICHELLE: It's been a pleasure meeting you, your readers, and I hope you'll stop by my blog! Also, "And the Stars Will Sing" is free from Dec 6 to Dec 10, and "The Stolen: Two Short Stories" will be on sale for .99. Pick them up, you won't regret it. This is your SciFiMagpie, over and out!


Picture



Book Blurb:

In the far future, travel is made possible by controlled wormholes made in the fabric of space-time. Crystal, a young woman freshly graduated from university, finds herself on her first job aboard the base-ship 'Crossing Paths'. Workplace politics and a romance make it complicated. The last thing she needs are the frightening errors beginning to crop up on her maps...

Buy Link:

http://www.amazon.com/And-Stars-Will-Sing-ebook/dp/B0075G7GEA/ref=pd_sim_sbs_kstore_1

Her second book, The Stolen: Two Short Stories, can be found here:

http://www.amazon.com/The-Stolen-Short-Stories-ebook/dp/B0094B0WFY

A new book, "The Loved, the Lost, the Dreaming" is coming soon! "
[Note: Obviously, that's already out, and you can buy it here and here and here!]


Picture

You might recognize my logo. Currently I use my face, but this is the bird that started it all.

Ally: I supposed the readers are wondering about the bird. Perhaps you should explain.

MICHELLE: I generally use a magpie for my author pic. I do have my real face on the internet, but the magpie is my logo, so look for this bird and you'll find me.

Ally: If you're not into bird watching, you might try these contact links. :-D

http://www.goodreads.com/author/show/3301336.Michelle_Browne
https://www.facebook.com/SciFiMagpie
http://scifimagpie.blogspot.ca/ 
*****
And that's all for today! Hope you enjoyed a chance to catch up on an oldie but goodie. Thanks for dropping by the nest once again. Don't miss any of the good kind of crazy. Find me on TwitterFacebook, and on Tumblr.  Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 

Wednesday, 19 June 2013

The End is Nigh, Part 1: The Biomass Revolution and Other Tales

Hello hello!


As those of you who’ve strayed near a movie theatre in the past couple of weeks may have noticed, there is a very noticeable trend to this summer’s hits. My Facebook feed has been on fire with reports that This Is The End is hilarious and gritty; The Purge has been racing through theatres as well. Catching Fire (which I plan to both re-read, watch, and review) has been advertising itself frequently, as has World War Z, which has been putting much more of an emphasis on the end-of-the-world bits than the zombie bits.

Trend-counting time: we had vampires and werewolves, then a slight interest in dystopias (especially with a dose of romance), a raging surge in zombie fiction and media, and now, we’re hitting a wave of proper dystopian works. What’s up with that? I had some theories before—basically, ‘challenges are fun and so is destroying stuff’—but it’s time to re-evaluate and see whether more forces are at play. I’ll be name-checking some of those previous references in this round, so don’t be surprised if my recommendations and examples have some overlap.


This is going to be a two-parter; in the first half, I’m going to give you some terms and some media, and in the second, I’m going to talk about why everyone is in love with the end of the world more than usual.

Without further ado, let’s talk about some terms.






Source. This really sums up my feelings on Dark World sci fi. 



Learning new words is fun!

In my last article, I deliberately blurred the lines between cyberpunk, dystopia, and apocalyptic/post-apocalyptic fiction. Cyberpunk is often a style feature in both apocalyptic/post-apoc and dystopian fiction. All three of these tend to be more planet-centric than galaxy-centric sci fi; where some media (Mass Effect, Star Trek, Doctor Who, Dune, Star Wars) focus more on building a big, shiny universe to play in and tour around, these three genres tend to stick to one planet or even one city. I’ll get to a couple of exceptions to the ‘limited travelling’ idea in a minute, but let’s lay the terminology down first.  Also, you might want to keep Google or GoodReads open in the side so you can look up some of these titles.

In case cyberpunk just sounds like the word you’d use to describe your smart-ass IT guy, I’ll clarify—cyberpunk is fiction with a heavy focus on mixing analog and futuristic technology into daily life. It tends to be gritty, noire-influenced stuff with an existential bent. Transhumanism and equality issues are often themes, as well—the nature of humanity, of reality, changing social roles, and all the ‘fun stuff’ that comes with it. Think of BladeRunner, Johnny Mnemonic, the Sprawl series by Gibson, the anime Ghost in the Shell, or, of course, The Matrix trilogy. It’s sort of a heavily 80s/90s influenced version of steampunk. I’m going to avoid a discussion on all the ‘punk’ subgenres, and get back to the other types of dark-world fiction.


Apocalyptic fiction can be loosely described as fiction about how everything goes to hell. Post-apocalyptic fiction (such as The Road by McCarthy, Brown Girl in the Ring by Hopkinson, or many zombie books) takes place after everything’s gone to hell already. Desert Punk is another anime example; the Fallout series is probably the most famous post-apocalyptic game set out there, though Metro 2033 is a very good one too. The Terminator and Tank Girl also technically count as post-apocalyptic fiction, too.


A dystopia is, as mentioned in this article, a ‘bad world’, often characterized by totalitarian governments, personal controls, lack of freedom, poverty, and a struggle for survival. The Fade by (author) is a good example. Of course, 1984 by Orwell, Brave New World by Huxley, Fahrenheit 451 by Bradbury, A Clockwork Orange by Burgess, Lord of the Flies by Golding, and I Have No Mouth And I Must Scream by Ellison are famous, even ‘classic’ dystopias. For film media, Dark City is a pretty excellent dystopian movie, and Metropolis (both the black-and-white and animated versions) also serves as another fine example. As mentioned previously, even the two Portal games (part of the Half-Life series) fit into this category.


All of these together fall into the realm of ‘Dark World Sci Fi’, though fantasy elements sometimes sneak in. For obvious reasons, they often overlap heavily; it’s easy to have a post-apoc book that involves a dystopian government or living situation, and survivors might use cybernetic implants (a cyberpunk element) to get by in fights to the death. The Mad Max series, The Ballad of Halo Jones, Firefly, Lexx, and a novel I’m going to review a bit today—The Biomass Revolution and its companion, Squad 19, by Nicholas Sansbury Smith—all make use of overlapping aspects of the terms I mentioned above.





I'm focusing on it because I liked it. 



Oh hey, another book!


Shameless plug time—I came across this remarkable book and then got to help a little with its development; it’s very timely, and I’m about to explain why it’s both a) awesome and b) relevant to the points about why dystopias have gotten the limelight lately. The Biomass Revolution kind of sounds like a sci fi diet plan if you glance at the title alone, but the pretty wasteland cover and the poetic opening immediately tell you which genre you’re in. Biomass combines the ripping thrills of a technothriller with the darkness of a dystopia. The moments of beauty in its atmospheric descriptions can be heartstopping--a unique book, that show itself to be far more than it appears at first glance.


The thing that got me about this book is the fact that it wasn't just a technothriller sort of romp. I was expecting that from some parts of it--charge through wasteland, shooting baddies, being big damn heroes. The book focuses on corruption and makes no bones about its political stance, but little details like the dead wives of the leaders really come back to haunt one. Even the 'bad guys' are people. And when civilians get caught in the crossfire, they aren't just meatbags of dramatic convenience. They have names. 

The tone is nicely dispassionate, and Sansbury Smith does a good job of referencing reasonable technologies and current issues. They're hauntingly familiar issues; energy, resource wars, conservatism echoing the non-interference Monroe Doctrine of the early World Wars, and, ultimately, the desolation that results. There are haves and have-nots. Immigrants and deviants are treated badly, while people in the right places get off scot-free. It's heavily inspired by its predecessors, but still manages to add to the genre. I'll admit that some of the content has a video-gamey feel to it, which might turn some readers off, and a lot of the characters are very big and very muscly types. However--it all works. It strives for cinematic rather than silly details, and it works. 


Getting back on topic...


The thing about DWSF (Dark World Sci Fi; see above) is that the entire field is built on societal subversion and questioning the system. That makes it one of the darkest types of entertainment, almost as dark as horror (an entire field devoted to primal fear responses) and sometimes darker. DWSF is about how wrong things are in the world, and how characters attempt to fix them. Unlike other books, the heroes don't necessarily succeed, either. Sometimes, they just ameliorate things temporarily, but are eventually screwed over by the crushing weight of the world.

There's always that glimmer of hope, though, and it is a little brighter when the surroundings are bleaker. I'd like to think that the reason people love Dark Worlds stuff is that they like a taste of hope that's sharper than usual. However, my suspicions are more sinister. Tune in soon to find out exactly why I think people really dig the dark stuff.



*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find me on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 



Wednesday, 12 June 2013

More Breaking News: Ask an Agent!

Hello hello!

More excitement! I'm not even going to explain; it's a bit related to the last post...all I will say is that a drink of water would be a very good idea right now. Also, make sure you're sitting comfortably.




Come join Seth Fishman, Literary Agent representing Alex Grecian, our Book of the Month author of THE YARD, and the sequel, BLACK COUNTRY.


GIVEAWAYS:

THE YARD, now--June 14th

BLACK COUNTRY June 12th--14th



ASK THE AGENT:  Seth and Alex have graciously agreed to answer questions from Modern Good Reads members related to traditional publishing, an agent’s role in publishing, and all those myriad things we all want to know about working with agents and New York publishers.





Seth Fishman’s bio:



Seth Fishman (me) was born and raised in Midland, Texas (think Friday Night Lights) and received his MFA in Creative Writing from the University of East Anglia in Norwich, England (think cold and rainy and millions of castles). His YA thriller, The Well's End, is the first in a series and the protagonist, Mia Kish, is roughly inspired by a hometown drama that (when I was young) really blew him away: (http://articles.latimes.com/2012/oct/...).  When not writing, Seth is a literary agent at The Gernert Company (www.thegernertco.com), and thinks writing and agenting are the two very best jobs in the world.
 



Agent/Publications & Experience:



I've been a literary agent for over eight years, beginning at Sterling Lord Literistic, Inc. (www.sll.com) and now, for the past three years, at The Gernert Company (www.thegernertco.com).  My list is deliberately wide-reaching, as I'm fervently of the mind that good writing and strong stories can be found in any genre.  For sake of ease, however, a few published examples in varying categories I rep:


Literary Fiction: NYTimes Bestseller and Orange Prize winner Tea Obreht's The Tiger's Wife, Liz Moore's Heft, Alex Gilvarry's From the Memoirs of a Non-Enemy Combatant
Hugo winner Will McIntosh's Love Minus Eighty, Ted Kosmatka's Locus finalist The Games.
 
Thriller: Alex Grecian's Bestselling The Yard and The Black Country, Ted Kosmatka's Prophet of Bones.



NonFiction: NY Times Bestseller Maria Konnikova's Mastermind: How to Think Like Sherlock Holmes, BoingBoing Science Editor Maggie Koerth-Baker's Before The Lights Go Out.

Graphic/comic/illustrated: #1 NYTimes Bestseller Kate Beaton's Hark! A Vagrant, Matt Kish's Moby Dick In Pictures





Young Adult: Nora Price's Zoe Letting Go, Shawn Goodman's Something Like Hope

Picture Book: Matthew Olshan's The Mighty Lalouche (This is just out, his future books I rep).

Forthcoming publications (in the next 3/4 months): The Thousand Names by Django Wexler, What The F Should I Drink by Zach Golden, and The Age of Ice by J.M. Sidorova.



Seth Fishman’s debut novel:

The Well's End, a YA thriller, due out from Putnam YA February 2014.  COVER REVEAL June 11th 2013:  http://io9.com/





A childhood accident, a bizarre outbreak, and an impossible discovery…



Mia Kish is afraid of the dark. And for good reason. When she was a toddler she fell deep into her backyard well only to be rescued to great fanfare and celebrity.  In fact, she is small-town Fenton, Colorado’s walking claim to fame. Not like that helps her status at Westbrook Academy, the nearby uber-ritzy boarding school she attends. A townie is a townie. Being nationally ranked as a swimmer doesn’t matter a lick. But even the rarefied world of Westbrook is threated when emergency sirens start blaring and the school is put on lockdown, quarantined and surrounded by soldiers who seem to shoot first and ask questions later.  Only when confronted by a frightening virus that ages its victims to death in a manner of hours does Mia realize she may only just be beginning to discover what makes Fenton special.



The answer is behind the walls of the Cave, aka Fenton Electronics. Mia’s dad, the director of Fenton Electronics, has always been secretive about his work. But unless Mia is willing to let her classmates succumb to the strange illness, she and her friends have got to break quarantine, escape the school grounds, and outsmart armed soldiers to uncover the truth about where the virus comes from and what happened down that well.  The answers they find just might be more impossible than the virus they are fleeing.









Alex Grecian:





?JOIN SETH FISHMAN & ALEX GRECIAN June 12th through June 14th?


?Giveaway Rafflecopters below (Win Signed Copies)? 

Exclusively for MODERN GOOD READS members.

If you are not a member, you must join MODERN GOOD READS to qualify.

a Rafflecopter giveaway


*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find me on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 


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