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Author of queer, wry sci fi/fantasy books.
Showing posts with label indie. Show all posts
Showing posts with label indie. Show all posts

Friday, 28 November 2025

Did you know that Chinook Phase is out?

 

A young woman with brown hair and glasses looks thoughtfully at the viewer against a sky backdrop; below her, four young women walk down a prairie road. The cover has a golden tone, and features "Prairie Weather" in cursive script angled across the title, with the author name "Michelle Browne" at the bottom.

Or at least, the first chunk of it is out! You can read the first 13 chapters, with a new one coming every week, on my Patreon or my Substack - and on Patreon, they're all free! (So far!)

That said, if you fall in love and want to kick a couple of dollars my way, that would be amazing.

What is Chinook Phase, you ask?

Well, it's the first novel in my cozy academia trilogy, a love-letter to my home town and university. Set in the early 2010s, it follows the multiple interwoven stories of a group of friends and frenemies, trying to sort out their love lives and friendships - and you know, maybe getting stabbed, drunk, or stalking each other along the way.

Follow Natalie, Charlotte, Kyla, Amanda, Rachel, and Greg through mishaps, heartbreaks, and disasters. Come for the gossip, stay for the friends-to-lovers and "I can make him worse" villain couple.

Check out the beautiful new face for the first novel!

SHE'S SO BEAUTIFUL! Amazing work by Rachel A Rosen, Renaissance woman extraordinaire. Get your covers from her!

Anyway, so, catch my first Prairie Weather posts on Patreon or Substack!

***

Creation of this project was made possible in part by the generous funding of the Canada Council for the Arts, and the author gratefully acknowledges their contribution.



***

A writer and artist, Michelle Browne lives in southern AB with xer family and their cats. She is currently working on the next books in her series, other people's manuscripts, knitting, jewelry-making, and drinking as much tea as humanly possible. Find xer all over the internet: *Website * Amazon * Substack * Patreon * Ko-fi * Instagram * Bluesky * Mastodon * Tumblr * Medium * OG Blog * Facebook

Thursday, 21 December 2023

Why Haven't I Posted Since July?

 Well - to be honest, I've been too busy!

 a) writing the Prairie Weather trilogy, which is now finished and on submission to publishers - wish me luck! It's 155K, and if you want to beta-read it, pick your favourite social media and contact me. 


and b) - finally, finally, finishing Monsters and Fools, the sequel to the Underlighters. That's right, that sequel. Yes, it really did take ten years. I'm also 13K into The Foundling City, the final book in the trilogy, and given the outline, I'm expecting to be finished that book some time in 2024. 

c) We're preparing for our first child (River, due in early March!) and I have no idea what that will do to my writing or publishing schedule. 

d) I haven't been writing many essays for a while, but I HAVE been posting lots of snippets and updates over on my Tumblr! Tumblr is definitely my most active platform, and it's unquestionably one of the best ways to contact me these days, as well as the best way to find out what I'm working on. 

So, yeah! Hit me up over there, or possibly on Facebook. I may get back to writing essays in the new year as well, but I plan to spend a bunch of time actually reading political theory, which may also result in a lot more essays and thinkpieces. We'll see! 

***

A writer and professional freelance editor, Michelle Browne lives in Lethbridge, AB with her partners-in-crime and their cats. She is currently working on the next books in her series, other people's manuscripts, knitting, jewelry-making, and drinking as much tea as humanly possible.

Find her all over the internet: *Website * Mailing list * Magpie Editing * Amazon * Tumblr * Mastodon *Facebook * Medium * Twitter  * OG BlogInstagram * Paypal.me * Ko-fi

Wednesday, 5 October 2022

The End of an Era

Releasing soon, it's the final book in the Meaning Wars series - A Jade's Trick! 

I've been hard at work on this, and I'm so excited to be this close to the finish line. 

"Outgunned. Outmanned. Outnumbered.


But out of luck? Not yet...


Crystal has left her abusive husband, and Sarah and her crew have successfully rescued rebel leader Patience Ngouabi. As Patience and Sarah connect, they begin to see a life beyond their struggles in the rebellion. Now this queer found-family crew just has to fight the tyrannical Human Conglomerate into submission. But fighting an interstellar empire is going to take more than big guns. They need funding and allies. Could a renegade - but unionized - group of pirates be their unlikely saviours? A sinister, shadowy political figure back on Ganymede may also be willing to help - and that means going right back to danger's heart.

Fans of Ruthanna Emrys' 
A Half Built Garden and Becky Chambers' Wayfarers series will enjoy this emotional, high-risk finale to the Meaning Wars series."



Preorder here!

It'll be out soon, but help me get those preorder numbers up by grabbing your copy now! Around the same time, I'll also be releasing an omnibus collecting all five books, which will be available in hardcover (a first!) as well as paperback. 

I hope you'll all enjoy seeing the destinies of these characters play out as much as I've enjoyed writing them. Coming to the end of a book series is always bittersweet, but I'm so proud of these characters and how far they've gone. 

***

Michelle Browne is a sci fi/fantasy writer and editor. She lives in Lethbridge, AB with her partners-in-crime and their cats. Her days revolve around freelance editing, knitting, jewelry, and learning too much. She is currently working on other people’s manuscripts, the next books in her series, and drinking as much tea as humanly possible.
Find her all over the internet: * OG Blog * Mailing list * Magpie Editing * Amazon * Medium * Twitter * Instagram * Facebook * Tumblr * Paypal.me * Ko-fi

Sunday, 23 August 2015

How to Act Like An Editor--A Brief List (Part 3)

Hello hello!

So *blows dust from blog again* I've returned with yet another post about the world of writing--and in this one, I'm tackling my own special breed--editors.

In the event that you find yourself impersonating an editor, I have compiled a few handy tips to ensure that the deception is perfection itself.





How to Act Like An Editor

1. Frighten other writers. When you walk through a crowd, a cold shiver should run down the spine of every writer present. Doing a "murder walk" helps, but generally, people should just know that you are coming, and that you are a barely contained force of nature. 

2. Wear slightly tidier clothing than the writers--though you needn't be less weird. Red spots, ashes/cremains, and flecks of ink are allowed, as are the fingernails of the last client who pissed you off--but those last ones make better earrings, generally.

3. Alcohol and caffeine are no longer food groups--they run in your very veins. You have become the caffeine and alcohol. You bleed them, breathe them, emit them in a fragrant cloud. 

4. A cold, haughty laugh and thousand-yard-stare are a must. "I've seen things," you should murmur to yourself, whenever the topic of your work comes up. "I've seen things you cannot fathom. Are you frightened? You should be frightened."

5. Being more aggressive, blunt, and experienced than other writers is also important. Basically, you are the shit--but you don't need to advertise it quite as much as the bestsellers. When people walk into a room with you, they'll just know. 

6. Elucidate your issues with various style guides at length, even when other people have stopped listening and just want to beat you to death with the Chicago Manual of Style. 

7. Don't nitpick poor grammar on Facebook--leave the amateur grammar Nazis to do that. Save your bile for bloggers and news articles, and complain mercilessly about typos in bestsellers--but only in private. 

8. Be a hunter, not a scavenger--don't stalk authors on social media and threaten them with crappy reviews for missing a comma on page 81 of the Kindle edition, and repeating a period on page 275.

9. Let your writing career slide, because oops, work is important.

10. Be extremely forgiving with authors and writers at all levels--after all, it takes time to get this crap down, and everyone was a beginner once. Actually snobbishness has no place in the writing world. Every author deserves a second chance, and often, a third.

11. Write love letters to every punctuation mark and obsess over the effect of sentence structure on phrasing and emphasis. You alone understand how beautiful semicolons and Oxford commas and em dashes are. But that won't stop you from telling everyone else anyway.

12. No matter how many bad ones you read, never stop loving books. 

Next time--we'll return to our regularly scheduled programming of thoughtful, intellectual blog posts. Stay tuned!


***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie--get on the mailing list. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

Thursday, 20 August 2015

How to Act Like A Graphic Designer--A Brief List (Part 2)

Hello hello!

Shockingly, this week's update follows within a reasonable period of time. How very peculiar, eh? I'm hoping to get back to a more regular update schedule now that some of my medical issues are in better shape.

In the event that you find yourself impersonating a graphic designer, I have compiled a few handy tips to ensure that the deception is perfection itself.

How to Act Like A Graphic Designer

1.  Fonts. Fonts, fonts, fonts, fonts, fonts. Every conversation and walk, every casual browse on Facebook--it's all about fonts. The sizes, the textures, the colours, the serifs--you don't even read words anymore. You just see the way they're written.

2. Looking at advertising posters made by authors will hurt you. They don't know what they're doing wrong, but you know. You know, and you will bleed.

3. You are the fashionable younger sibling of a computer programmer. Even if you're an only child, pretend you're someone's younger sibling. By "fashionable", one merely means less dirty than a programmer, though not quite clean. A subtle sheen of grease is your natural state.

4. The grease may be a result of your diet. Ramen, Doritos, and mac and cheese are your main food groups. Lactose-intolerant? Celiac disease? That's okay, there will be no-one around to smell your farts.

5. Swear at pixels. A lot.

6. Caffeine makes up about 20% of your body weight at this point. Your cremated remains could be used to power several thousand high school students through their exams for the next ten years. You may be into the hard stuff--pills, powders, weird energy drinks you have to buy under the counter from patchouli-scented hairy people, or anything else suitably esoteric.

7. FUCKING PIXELS!

8. Seriously, another two hours and it'll be symmetrical. You swear.

9. What is sleep? No, really? You've forgotten how it works. It is a rumour, a legend, not a part of your life.

10. There is a purpose to your work, and no matter how many people give you a blank, confused look when you describe your job, they require your work to function on a daily basis.

11. The first thing people see when they look for a book is what you did. Not the words, but the picture. You don't have to remind authors of this--you just know, and you smile to yourself at night.


Next time--you'll learn how to impersonate an editor! Stay tuned!


***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie--get on the mailing list. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

Friday, 30 January 2015

Holla, Holla: A Meditation on Selling Out

Hello hello!

So I was talking to my content editor a while ago, and we had a minor scuffle over genre classifications for exactly WHAT Urban Fantasy is. I thought one of my books fit into the category, and she heartily disagreed.

UF, according to Wiki, is this:

"Urban fantasy is a sub-genre of fantasy defined by place; the fantastic narrative has an urban setting. Urban fantasy exists on one side of a spectrum, opposite high fantasy, which is set in an entirely fictitious world. Many urban fantasies are set in contemporary times and contain supernatural elements. However, the stories can take place in historical, modern, or futuristic periods, and the settings may include fictional elements. The prerequisite is that they must be primarily set in a city.[1][2]"

It certainly matches my reading experience. But readers themselves have different ideas about UF. Some complain when the setting isn't contemporary. A lot, actually. Noire is also an expected element. And, as noted, the city setting is quite important. That seemed a bit off to me, because while the city bit only makes sense, what about steampunk that runs on magic? But no, most readers would not call that an urban fantasy. Where does the line between urban fantasy and cyberpunk stand? That's another tricky question.

The thing is, after I whined and moped a bit, I realised that what I thought wasn't as important as what readers thought. Definitions change and evolve, and while it's impossible to read minds or make everyone happy, not ignoring the blatantly obvious can be quite helpful. I quarrelled and protested, but ultimately, the modern setting rule--especially with paranormal elements--won out over my personal definition and Wiki's. After perusing Reddit and Facebook and surveying people, I found that they tended to fall in line. I took the "urban fantasy" tag out of the book's tag list.


And then I got to thinking... 


The thing is, it still bothered me that I was changing the classification of my book away from what *I* thought it was. Between that and contemplating the necessity of trigger and content warnings, I was quite torn about something.

When does the marketing of a book become selling out? Is "selling out" even an applicable argument when it comes to marketing and classification by genre?

Actually, no. 


It's hard to explain this to authors who are starting out, but it's important not to get too married to your categories--because you'll have to change them anyway. Categories for books are there to serve you, not worship. Does a book have most features of a romance but end tragically? Don't stick it under romance unless you can find a 'dark romance' or 'bittersweet' category; the readers will eat you alive. (Romance readers, in particular, are a special group.) Does your book about a half-angel, half-demon going to high school have a lot of queer themes and involve a diversion into horror territory in a big way? Cool. Give it a try in the horror listings as well as YA and New Adult or Paranormal. The key is to rotate.

But...but...genre rules!


No. Put down that "How to Write a Whatever" book. Pick up a new book instead. Read that. Take notes on what you liked, what you didn't like, and what worked, as well was what didn't. When did you find your attention drifting? That's a pacing issue. Kindles have a note-taking function. Use that sucker. It's not about selling out. It's about reaching readers.

Before I'd released The Underlighters as a stand-alone, outside of its place in The Loved, The Lost, The Dreaming, I almost ended up launching it as a tidied-up, de-sexed and lower violence YA version. Yes, this really happened. Miss I-Hate-Censorship herself almost caved and censored a book to make it fit people's needs. I even considered the advice one author gave me, to "put a girl with a flaming sword, fighting a Sandman" on the cover.

That might have worked, but readers who came to it would have been annoyed by the unreliable narrator, literary styling and pacing, and all the queer and equality issues that "interfered' with the action story. Ultimately, I'm not an author who writes that kind of fantasy, and misdirecting readers to think that it would conform to those expectations would only have pissed off everyone--the readers, and me. I left The Underlighters as it is, in all its convoluted glory. If I was doing it again, I'd put a more post-apocalyptic cover on it and chop that sucker in half, because I'm better at novellas than writing novels--but that's a discussion for another day.

So, wait, when does "selling out" happen? What does that even mean?


People seem to mistake "success" or change for selling out. I know I've done it. I've seen friends do it. But as long as you're not rewriting your book entirely to serve the market, even doing things you hate in order to sell books, you're okay. Ultimately, only you will know whether you've trespassed on your own integrity.

However, actually trying to sell books, talk to readers, pay for advertising, and read books on categories and niches isn't "selling out". Even now, there are still a lot of indie authors who seem to think that recognition will just happen magically and that art will somehow be self-sustaining, solely on the power of being an awesome, well-written (or well-crafted) piece of work.

I can confirm, first-hand, that it doesn't work like that. However, marketing and genre-classifications don't have to make you feel like you need a shower. The important thing is to focus on serving your vision and your work, and getting it into readers' hands.

Have you ever felt unreasonably upset about doing something for your art? Have you changed something that you later regretted? Did you get upset when a favorite author or artist changed something? I want to know, so tell me in the comments.

***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

Sunday, 30 November 2014

More Breaking News: Blog Tour! New Release!

Hello hello!

So, another promo-y post because there's more fun stuff to announce. First, the Euphoria/Dysphoria blog tour with my coauthor Nic Wilson is kicking off soon! 

Check out each blog on the day of the tour to hang out for exclusive flash fiction, recipes based on the book (mmm...rats...delicious!), and to hang out with us in the comments. You don't want to miss this one. 




December 1
Roxanne’s Realm
www.roxannerhoads.com

December 2
Sapphyria's Book Reviews
http://saphsbookblog.blogspot.com/

December 3
The Creatively Green Write at Home Mom
www.creativelygreen.blogspot.com

December 4
Lisa’s World of Books
www.lisasworldofbooks.net

December 5
Deal Sharing Aunt
www.dealsharingaunt.blogspot.com

December 8
Anya Breton Author's Blog
http://blog.anyabreton.com

December 9
The Reader's Hollow
http://thereadershollow.wordpress.com

December 10
Share My Destiny
http://sharemydestiny.blogspot.com

December 11
Paranormal Romance and Authors That Rock
www.pratr.wordpress.com

December 11
CBY Book Club
http://cbybookclub.blogspot.co.uk

December 12
JeanzBookReadNReview
http://jeanzbookreadnreview.blogspot.co.uk/

December 15
Fang-tastic Books
www.fang-tasticbooks.blogspot.com


And that's not all. Look what else is finally out! 





You can grab your copy right here. It's got all the diversity and queer representation you can expect from my books--i.e., PoC are front and centre--in a love story set long after the apocalypse. An apocalypse that might sound familiar if you've read The Underlighters. Is that a hint? It might be. Check back for info on the blog tour for this baby, too! There will definitely be prizes.

***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

Tuesday, 29 July 2014

Comparatively Analyse This: American Psycho vs American Psycho vs Banksters, Part 1

Hello hello!

So, while I write and edit, I sneak in time to read for leisure, and I often play movies and shows in the background while I edit. In a way, this is technically a "Missed It" review, because I have the marvellous skill (?) of being ten years late to every party, and of somehow insulating myself from things I haven't seen or read, no matter how famous they are. Obviously, both the movie and book fit these perimeters.

But let's talk about the book and the movie. I just finished reading American Psycho, and the movie called to me--especially after a bunch of my friends confirmed that it's much better. Obviously, there are some epic

SPOILERS SPOILERS SPOILERS


ahead. I'll also be mentioning an indie parody called Banksters by Nic Wilson because it's based on American Psycho. Now, with that out of the way, let's get down to business. This is a three-way fight--book vs book vs movie!

Banksters


I've mentioned it before, but I actually had the chance to read that first, before either the book or movie crossed the desk in my mind-palace. Banksters focuses on the machinations of a sociopath sexing, manipulating, and murdering his way to the top of a company. It's less metaphorical than American Psycho, and Mark Danes is both a more appealing protagonist and a more clear-minded one; it's more akin to the power porn I enjoy so much, things like Breaking Mad Game of Cards, for instance. (Mad Men, Breaking Bad, Game of Thrones/A Song of Ice and Fire, and House of Cards--both the British and the American versions--are all basically "power porn".) Banksters, though, is darkly humorous, and that counts for something. The prose is sexy and clever, and it's a really fun ride. Go buy it here if you haven't already.

American Psycho


Both the book and the movie tell the story of Patrick Bateman, and honestly, I can't do much better than the Netflix description--"with chiseled good looks that belie his insanity, a businessman takes pathological pride in yuppie pursuits and indulges in sudden homicidal urges." It's basically a story about the symbolic exploitation and abuse of the working class by the people at the helm of the economy, and the madness induced by meaninglessness of consumer culture and lifestyles, as well as the worthlessness of the trappings of wealth. Also, there's sexual torture. Lots of it. Proceed with caution. 



I have no source and no justification. 


Prose, Style, Cinematography


The book...ugh.  It's a very polarizing work. I really love books about madness, and I'm quite a Palahniuk fan--I love Lovecraft, I like William Golding a lot, I enjoyed Joseph Heller's Catch-22...you get the idea. American Psycho was on my bucket list for a long-ass time. Of course, now that I've read it, I'm glad I did, but I still have mixed feelings. Some of the descriptions of madness were wonderful, and I really liked the concept. The descriptions of clothing entertained me and ended up informing me about various kinds of fabric in some detail, though, so I guess that's actually a point in their favour--but all the gourmet food and the other stuff got really irritating to read about because there was just so goddamn much of it. However, the thematically appropriate but annoyingly detailed album reviews, and the completely over-the-top descriptions of the violence against women really got to me. I am not going to mention rats, electric shock machine torture, eyeballs, or cannibalism, because your brain will fill in the details of what happens to the (mostly women and hookers) for me. And I can guarantee you, the descriptions were worse than whatever your brain just came up with. I like my violence tasteful--no pun intended--and there was just too much of it to be really effective.

I kept comparing it to Banksters, because while that book isn't perfect, the murders and violence are more clever and the sex is less repulsive. The female characters are also much better and more interesting--more on that later--and there's a larger cast to work with. There's also a nice theme of examining the cost of the glass ceiling for women, and violence on women in the workplace, which I really appreciated. The point of American Psycho is partly how utterly interchangeable the people at the top are, and that actually ended up being to its detriment because it was hard to care when bad things happened. Anyway, the descriptions and prose in Banksters drew me in a lot more, and the wealth and opulence still came across. It's knifeblade prose, and there was much less waste and repetition than in its source. Also, American Psycho put me off sex and Banksters made me want to have sex, so that has to be counted as a point in its favour.

I wanted to love it, but it was a book you endure, not one you enjoy, and the reason is partly the jerky pacing. As Kyle Kallgren, "Oancitizen" of Channel Awesome put it, "It cannot be watched, merely inflicted," and that describes the experience of reading this book. I understand the symbolism of Wall Street broker types abusing poorer people and committing violence against them, and I understand the giant time jumps at the end of the book, but the clever symbolism didn't make up for the truly frustrating experience of reading the book. Fear and Loathing in Las Vegas by Hunter S. Thompson was much less of a slog, and so was On the Road by Jack Kerouac. Those books aren't totally perfect, but they're a damn sight less annoying, and the protagonists are better. More on that in a minute.

Now, the movie is loyal and faithful to the book, but it cuts out the annoying descriptions and replaces them mostly with, well, visuals; I think that works a lot better. The voice-over was a little distracting, and close-ups on all the labels and a silent opening--or one with music--could have been better, but it's a really well-filmed and nicely framed movie. It's also seductively paced and witty from step one, but in a more engaging way, and the message still gets across. There's a lot of dead weight that's just cut, a couple of things--like the breakup speech with Courtney--are rearranged, and it just flows so much better. Also, I could look away during the gory scenes in the movie, and frankly, that was preferable to having to read about what happened in the original text. They cut a lot out, including plenty of animal cruelty and torture porn, and I am more than okay with that. In exchange, we got some amazingly goofy Christian Bale faces.



Source.



This is getting a bit on the long side, so we'll take a short commercial break before we get back to the second half later this week!

*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 


Sunday, 13 July 2014

Missed It Review: Safety Not Guaranteed

Hello hello!

It's been a while--I've been working on After the Garden, which will be out at the end of the month, and epic-failed at scheduling blog posts to compensate for it.

Now, this review is a bit special because I'm working on a novella about the same thing that prompted the movie. My own tale is completely different, but I wanted to watch this one to compare the differences.

There are a few

SPOILERS SPOILERS SPOILERS

But not too many. So, without further ado, here's Safety Not Guaranteed.




Source

Summary


It's s story about love, time travel, and second chances. There are no objectified Scotsmen, and the hot redhead and sexy young career woman are two separate people, and they're a lot more complex than the stereotypes. Basically, three reporters are hunting for stories and pick up a weird classified ad by a guy hunting for someone to travel through time with him. Of course, there's more to it than that, and they have to figure out whether the guy is actually on to something or a bit off his rocker. Obviously, I'm not telling you the answer.

I like movies that don't go overboard with exposition, and this one really doesn't. Characters do say their bits, but they don't spell out their feelings, and a lot of the backstory is left to the imagination. When exposition finally does come, it's at appropriate moments, and it's given the gravity it deserves. They also don't go for cheap tearjerks or overly simplified characterizations, and that's a pretty good thing.

I really like the simple camera work and the low budget, to be honest. It's got good production values, but unlike most sci fi, it's pretty simple to look at. It was a nice change. I say "sci fi", but whether it's sci fi or mumblecore is a distinction that isn't made until the end of the film. It's also got a big heart and is very sincere, but not in a crappy, Lifetime Movie kind of way. However, I might have gotten something in my eye at the end.



Source

Pros


It's smart, subtle, and basically embodies everything good about indie movies. The acting is pretty good too--it's certainly realistic. Darius is incredibly realistic and played with a lot of subtlety. Jeff, her boss, is a douche with a scarred side, and reminds me of Peter from Fringe except that he's an asshole. Kenneth is particularly wonderful and heartrending, very Nathan Fillion-esque and sincere. And if you want a movie that's touching but not pandering, has relateable but not overly idealised characters and doesn't make things artificially easy, this is just the film.


Cons


By Hollywood standards, the pacing is a bit funky. Arnau is kind of flat and awkward, and frankly he just felt like an Indian-American Michael Cera, but he was basically just a straight-man and there to fill out the cast. He's intensely awkward too. His subplot was okay, I guess, but it didn't do anything for me, let's put it that way.

The pacing is a bit wobbly, and sometimes it feels intensely awkward--if you're susceptible to fremdtscham, embarrassment on behalf of others, this movie might make you feel funny. That's about it, though.


Final Verdict


A solid 9 out of 10. It's just about perfect, it's rewarding, it's subtle, and it wraps things up while leaving an open door in the characters' lives. I couldn't ask for more from a movie, and Hollywood would do well to learn from this sweet little film. Definitely recommend it.

*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

Saturday, 8 February 2014

Three Short Sci-Fi Films

Hello hello!

So, when I'm not writing or reading, I am very fond of movies. Consider this a sort of "Missed It" review of some short films that I really enjoyed. recently. I'll be reviewing these in order of length, and in order of viewing, in fact. So! If you need a break from your Sherlock feels, something to watch that's not just on Netflix, or you're merely looking to spend a couple of hours on something different, I have just the thing.

The first is Pandemic, by Chuck Wendig.




Incidentally, I am now a Wendig-worshipper. The man's brilliant.


This was all show and no tell, and I think that's why I liked it so much. I could stand to watch it a couple more times, frankly. It creates a feeling of horror very effectively in a short time span, and there's minimal use of fancy effects or nonsense. The tension comes from the scale and the mysteries of the implications. What's up with the coal? Is the sister an alien? Possessed? What's the pandemic, exactly? What happens afterwards? It's brief, but very rewarding.


The second film of interest is Junk Head 1. 






I really liked this film because it was subtle, creepy, and unusual without sacrificing emotion or scale. Some of the design elements reminded me of Alien, but the horror really comes from all the unanswered questions about the world. How could humanity fall so low? The aesthetic is grim and oddly beautiful as well. There's even a bit of humour, something that post-apocalyptic settings often neglect, to their detriment. I don't really have anything bad to say about this one; it kept my attention and drew me into its world.

The creator worked on it mostly alone for four years, and is trying to raise funds for a sequel. You should help him. Yamiken Hori is obviously very talented.


The final film is Visioneers, coming in at the longest time.




It features Zach Galifianakis of the mighty beard. I was impressed with his performance and that of the other cast members--the dark comedy of the piece is really stellar. There's a ton of 1984 references as well. I haven't seen the film version, but structurally, Visioneers is similar--but just different enough.

Having worked in an office, OH GODS, THIS MOVIE. It really captures the emotional isolation, meaninglessness, and repetitive nature of office work. There's also some very clever commentary on how people who reject the rat race or try to escape it end up playing into the culture. I won't tell you too much, but it's an on-point analysis of Disney, Walmart, and large corporations in general. And it might just make you lose sleep. Oh, and did I mention the beautiful cinematography and excellent settings? It's precise, and on point, and I could write an entire article analysing it, but I'd prefer that you watch it for yourself. 




*****

Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 


Friday, 4 October 2013

Special Feature--Tracing The Stars by C.E. Kilgore

Hello hello!

Today I have an unusual feature--a release snippet from C.E. Kilgore to celebrate the release of Tracing The Stars! It's an unusual sci fi romance, so buckle your seatbelts--it's going to be a bumpy night!



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*****
Book Excerpt: Tracing The Stars , Chapter 1 – Hankarron gets a rude awakening

Ethan ran to catch up with Brom as the Orellian neared the carved-wood, double doors that lead into the solarium. Judging by the tense state of Brom’s muscles and the barely contained glare of his hazel eyes, Ethan surmised that Hank was about to get an unwanted and loud wake-up call.

Brom pushed open one of the doors and walked into the room, searching it for any sign of the Corwint. The room was dimly lit by the morning light filtered through the tinted acrylicite windows that filled the exterior wall and rounded upward to cover half of the ceiling. It smelled of old wood, musty carpet and whisky.

Brom eyed the empty, overturned bottle of whisky sitting on the carpet next to a high-back chair then looked at an identical, half-full bottle sitting next to a half-empty glass on a side-table. One of Hank’s arms dangled out to the side and gave a small twitch. With a deep breath to try and cool the fire brewing in his gut, Brom approached the chair and hit his hand against the back of it. “Get up.”

“Whoa… what…?” Hank’s brown eyes opened briefly then winced shut as the light in the room made his head pound.

Brom picked up the half-full bottle of whisky with disdain, his large fist tightening around the neck of the bottle. He’d promised Hank’s uncle, Jhonis, that he wouldn’t let the kid follow down the same path as his drunken father. “So, this is what you’re do’n now?”

Hank gave a gruff laugh of annoyance. “Not you, too. Tara pretending to be my mom is enough, thanks.” His hand raised to his temple as the room spun. “What time is it?”

Brom’s fingers clenched their hold on Tara’s jacket. “Time for you to grow the fuck up.”

“What?” Hank rubbed his eyes and attempted to open them again.

Ethan started to speak, but Brom signaled him with a shake of the head to let him handle it. “What did you say to her?”

“None of your business,” Hank grumbled.

“Wrong answer.” Brom set the whisky bottle down then tipped the chair forward and dumped Hank onto the rug. “What did you say to her?”

“The fuck, man?!” Hank tried to get up, but a wave of nausea overtook his body and forced him to stay on his hands and knees as Brom stood over him.

“I won’t ask again, Hank.” Brom hated having to do this. He loved Hankarron like a kid brother, but Tara was more like a daughter. In his world, she would always come first.

“I don’t know.” Hank sat back on his ass and tried to open his eyes again. “We had a fight, but it’s all a bit fuzzy. Everything is a bit fuzzy right now, actually.” Forcing his eyes to open through the pain, he noticed that Ethan was also in the room. “What’s going on? Is she refusing to come out of her room or something?”
Brom tossed Tara’s jacket into Hank’s lap. “She’s gone.”

“What?” Hank looked down at the jacket, his hand timidly running over one of the arms of faded brown canvas. “You sure? You know she’d never leave this behind.”

“Unless she never intends to come back,” Brom corrected.

Hank raised his gaze back up to Brom, trying to put the Orellian’s face into focus. “That doesn’t make any sense.”

Brom took in a slow, deep breath and crossed his arms over his broad chest. “That isn’t just her dad’s jacket, Hank, it’s also a promise. I was there when Garret gave it to her. Something about that mission had him worried, and somehow he knew he wasn’t coming back. He gave Tara his jacket before he left, and he made her and me both promise him something. He made me swear I’d look after her if something went wrong, and he made her promise that she’d always look after the Zera and her crew. Garret loved that damn ship and everyone on it, and so does Tara. The only way she’d ever leave that jacket and her promise to her dad behind is if you asked her to. So, for the last time, what did you say to my little girl?”

Hank’s mind stuttered as he tried to put Brom’s words into some form of comprehension through the alcohol wash swimming in his brain. His vision moved from Brom’s accusing glare down to Tara’s jacket as he struggled to recall what he said the night before. “I,” his voice broke as his eyes widened, looking to the far wall and the shattered glass pieces on the carpet next to it. “I told her to leave.” The hand still clutching the arm of Tara’s jacket started to shake as his voice fell to a frightened whisper. “I told her to leave and not come back.”

“You what?” Brom’s anger exploded as the cap flew off the bottle he had it contained in. “Do you have any idea what you mean to her? Are you really that fucking stupid?!”

“Take a breather, Brom,” Ethan finally stepped in, afraid that Brom may do something they’d all regret. Orellians were admired for their gentle natures and feared for the rare times when they did get angry. “Why would you say something like that to her, Hank?”

Hank tried to stand again, his own defences raising. He made it to his feet but remained stooped over and leaning against the mantle of the fireplace that was centered in the acrylicite wall. “I had my reasons. She’s been lying to me!”

“If this is because of what Jarren said about Orynn,”

“It’s not!” Hank cut Ethan’s words off. “Well, it is, but that’s the least of it. She knew, Ethan! She knew about Jarren and Keith, and about my parents. She’s known for nine damn years and she never bothered to tell me any of it!”

“For a damn good reason!” Brom jumped back into the conversation in Tara’s defense. “We all knew, Hank. Well, about your parents, anyway, but that’s beside the fucking point! You weren’t told because Jhonis wanted you to know the good people your parents were, and they were good people. They just made some bad choices, and Jhonis didn’t want you growin’ up with that hangin’ over you. Neither did Tara. You think it was easy for her to keep all that from you for so long? Goddammit, man, she’s in love with you, and has been since she had pigtails! So pull your selfish, hard head outta your ass and really think about what you said to her.”

“I didn’t mean it!” Hank cursed his hangover as he straightened his back and had to take in a quick breath to stop the urge to vomit. “I mean, I did, but I was pissed off, and I didn’t think she’d actually leave!”
Brom didn’t want to hear the excuses. “Well, how would you feel if the person you were in love with told you to leave and not come back?”

“How would you feel if you found out the girl you love has been lying to you for nine years?!” Hank shouted back, his chest heaving under the dead-weight of his heart and the growing urge to expel the contents of his stomach. “I get it. I overreacted. I said something I shouldn’t have, but I think I have every right to be angry and hurt, so step off your fucking box, Brom, and save it.”

With unsteady strides, he passed Brom to pick up the half empty whisky glass as the Orellian stood still, wide-eyed and staring. “You think I don’t know how long she’s been in love with me? You think I don’t know what a damn idiot I am?” He drank the stale contents of the glass, set it down and poured another. “I know I’m a coward, and I know that she can do a lot better than a fucking loser like me.”

Before Hank could put the full glass to his lips, Ethan knocked it from his hand and it spilled onto the carpet. For a moment, the ghost of the bitter, broken man Hank’s father became near the end had appeared in front of Ethan’s eyes, holding the whisky glass and saying almost those exact same words, except Hank’s father had been speaking about Hank’s mom, Elisen, and her pregnancy.  “I’ll be damned if you follow him down that road.”

C.E.Kilgore on Goodreads

All syndicate links: http://www.cekilgore.com/whispers.php

Author Links:

Author bio:
C.E. Kilgore (1981 - ) has always had a love of romantic stories and science fiction. Although active in the writing community during her undergraduate studies, she chose to focus on her love of history and culture. Graduating with an HBA in History and a BA in Cultural Anthropology, she puts a deep emphasis on creating characters and environments within her writing that are full of both culture and history. The relationship development between characters and the worlds they live in is also an important aspect of her stories. Sarcasm, comedy, hidden "modern" references and subtle hints at underlined universal meanings are common within her writing style, but there is always plenty of action and a darker side lurking just around the corner.

Book Links:

Book 1: Ghost In The Machine – FREE full length novel
Genre: Space Opera / Science Fiction Romance:
All syndicate links: http://www.cekilgore.com/ghost.php
Book Synopsis:
 "Love is like a wormhole. You stumble on to it blindly, it sucks you in and takes you somewhere completely
unexpected. You can’t fight it, because that would tear your ship apart. You can’t control it, either. All you can do is set your thrusters on glide and let it take you where it's going to take you."


Book 2: Whispers From Exile
Genre: Space Opera / Science Fiction Romance:

Synopsis:
The Ruisks were once a fierce and proud race with courageous spirits, but after over a century of being held captive under the oppressive leash of the Xen'dari Empire, they have become defeated, hollow shells that bow their heads in submission. Can Larx help his people find their courage again to stand against the oppression, and can he find his own courage to be true to his nature and the callings of his heart?


Book 3: Tracing The Stars
Genre: Space Opera / Science Fiction Romance:
Amazon: Not yet available

Synopsis:
Hankarron Eros has loved Tara since she had pigtails, but his fear of losing the strength and support that their friendship provides leads him to keep his heart's desires locked away. When the truth about his family is exposed and leaves him grasping to hold onto his ship, his crew and his sanity, words are spoken that can't be taken back and the presence he had grown so used to having at a convenient reach is gone.
*****
Thanks for dropping by the nest once again. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr. More interviews and witty commentaries are coming. Keep checking back to see those surprise posts, too. This is your darling SciFiMagpie, over and out! 

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